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Excerpted with permission from The Jewish Religion: A Companion, Oxford University Press
Some Very Ancient Liturgy
The Book of Psalms, Hebrew Tehillim, (“Praises”), is the first book of the third section of the Bible, the Ketuvim or Sacred Writings, and comprises 150 psalms. Many of the psalms have superscriptions, describing their contents, their author, and, it is generally assumed, in some cases, the melodies to which they were sung in the Temple. In the Jewish tradition, but not in the King James Version, these superscriptions are counted as separate verses. (The New English Bible translation omits the superscriptions altogether: an extremely odd procedure, since, even if the superscriptions are later additions, they became part of the book at a very early period, and one would have thought that the aim of any translation should be to convey the book as it has come down though the ages.)
Many of the psalms are obviously liturgical compositions. The Levites [in the Temple] sang a psalm for each day of the week and on the Sabbaths and festivals, accompanying the song with instrumental music.
Are They All King David’s?
It has long been noted that the first Psalm appears to be an introduction to the book as a whole, as Psalm 150 appears to be an epilogue. There is a concluding note at the end of Psalms 41, 72, 89, and106, which suggests that the book is in five separate sections. The rabbinic midrash [rabbinic interpretation from the period of the rabbis of the Mishnah and the Talmud] to Psalms states that David composed his Psalms in five books, just as Moses wrote the five books of the Pentateuch. In this Midrash, and very frequently in the Rabbinic literature, David is assumed to be the author of the book of Psalms.
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