Maxim D. Shrayer: Papa, let’s continue with our topic. What happens after a Jewish writer emigrates from the USSR to the USA? Of the fourteen stories in
Dinner with Stalin
, you wrote 13 in America, as an immigrant. What has changed in your creative laboratory?
David Shrayer-Petrov: First of all both the immediate environment and the greater environment have changed. Most of these stories fashion Russian—Jewish-Russian—characters living in America. In this sense, I’ve become an American writer. Take the story “The Valley of Hinnom.” Even though much of the action is set in Moscow and in Israel, I could never have written this story without knowing that the main characters are former refuseniks living in the US.
MDS: One more “American” question, then. A number of your stories are set in New England cities and towns, in Rhode Island and Massachusetts—Providence, Little Compton, Worcester, towns on Cape Cod. And there are also European stories set in Paris, Moscow and Leningrad, and scenes of Rome and Jerusalem, composed, as it were, from memory. How have many years of living in New England influenced your stories?
DSP: I’ve lived here for almost twenty-eight years. I think that I’ve rooted myself in New England. It has become my second—now my main—habitat. If asked about it, I now respond without hesitation that I’m a New Englander, even though I lived for fifty years in Russia, in Leningrad and Moscow. I actually wonder how I was able to write, so many years later, the short story “The Bicycle Race” and set it in the Leningrad of my youth. I guess I really wanted to fish out of the depth of memory and to reconstruct the image of a very complex individual. He’s called “Shvarts” in my story, but his prototype was Eduard Chernoshvarts (nicknamed “Chyorny” which literally means “black” in Russian), a famous Soviet cyclist. He was a Jew who had risen above the masses in the 1940s, when there was a strong popular anti-Jewish sentiment. In my story he’s a great Jewish athlete, but hardly a Jew of high moral standing…