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On January 9, 2011, a sweet singer of Israel, Debbie Friedman, passed away. While her Hebrew yahrzeit is at the end of this month, for many this is becoming a month of remembrance. Family gatherings, concerts in her memory, special Shabbat Shira dedications in early February, as her legacy and her songs live on.
On Monday night, I ended my eighth grade class with a brief sharing of some of my own personal interactions with Debbie, and the enormous role she had in pointing the way to the path that became my life as a rabbi. When I teach Torah about m’lachim – angels in Jewish tradition, I often point out how, when they show up in our holy text, they bring a message that redirects the life path of the one being visited. Think Hagar (twice), Jacob wrestling with an angel, Joseph meeting a ‘man’ in a field who redirects him to find his brothers (without which the rest of the Joseph story that we have recently read in this year’s Torah cycle might never have unfolded). When I teach these texts, I ask people to think of the encounters in their own lives that might fall into this domain. Debbie was most certainly ones of those people for me. One of the last songs she wrote was a new setting for Shalom Aleichem – the poem we sing on Erev Shabbat to welcome the Sabbath angels into our homes and our lives … how fitting.
Many have written far more eloquently than I about the legacy of Debbie’s music; how she transformed the way we sang our souls to God, and the sound of prayer in our sanctuaries; and how her blending of English and Hebrew enabled us to understand and connect with the prayers in a deeper way. For me, and for many who had personal encounters with Debbie, whether they were intimate friends, or once-only events, the legacy that we remember goes beyond the gift of the music. In the outpouring of remembrances that were shared online in the days and weeks that followed her passing, what so many shared was the way that Debbie was deeply and truly present to others. She had a gift for seeing within another person and, in that moment, asking the most important question. She was a Spiritual Director of sorts, although she would never have claimed that label.
During this month of January as I remember, sing Debbie’s songs, look through old photographs, and connect with others, I know that all who do likewise, in the USA and beyond, are truly making her memory be for a blessing. ‘And you shall be a blessing’, she sang to us. Now we sing it for her.
At the end of my eighth grade class, I played the original recording of Debbie as a teenager singing the Shema. I told them how young she had been when she began to write these melodies, how she song-lead at camp, how she went on to touch so many thousands of lives. I pray that, while they will never have the blessing of meeting Debbie Friedman, they may still be touched by her gifts and inspired by her life.
Pronounced: shuh-BAHT or shah-BAHT, Origin: Hebrew, the Sabbath, from sundown Friday to sundown Saturday.
Pronunced: TORE-uh, Origin: Hebrew, the Five Books of Moses.