Soulico, Arabic Flow, and a Bit of Torah

By | Tagged: culture

The key to hip-hop music–the music part, that is–is restraint. A sparseness of beats, the use of musical samples when they’re needed and a careful placing of the bombast. The first time I heard N.W.A., the original gangsta rap group, I couldn’t believe that this was the music that adults were warning us about. Yes, there were a bunch of curses and adult themes. But it was so not loud. It was smooth, danceable, catchy. It was almost…chilled out.

soulico exotic on the speakerBut that’s the key to getting crazy, isn’t it? Knowing when to get wild and when to hold back. Rebbe Nachman speaks about how a lion only hunts a few hours a day; the rest of the time, it relaxes in the shade. And the feeling you get when Dr. Dre easily, almost drearily, croons the words, “If your @$$ get smoked, it’s my bullet you caught,” is that he’s a yawning lion.

The Tel Aviv hip-hop crew Soulico, the newest assignees to JDub Records, knows this feeling. Their debut full-length, Exotic on the Speaker, features a rotating microphone stand, with different hip-hop M.C.s filling in the vocal duties on each track. It might seem like a strange gambit for an instrumental band, but it’s a less edgy, more accessible way to appeal to listeners…and, although the album is certainly busy with voices, it is undoubtedly the music which is foremost in the speakers.

Clever tricks, otherworldly keyboard noises, and fresh-sounding beats with crisp world-drum sounds and thumping tablas all mix with an eager ferocity…but, wisely, are never given to excess. And maybe it’s an identity crisis, but the rotating-door policy of singers makes sense when you listen, lending the music its signature flow, its recurring hooks, and the constant what-was-that? feeling of a mixtape–or the veneer of famousness that opens Saturday Night Live every week.

The album’s first vocalist is a curious choice for a Tel Aviv-based Israeli collective — it opens with Wu-Tang Clan member Ghostface Killah shouting “Salaam aleikum” at the audience. From there, the song descends into a rapid Arabic/English exchange between Ghostface and an M.C. named Saz. Tomer Yosef–the Tel Aviv-based MC whose solo album Laughing Underground JDub released last year — also contributes a verse, in English.