The following article is reprinted with permission from A Historical Atlas of the Jewish People edited by Eli Barnavi and published by Schocken Books.
In a pamphlet published in 1873, Der Sieg des Judentums uber das Germanentum (“The Victory of Judaism over Germandom”), Wilhelm Marr, the German political agitator, coined the term “antisemitism.” Fortuitous though it may have been, the coincidence of the invention of the word and the manifestations of what could be considered early modern anti-Semitism was certainly very symbolic. Themes and notions of a whole new kind were now grafted upon traditional anti‑Judaism.
A neo-Nazi rally
It should be emphasized, however, that anti‑Jewish attitudes based on traditional theological and economic reasons were still widespread throughout European society, mostly among the peasant population. They were still voiced in western and central Europe, but were particularly prevalent in eastern Europe and the Balkans.
Modern antisemitism, on the other hand, was especially potent in those lands and those sectors of society which were undergoing a rapid process of industrialization and urbanization. Without actually supplanting the older hatreds, it was the new themes which now came to the fore in the more advanced societies. The early 1870s constituted the formative years of the novel phenomenon.
Several socio‑economic, cultural, and political elements converged to give birth to modern antisemitism. The process of desegregation of the Jews in western and central Europe was undoubtedly an important factor. The growing presence of Jews in the larger urban centers, their rapid social ascent, their visibility in the liberal professions, in the wor1d of finance, in the press, and in the arts, as well as in left‑wing political movements, provoked violent reactions.
These reactions were exacerbated by fantasies entirely divorced from reality: the Jewish minority, representing between 0.3% and 1% of society at large, was described as an occult force, manipulating both capitalism and revolution in order to achieve domination over all nations. This was the central theme of La France Juive by Edouard Drumont (1886) and of the “pioneering” work of the Fourierist Alphonse Toussenel, Les Juifs, rois de l’époque (“The Jews, Kings of the Era,” 1845). The negative, often diabolical, stereotype of the Jew inherited from medieval Christian anti-Judaism, far from disappearing in modern times, reemerged in secularized versions.
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