Zalman Schachter-Shalomi’s “A Heart Afire”

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As one of the founders of the Jewish Renewal movement, Rabbi Zalman Schachter-Shalomi has labored his whole life to make Jewish and Hasidic teachings palatable to the current generation of secular Jews.

In some ways, Schachter-Shalomi has succeeded admirably. He’s created a legion of followers all over the world who collect and disseminate his teachings on books and videos; hold get-togethers, celebrations, and study events; and bring the essence of Jewish mysticism into their lives in new forms — just as the Baal Shem Tov, the founder of Hasidism, endeavored to do himself 3000 years ago.

On the other hand, some of the traditions innovated by Reb Zalman and his partners in the Jewish Renewal movement probably would have the Baal Shem Tov and his own cadre of Jewish innovators rolling over in their Eastern European graves — from the recitation of the Shema while performing stretches or meditations originally intended as the worship services of other religions, or redefinitions of marriage as unrestrained sex. What can’t be argued is that Reb Zalman has kept Judaism on its toes, new and profound and profoundly changing.


rabbi zalman schachter-shalomi

In his new book, A Heart Afire: Stories and Teachings of the Early Hasidic Masters, Schachter-Shalomi (along with his coauthor, Netanel Miles-Yepez) attempts to reconnect with the traditions of the Baal Shem Tov, his teachers, and his students. One part history lesson, one part biography, and one part religious instruction manual, this book attempts to get at the heart (sorry) of Jewish mystical thought through the people who shaped it.

Told mostly through stories, with a little bit of teaching and a good deal of anecdotes, this is a book written in the vein of a Hasidic gathering. Stories loop and segue in multiple directions. The authors will interrupt a story with another story, and then, in order to reconcile the two, they’ll tell — you guessed it — another story. It’s a technique that works surprisingly well, considering the density of the subject matter and the thickness of the book. The technique that separates each story, too, doesn’t seem like it should work — different fonts, italicizations, or boldfacings — but it’s a totally natural read, and it really feels like a panoply of voices coming at you, keeping a pace that’s both conversational and vibrant.

Posted on August 4, 2009
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