Southern & Jewish
Southern & Jewish celebrates the stories, people, and experiences – past and present – of Jewish life in the American South. Hosted by the Goldring/Woldenberg Institute of Southern Jewish Life, posts come from educators, students, rabbis, parents, artists, and many other “visitors-to and daily-livers-of” the Southern Jewish experience. From road trips to recipes to reflections, we’ll explore a little bit of everything – well, at least all things Southern and/or Jewish. Shalom, y’all!
I am coming up on my one-year anniversary of working at the Jewish Women’s Archive. It’s a pleasant shock that nearly twelve months have passed since I joined the Jewish communal world; before I came to JWA, I maintained a safe distance from full-time employment with a Jewish organization.
I left my position as executive director of a summer writing camp last spring to figure out my next steps. Like many women my age (I am looking directly into the jaws of turning 50) I knew that the time had come to make a deliberate change. My kids were getting older, I needed more colleagues, more intellectual grist, blah blah blah.
Last month, I had the good fortune of reflecting on the changes of this past year, as I prepared to teach my first workshops with my JWA skirt on. I went to Jackson, Mississippi for the annual education conference of the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL). As a guest presenter, I taught about the importance of primary source-based learning, Jews and the music of the civil rights movement, and what inspiring Jewish women like Bella Abzug and Queen Esther can teach us about costumes and identity.
Moments like this are when I know I made the right shift in my career. I am learning a whole new lexicon. A new prism for viewing the world. A history I knew existed, but didn’t really know how to access. A framework for living the next decades of my life. An understanding that feminism is not monochromatic. And, as a result, a passion for the subject matter I get to shepherd(ess) every day.
Which brings me, again, to the ISJL. I listened to music from the civil rights era pretty much nonstop for a few weeks to get me into the mindset for teaching the topic. I learned many new details about Freedom Summer. I read and re-read Heather Booth’s letter to her brother, in which she writes about her “fear and exhaustion” but also the “songs that help to dissipate the fear.” The more I learn about Freedom Summer (I got an early look at the extraordinary new Stanley Nelson documentary which premiered June 24 on PBS), the more I am humbled by the bravery of all the volunteers.
I am also profoundly inspired by the Jewish civil rights workers who comprised an estimated 50% of those college-age volunteers that summer. They went to heal fractured communities, to encourage the disenfranchised to vote, to bring a modicum of dignity to those whose basic democratic freedoms had been denied for over a hundred years, and to try and build a better world for the next generation through the creation of Freedom Schools.
Is it okay to say I had fun preparing for my first conference, even when the topics were tough? I had fun because I discovered new ways to think about my own history and identity and how to translate these discoveries for others. I have a new modus operandi, which I am proud to have and even prouder to impart—I kinda lectured friends at dinner about the important Jewish role models who preceded us, and not only were my friends encouraging, they were thrilled to learn the stories that were new to them.
And I had a great time teaching at the ISJL conference; the educators were smart, eager to learn new materials, and committed to sustaining Jewish life in their home towns. As a northeastern Jewess, I was moved to learn about the many small communities in the South where one Jewish educator nurtures and nourishes the children growing up there, and how, like Bella and Esther, these educators have to wear a few identities to navigate their different orbits.
My time in Jackson also had an unexpected “shining moment.” I met Pam Confer, who was at the hotel to plan for Freedom Summer activities later in the week. I asked her if she would come and sing “This Little Light of Mine” during my presentation on civil rights and music. I had planned on playing a recording of Betty Fickes’ version of the song, but the thrill of having a local artist sing was too tempting to pass up; her beautiful voice filled the room and showed us all how the power of music can bring people together. Everyone was smiling and clapping; the mood in the room was electric.
Thank you, ISJL, for introducing me to Southern Jewish life, and giving me the chance to experience shining a new light. And as we approach the 4th of July holiday, may we continue working toward liberty for all!
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