The following article focuses on some writers and works characteristic of early Israeli literature. One writer who is mentioned in passing and deserves a special note is Yoseph Hayyim Brenner, who left Russia and his Orthodox upbringing and settled in Palestine in 1909. His writing was critical of traditional Judaism and Diaspora life, and he was the first great prose writer in modern Israel. Other important writers who could have been discussed include Nathan Alterman and Yocheved Bat Miriam. The following is reprinted with permission from Modern Hebrew Literature in English Translation, edited by Leon Yudkin.
In the course of the 1920s, Palestine was confirmed as the center and focus of Hebrew literature. During that decade, H.N. Bialik (1873-1934), U.Z. Greenberg (1896‑1981), and S.Y. Agnon (1888‑1971) (for a second time) joined the yishuv [the pre-1948 Jewish community of Palestine]. Several major writers came later in the thirties.
No centers of Hebrew literature remained outside of Palestine. There were various reasons for this. The Russian revolution and especially Stalin’s accession to power virtually put an end to the Hebrew movement in the Soviet Union. Poland was becoming a dangerous place for the Jews in the wake of its independence. World War I and the civil unrest in Germany and Russia had undermined shtetl life, and the Pale of Settlement [a territory for Russian Jews established in 1791] was at an end.
On the positive side, the Balfour Declaration issued by the British Government during the war, and confirmed in the post‑war period, strengthened the claims of the yishuv and the demand of Jewish immigration to Palestine. The yishuv indeed began to look like a state‑in‑the‑making, and considerable resources were now directed towards the fulfillment of this projection, which was now perceived as urgent.
The Writers of the Second Alyah
The writers of the Second Aliyah (the second major wave of immigration to Palestine, 1904-1914) seemed to have been influenced by Y.H. Brenner and turned away from Palestine as a serious subject for fiction. But, as though in response to this, the poets of the Third Aliyah (1919‑1923) characteristically adopted the new land as their major subject matter, and even tried to change their personalities to fit the new role of local poets serving a community of Hebrew pioneers. A self‑conscious effort was made by the new Hebrew poet to break away from the Diaspora tradition and to become an authentic native in local garb.
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