It’s not news that a Hasidic Jew can rule the charts or that Yiddish-revivalist klezmer-punk bands are capable of rocking out. The big revelation of Jewish music in 2009 might be this: The Jewishness just might not matter.
Hasidic singer Matisyahu‘s song “One Day” was named the official song of the 2010 Olympics — not because or in spite of the fact of his being a Hasid; it’s just a good song. Meanwhile, Jewish music labels such as JDub and Shemspeed have tried to breach the mainstream with new offerings — in some instances, releasing hip-hop or folk-pop albums that just happen to have Jewish content; in others, introducing the world to entirely new forms of music based on traditional Jewish modes and melodies. Below are the year’s top five moments in Jewish music, from the mainstream to the cutting edge.
“No one’s laughing at Godâ€¦we’re all laughing with God.”
Regina Spektor, “Laughing With”
Regina Spektor breathes new meaning into the idea that there are no atheists in foxholes — that, just by living, we’re both getting played with by God and hanging out with God. In her song, the Creator is variously portrayed as the coolest guest at a party, a funny uncle, and Jiminy Cricket. In the end, God is one of us — or, at least, God is someone we aren’t totally weirded out about being created in the image of.
All the lyrics on the Girls in Trouble album
by Girls in Trouble, a.k.a. Alicia Jo Rabins
Of all the developments in Jewish music this year, none is likelier to be lasting — and none takes its inspiration from a greater source — than fiddler Alicia Jo Rabins‘ solo project. She picked ten female characters from the Bible, from Miriam to the nameless woman accused of adultery in Parashat Naso , and wrote songs in their voices. The songs can stand on their own, even if the listener doesn’t know about the biblical tie-ins or even that they exist. But listening to them in tandem with the source material is an enriching, and mind-blowing, way that raises both the songs and the text to new heights.