I am coming up on my one-year anniversary of working at the Jewish Women’s Archive. It’s a pleasant shock that nearly twelve months have passed since I joined the Jewish communal world; before I came to JWA, I maintained a safe distance from full-time employment with a Jewish organization.
I left my position as executive director of a summer writing camp last spring to figure out my next steps. Like many women my age (I am looking directly into the jaws of turning 50) I knew that the time had come to make a deliberate change. My kids were getting older, I needed more colleagues, more intellectual grist, blah blah blah.
Last month, I had the good fortune of reflecting on the changes of this past year, as I prepared to teach my first workshops with my JWA skirt on. I went to Jackson, Mississippi for the annual education conference of the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL). As a guest presenter, I taught about the importance of primary source-based learning, Jews and the music of the civil rights movement, and what inspiring Jewish women like Bella Abzug and Queen Esther can teach us about costumes and identity.
Moments like this are when I know I made the right shift in my career. I am learning a whole new lexicon. A new prism for viewing the world. A history I knew existed, but didn’t really know how to access. A framework for living the next decades of my life. An understanding that feminism is not monochromatic. And, as a result, a passion for the subject matter I get to shepherd(ess) every day.
Which brings me, again, to the ISJL. I listened to music from the civil rights era pretty much nonstop for a few weeks to get me into the mindset for teaching the topic. I learned many new details about Freedom Summer. I read and re-read Heather Booth’s letter to her brother, in which she writes about her “fear and exhaustion” but also the “songs that help to dissipate the fear.” The more I learn about Freedom Summer (I got an early look at the extraordinary new Stanley Nelson documentary which premiered June 24 on PBS), the more I am humbled by the bravery of all the volunteers.