Rabbis Without Borders
Rabbis Without Borders is a dynamic forum for exploring contemporary issues in the Jewish world and beyond. Written by rabbis of different denominations, viewpoints, and parts of the country, Rabbis Without Borders is a project of Clal – The National Jewish Center for Learning and Leadership.
It was dry inside the Avalon Theatre in Washington, D.C.’s Chevy Chase neighborhood. The audience for the 22nd Washington Jewish Film Festival sat mesmerized as they watched the opening night Israeli film, “Mabul” (“The Flood”).
“Mabul” tells the difficult story of an Israeli family whose eldest son is severely autistic. After 12 years of living in an institution, Tomer is abruptly sent home and arrives just before his younger brother’s bar mitzvah. Tomer’s presence creates havoc within the family and challenges the tolerance of the residents of the village where Yoni, the younger brother, lives with his parents.
Throughout this heart-wrenching drama — overflowing with scenes of bullying, infidelity and a near-death drowning experience — you see Yoni practicing his trope. His Torah portion is Noach, from Genesis 6. We experience the metaphorical emotional flood that comes in waves during the course of the film.
“These are the generations of Noach. Noach was in his generations a man righteous and whole-hearted. Noach walked with God.”
Several months ago, Adam, an autistic 21-year-old had his bar mitzvah in our synagogue. Adam also sings in our temple choir; during rehearsal, he sometimes mimics other members. However, he is always in tune and on pitch. During his bar mitzvah ceremony, the cantor stood next to Adam for support as he chanted his entire portion without hesitation. The young man simply sang back the trope exactly the way his teacher had chanted it. Exactly. With the same intonation, the same rhythmic cadences, the same beautiful phrases. As a community, we experienced a miracle!
In “Mabul,” the bar mitzvah creates expectations and tensions for this family in crisis. As I watched the film, I pondered whether it was necessary to pursue this once-in-a-lifetime ritual given the family’s challenging situation. Who needs this bar mitzvah anyway?
We, the audience, need this bar mitzvah in order to celebrate. Yoni and Tomer’s family needs this bar mitzvah in order to function as a family again. The community needs this bar mitzvah in order to validate its traditions.
And as in every good film, in “Mabul” everyone is transformed and redemption takes place inside the house of worship. In spite of all the evil that surrounds these characters, just like in the story of Noach the good dominates.
“And God said, This is the token of the covenant which I make between Me and you and every living creature that is with you, for perpetual generations.”
Yoni begins to chant his Torah portion and the sounds of his older brother, Tomer, follow his lead. Together, as brothers, they share this long-awaited bar mitzvah. Two by two. Heart to heart. Trope by trope.
Pronounced: bar MITZ-vuh, also bar meetz-VAH, Origin: Hebrew, Jewish rite of passage for a 13-year-old boy.
Pronounced: MITZ-vuh or meetz-VAH, Origin: Hebrew, commandment, also used to mean good deed.
Pronounced: NO-akh, Origin: Hebrew, the biblical character Noah.
Pronunced: TORE-uh, Origin: Hebrew, the Five Books of Moses.
Pronounced: TROPE, Origin: Yiddish, notations indicating the tune for chanting the Torah portion or other biblical text.