Keshet is a national organization that works for LGBTQ equality in Jewish life. The organization equips Jewish leaders with tools to build LGBTQ-affirming communities, creates spaces for queer Jewish teens to feel valued and develop their own leadership skills, and mobilizes the Jewish community to fight for LGBTQ justice. Keshet’s blog spotlights this work, as well as the voices of LGBTQ Jews, our families, and allies.
We’re grateful to Ayin Weaver for sharing a behind the scenes look at the inspiration for her debut novel, Bleed Through. Bleed Through follows 4 families through 200 years of their history.
The title Bleed Through, is a painting term and metaphor for the layers of discovery experienced by the main character. Being an artist myself, I created Rita’s talent, perceptions and imagination using my own artistic gifts and skills.
I began writing this novel many years ago after a particularly difficult break-up. I had grown up listening to Jewish stories told by my parents, who themselves were first-generation Americans. They spoke Yiddish and English at home where I learned from intonation, the nuances of a culture that was at a crossroads. I also learned some of the cornerstones of Judaism, not that my parents were religious—they were more culturally Jewish. But they lived a Tikkun Olam sensibility—through their world view and progressive activism. While I greatly appreciated the outlook they inspired, it was not enough for me.
As I reached adulthood I had feelings of being in the wrong body—after coming out I dated women some butch, some fem—never quite being able to figure out a comfortable sexual identity. I was unaware in the 1960’s of any possibility of living as a different gender. I cut my hair, wore boys clothes, drove a cab, painted houses—did whatever possible to feel comfortable in my skin. Later, I began to search for a deeper spiritual understanding to find the root of the pain I felt.
What transpired was a spiritual journey that lay beneath the surface of my confusion. Slowly over the years I came to understand a broader soul connection with people I met and began to accept myself as having both a feminine and masculine side. I was able to integrate these feelings through my politics, art, parenthood, teaching and intuitive abilities. I began to write poetry, short stories, write down my dreams as well as sculpt and paint more. The more I gave myself permission to be creative, the more joyful and intuitive I became. I read books on history, religion, spirituality, quantum physics, mysticism and alternative medicine, the latter bringing me to the study of Reiki. In 2003, after training for many years I became a 6th generation Usui Ryoho Reiki Master.
I used my healing training, dreams, art, and many books and research on spirituality and history (including African -American, Native American, Irish and Jewish history) to write Bleed Through. My intent was to tell a tale that highlights the absurdity of prejudice. In someways, I feel it is a simple story of love and courage—a bit like my own. But it is also a way of looking at the issue of gender identity, sexual orientation, sexism, racism and anti-Semitism that may have a positive impact, that says we are one, and that for me comes full circle to what I learned a long time ago—Tikkun Olam.
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