Reprinted with permission from Meshuggenary: Celebrating the World of Yiddish (Simon & Schuster).
Mendele Mokher Seforim, Sholom Aleichem, and I.L. Peretz [three of the most influential Yiddish writers] laid the foundation for modern Yiddish literature–and by their deaths, during World War I, Yiddish writers had found a wide, receptive audience.In Poland, stimulated by writers like Peretz, Warsaw became the Yiddish literary center for younger writers such as David Pinski (1872-1959), noted for his novel Dos Hoyz fun Noyakh Edon (The House of Noah Edon, 1931); Sholem Asch (1880-1 957), author of such popular historical novels as Kiddush Hashem (Martyrdom, 1919) and the trilogy Farn Mabul (Before the Flood, 1921-31); the poet and short-story writer Abraham Reisen (1876-1953), author of the beautiful and moving poem “May Kemashmalon” (What Does It Tell Us); and the novelist Israel Joshua Singer (1893-1944), master of such family sagas as Di BriderAshkenazi (Brothers Ashkenazi, 1936), and Yoshe Kalb,1932.
The period between 1900 and World War I saw a continuing immigration of East European authors to America. New York City became almost as important as Warsaw as a center for Yiddish writers. Numerous Yiddish newspapers, such as the Jewish Daily Forward, published their stories and serialized their novels. The immigrant experience became fertile ground for Yiddish storytellers.Some looked back with nostalgia to the Old World; others drew on the present, creating serious or humorous sketches of immigrant characters trying to adapt to a strange, new world. Important writers from this period include: Joseph Opatoshu (1886-1954), for example, In Poylishe Velder (In Polish Woods), 1921, and Abraham Cahan (1860-1951), for example, The Rise of David Levinksy, 1917, who was editor of the Jewish Daily Forward.Israel Joshua Singer’s younger brother, Isaac Bashevis Singer, also came to New York City. He was one of the few to find an English-speaking and then worldwide audience for his work. Isaac Bashevis Singer’s success exceeded that of any contemporary Jewish writer, and he was given the Nobel Prize in 1978 for his unique expressionist and even surreal Yiddish vision.