Reprinted with permission from American Jewish Fiction: A JPS Guide (Jewish Publication Society).
By the second page of Nathan Mayer’s novel Differences, the reader has learned that Louis Welland hails from Germany and that he has, therefore, a poetic and slightly foolish temperament. A couple of pages later, the narrator enumerates Welland’s physical characteristics, which include “the chest of a Hercules” as well as “that elegance of appearance, which results from perfect symmetry of form”–in other words, he’s a looker.
Coyly, though, Mayer withholds until page 48 the fact that Welland–respectful, honest, courageous–also happens to be Jewish, and, when he reveals his faith to the Goldmans, a family of his coreligionists in northeastern Tennessee, they respond with “a pause of astonishment,” as if to say: You? Really? You’re Jewish?
Jewish and American…a Novel Concept
Welland soon tumbles into love with Antonia, the Goldmans’ beautiful and literary-minded daughter (she’s a fan of Goethe and George Sand), but, in the fashion of traditional romances (not to mention contemporary romantic comedies), circumstances conspire to keep the lovers apart.
As the tensions of the 1860s mount, local rabble accuse Welland of abolitionism and then chase him out of Tennessee. After his arrival in New York, miscommunications and the jealousy of Antonia’s brother Charles convince Antonia that Welland is two-timing her. Soon the Civil War breaks out, and Welland fights on the side of Union, while Antonia, a loyal Southern belle, cheers on the Confederate troops. Thanks to Welland’s unflinching gentlemanliness, though, all of the issues are eventually resolved, and the book ends with the coming together not only of the Union and Confederacy but also of Jews and non-Jews. The book’s closing lines (“United in love … notwithstanding former differences … United forever”) speak to the hope of healing concord ardently desired not only in postbellum America but also by generation after generation of American Jews.
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