Jews read sections of the Torah each week, and these sections, known as parshiyot, inspire endless examination year after year. Each week we will bring you regular essays examining these portions from a queer perspective, drawn from the Torah Queeries online collection, which was inspired by the book Torah Queeries: Weekly Commentaries on the Hebrew Bible. This week, Marisa James examines
Parashat Vayakhel and Parashat Pekudei
and how we can all appreciate the beauty of a complex world.
When I first read this week’s parashah, with their detailed lists of the sockets, pegs and posts that go into building the
, I could only imagine that the children of Israel had somehow ended up at the Sinai IKEA. I pictured Moses, in a burst of confidence after getting everyone across the sea, picking up the “A_rk oöf Tabêrnäkkle” kit and making everyone sit down to decipher wordless instructions on how to build the thing.
But really, there’s something lovely about the time and care that goes into all of these descriptions. Last week’s portion Vayakhel and and this week’s portion Pekudei continue our languorous journey through the design and creation of the tabernacle. During their 430 years in Egypt, laboring as slaves, building stark, massive pyramids for a succession of pharaohs, the children of Israel have been deprived of beauty. As we’ve seen, they have lacked imagination until now; they bitterly complain to Moses at every turn, until he produces yet another miracle, which they promptly forget again when they are hungry, or frightened, or want something tangible to worship.
But in the building of the Mishkan, the children of Israel become artists. Yes, there are specific instructions for how to build it, but each member of the community, we are told, gives what they can: their goods, their effort, and their talent. And we are privileged to read about the results in loving, careful, artistic detail. Beauty is a necessity, both for Moses and the Israelites then, and for us now.