The following article is adapted with permission from Reform Judaism magazine.
“I can’t remember a single coherent sentence Paul Sills said. But as it often happens with talented directors… somehow he got his message across.” –Alan Arkin
In the late ’50s, after helping to create television sketch comedy, the modern humor magazine, and the stand-up routine, Jewish writers invented yet another comedic institution: contemporary improv theater. Founded in 1959 and named for an article about Chicago in The New Yorker by A. J. Liebling, Second City attracted the University of Chicago’s best and brightest. Second City would, over the next decade, launch the careers of numerous Jewish celebrities, including Mike Nichols, Elaine May, Alan Arkin, Joan Rivers, Robert Klein, George Segal, Ed Asner, and David Steinberg.
In 1963, continuing in the politically aware, satirical tradition of The Realist and Second City, The Committee emerged in San Francisco as the comedy troupe for the hippie counterculture. Appearing frequently on The Smothers Brothers Comedy Hour and in its own self-titled concert film, both in 1968, The Committee included such future Jewish comedic lights as Rob Reiner, Gary Goodrow (a Beat poet and future co-author of the first two Honey I Shrunk The Kids movies), and Carl Gottlieb (screenwriter of Jaws and The Jerk, among other films).
Fumbling & Filmmaking
“I’m nine, going on 69!” –Jerry Lewis
While Jewish comedians were breaking new ground in the world of improvisation, Jerry Lewis was staking out a middle ground between crowd-pleasing clown and social commentator. Film historian Leonard Maltin notes in his book The Great Movie Comedians that Lewis almost single-handedly carried the banner of film comedy throughout the ’60s, as most of his colleagues migrated to television.
As writer, producer, and director of his own movies, Lewis wanted to make a statement about the plight of the “little guy.” While his comedy had nowhere near the sting of Lenny Bruce, it was more critical of society than the antics of Sid Caesar.
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