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One can hear the Bible chanted in synagogues all around the world, although the sound varies widely from region to region and sometimes from community to community. The same notation is used throughout, but there are noticeable differences in the melodic patterns associated with the symbols. Within a single community, the set of melodic patterns that is used also changes throughout the year, based on the occasion as well as according to which text is being chanted: The melodies for chanting from the Torah, Prophets (the haftarah), and Writings (such as the megillot, or scrolls, read on certain holidays) are all different, though they employ the same system of notations. The following article is excerpted with permission from Discovering Jewish Music (Jewish Publication Society).
Cantillation (from the Latin cantare, meaning “to sing”) is the practice of chanting from the biblical books in the Jewish canon. The practice goes back to the time of Ezra, when the Jewish people returned from their Babylonian exile following the destruction of the first Temple (about 510 B.C.E.).
Realizing that the people had stopped observing the laws of the Torah, Ezra took it upon himself to read portions of the Law every time he could assemble an audience. Sabbaths and festivals provided obvious opportunities; so, too, did market days, when large groups would gather to buy, sell, and catch up on local news. Market days were Mondays and Thursdays, and so, to this day, the Torah is read publicly at least three times each week.
Of course, Ezra did not have the benefit of modern acoustics, microphones, or even the undivided attention of his congregation. Ezra stood in the marketplace surrounded by squawking chickens, braying animals, and unruly children, and competed with the sounds of life. Exaggerating the highs, lows, and cadences of normal speech, Ezra projected the holy texts in a style caught somewhere between speaking and full-blown singing.
Formalizing the Practice
Ezra did not read the Torah in the manner common today. In fact, it is assumed that he differentiated only the beginnings, middles, and ends of verses. The notion of chanting the Bible was an evolving one that gradually became accepted and musically more elaborate. By the second century, Rabbi Akiva (ca. 50-135 C.E.) demanded that the Torah be studied–by means of chant–on a daily basis (B. Sanhedrin 99a).
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