Rafael lives in 15th-century Spain. His father, Don Fernando, is the conductor of the Barcelona Symphony. But their family harbors a dangerous secret: They are Jewish conversos, forced to publicly convert to Christianity in order to keep from being exiled or killed.
Of course, this is all just background. The Secret Shofar of Barcelona — a new picture book written by Jacqueline Dembar Greene (better known as the author of the Jewish “American Girl” books) and illustrated by Doug Chayka, is a good-natured story for young children about a boy growing up in the Spain of the Inquisition.
He and his family remain secretly Jewish, though, and any time that they venture to perform a Jewish ritual — whether it’s lighting the candles on Friday dinner or blowing the shofar on Rosh Hashanah — it must be done covertly.
When the rest of the universe thinks you’re not Jewish, however, some things get overlooked — like Don Fernando’s being commissioned to perform a new symphony on the first night of Rosh Hashanah, which must be performed live for the local Duke. The rest of the family frets and worries. Or, at least, they do until Rafael devises a plan so that the whole family might hear the sounding of the shofar.
I won’t give anything away — not that it’s that hard to guess, of course. The plot is even and nonchalant. Perhaps it’s a little too nonchalant, considering that we’re dealing with one of the most horrific periods in Jewish history. The attitude that Rafael’s parents and their friends have when secretly expressing their Judaism seems a lot less daring than most of the literature would have you believe, with prayerbooks strewn around the house as the adults schmooze in the drawing room.
But the book’s treatment of the everyday actions of conversos is still both realistic and chilling. The narrative gets you solidly into the head of a young boy and his time period, and over comparatively few pages, it builds an effective world. The art is a little fuzzy and baroque for kids, but it’s bright and colorful and vivid, and the style has that otherworldly quality that makes it feel like the book is a window to another century and country.