We’re grateful to Ayin Weaver for sharing a behind the scenes look at the inspiration for her debut novel, Bleed Through. Bleed Through follows 4 families through 200 years of their history.
The title Bleed Through, is a painting term and metaphor for the layers of discovery experienced by the main character. Being an artist myself, I created Rita’s talent, perceptions and imagination using my own artistic gifts and skills.
I began writing this novel many years ago after a particularly difficult break-up. I had grown up listening to Jewish stories told by my parents, who themselves were first-generation Americans. They spoke Yiddish and English at home where I learned from intonation, the nuances of a culture that was at a crossroads. I also learned some of the cornerstones of Judaism, not that my parents were religious—they were more culturally Jewish. But they lived a Tikkun Olam sensibility—through their world view and progressive activism. While I greatly appreciated the outlook they inspired, it was not enough for me.
As I reached adulthood I had feelings of being in the wrong body—after coming out I dated women some butch, some fem—never quite being able to figure out a comfortable sexual identity. I was unaware in the 1960′s of any possibility of living as a different gender. I cut my hair, wore boys clothes, drove a cab, painted houses—did whatever possible to feel comfortable in my skin. Later, I began to search for a deeper spiritual understanding to find the root of the pain I felt.
What transpired was a spiritual journey that lay beneath the surface of my confusion. Slowly over the years I came to understand a broader soul connection with people I met and began to accept myself as having both a feminine and masculine side. I was able to integrate these feelings through my politics, art, parenthood, teaching and intuitive abilities. I began to write poetry, short stories, write down my dreams as well as sculpt and paint more. The more I gave myself permission to be creative, the more joyful and intuitive I became. I read books on history, religion, spirituality, quantum physics, mysticism and alternative medicine, the latter bringing me to the study of Reiki. In 2003, after training for many years I became a 6th generation Usui Ryoho Reiki Master.
I used my healing training, dreams, art, and many books and research on spirituality and history (including African -American, Native American, Irish and Jewish history) to write Bleed Through. My intent was to tell a tale that highlights the absurdity of prejudice. In someways, I feel it is a simple story of love and courage—a bit like my own. But it is also a way of looking at the issue of gender identity, sexual orientation, sexism, racism and anti-Semitism that may have a positive impact, that says we are one, and that for me comes full circle to what I learned a long time ago—Tikkun Olam.
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At Keshet we know how important it is to provide diverse resources for families. Last year we worked with author Elisabeth Kushner to create the first Jewish themed picture book featuring an LGBT family, The Purim Superhero. When we heard that S. Bear Bergman, Jewish educator, author, and storyteller, was creating an LGBTQ2S-themed book club, we knew we needed to learn more. Read on to get the scoop on the Flamingo Rampant Book Club, which features picture books for 4-8 year olds. Joining the book club means you’ll receive six books throughout the year. Bear is currently raising funding to support the project.
What was your inspiration for the Flamingo Rampant Book Club?
The truth is I was reading to Stanley, my four-year-old one night before bed. We had some new LGBTQ2S themed picture books, which my husband, who’s an expert on the topic, had ordered. These were out of print or from small publishers. Stanley asked if we could read the new books, and I said “sure, why not?” But every single one of them contained really difficult, extended descriptions of bullying. We read a couple, but eventually he looked at me and said, “I don’t want this anymore. I don’t like these bully stories.”
And all of a sudden I started thinking: “What are we sending our kids to bed with? What are the last images and stories that we’re offering them to carry into their dreams?”
The books we’d just read were fairly horrible–I mean, everything turned out all right in the end. But the descriptions of bullying we’re so substantial, they almost seemed like manuals for taunting, ostracization, and harassment. I’m a writer, and a lecturer; I do a lot of work around questions of gender and sexual orientation and I have for more than two decades. I am fortunate to be married to a guy who, among his many sterling personal qualities, is an expert on creating celebratory and inclusive classrooms for people of all genders and sexual orientations.
The books in the Flamingo Rampant Book Club include full stories of people of color written by people of color. Why was this important for you?
My family, which includes my chosen family, is fairly racially diverse and certainly diverse in terms of genders and sexual orientations. And my artistic community, ditto. We really wanted books that represented the world in which we actually live, and we also wanted to contribute positively to the experiences of families of color–especially LGBTQ2S families of color. At the moment, there are–as far as we know–only three or four books anywhere at all that feature lesbian or gay or bi or trans families that are anything other than white.
The industry average for representations of people of color in children’s books in 7%. To me, that’s a really shameful number. The prevailing wisdom within publishing directly mirrors the inequalities that already exist in our society–girls will read books about boys, but boys won’t read books about girls. Parents will buy books featuring white children or families for their Black, Indigenous, or Of-Color children, but white parents won’t buy books featuring Black, Indigenous, or Of-Color children or families for their white children. The result of all this is that the overwhelmingly majority of picture books center on white children; mostly boys.
So much of LGBTQ literature for kids focuses on stories of overcoming bullies and challenges centering on their (or their families) LGBTQ identity. The books in the Flamingo Rampant Book Club take a different approach–how has this shifted the narrative of the book club?
There are so many other things to talk about! That’s the thing that I find so bewildering. Let these people take trips! Let them have adventures, let them solve mysteries, let them celebrate things, let them worry about other things besides their identity–moving, new school, going to the dentist, any number of interesting childhood challenges that can be overcome. Flamingo Rampant Book Club’s mandate is positive representations. If people really feel that they urgently require a book that is about bullying in order to bring some realism, there are plenty of books for them already.
If a family isn’t LGBTQ, is this the right book club for them?
Absolutely. This book club is a good fit for any family regardless of sexual orientation, gender, family size or style, race, ethnicity that wants their children to grow up with positive messages about lesbian, gay, bisexual, transgender, two-spirit, queerer, or gender-independent people. That’s all that’s required. Whether your family knows LGBTQ2S people or not, these books all center around a story. So there’s plenty to hold the attention of a young person, and plenty of opportunity to open up conversations about issues of gender or sexual orientation without it seeming abstract, or like it’s coming out of nowhere. Rabbi Danya Ruttenberg, who does a lot of work and writing around parenting and spirituality and was an early supporter of Flamingo Rampant’s first project, told us that her favorite thing about those books was that they gave her a way to talk to her children about gender roles that was based on something they had just positively experienced together.
I also got the following email recently from a friend, who had just received it from their friend:
Do you remember the book you gave [our daughter]–The Adventures of Tulip, Birthday Wish Fairy about Transgender children? We had a friend visit who is trans and we read the book to [our daughter] so she could better understand who [our friend] is. [Our daughter] got very excited after I read the book to her, saying ” so [our friend] used to be a girl and now he is a boy” I said yes and then she said very happily: “so that means Fairies are real” That’s life with a four-year-old.
What has surprised you during this process?
Honestly, I have been surprised at how many people have marginalized this series as something that would only be of interest to LGBTQ2S parents and families. Of course, it’s lovely to have affirming books to show our children that represent our family and family like ours. But my kid sees positive images of families like ours every day-he lives in one! Think about the child who doesn’t get any specifically positive images of LGBTQ2S families. That kid is left with whatever filters through from media, and whatever kids say on the playground. I hope progressive, feminist parents will also recognize this book series a powerful tool for positive change in their families, schools, libraries and so on.
What’s next for you and for the Flamingo Rampant Book Club?
Well, the next 20 days will be devoted to getting enough people to sign-up that we can make this project happen. If 450 families don’t sign up for subscriptions, or if we don’t get the equivalent in funding, then there will be no books for anyone. So right now, I’m hustling to make sure we get the most media exposure that we can manage to make sure that the message reaches as far as I can get it to reach. After that, a nice nap. And after that, I’ll be doing some dates with the Jewish Book Council this year to various Jewish Book Festivals across the United States, continuing to perform and lecture at universities and festivals, trying to figure out the kindergarten drop off and pick up schedule, and trying to make some progress on my novel.
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