Southern & Jewish
Southern & Jewish celebrates the stories, people, and experiences – past and present – of Jewish life in the American South. Hosted by the Goldring/Woldenberg Institute of Southern Jewish Life, posts come from educators, students, rabbis, parents, artists, and many other “visitors-to and daily-livers-of” the Southern Jewish experience. From road trips to recipes to reflections, we’ll explore a little bit of everything – well, at least all things Southern and/or Jewish. Shalom, y’all!
“So how long have you been a singer?”
It’s a question I’ve been asked from time to time, and one that I can’t seem to answer without sounding sarcastic.
Singing is unique, in that if pose the “how long have you been…” question to a pianist, violinist, or some other instrumentalist, they can usually give you an exact age when they remember the first feel of the instrument in their hands. Technically, I’ve always had my instrument. And I’m using my instrument all the time, which is both a gift and a curse.
My earliest memories of actual singing are from Sunday School at my synagogue in Chevy Chase, Maryland. It was fun to see how much singing was involved in Jewish life and learning. We learned prayer chants as well as folk songs about our traditions and culture. Even now I’m amazed how many songs I remember from decades ago.
But you don’t have to be a musician to appreciate music. As you learn to develop your own taste in music, it’s your family that ultimately influences your early tastes that eventually evolve. I would steal my brother’s Green Day and A Tribe Called Quest CDs, which explains my affinity for pop-rock and hip hop, and my mother would insist on us listening to the “oldies” channel on the radio which explains my love of Motown and classic rock.
Now, thanks to social media outlets and music sharing apps like Spotify which allow you to share playlists with your friends, I couldn’t even tell you what “types” of music I’m into. I just listen to a song/artist/band and think “yes, I like this” or “no, not for me.” The way I see it, there is less need for labeling. It’s actually comical to me how far some people are willing to go to assign genres to music these days, saying “Yeah, it’s kind of like indie trip-hop with a soul pop vibe.”
Is that going to help me enjoy it more? Probably not. But hey, if it works for you, great.
Ultimately it’s up to the listener to decide how their musical roadmap is paved and in what direction it’s going. Do you want to listen to nothing but one type of music the rest of your life? Be my guest. Am I going to feel sorry for you? Absolutely.
Music is constantly evolving, and we’re lucky enough to be able to see and hear it with our eyes and ears. It’s true in the secular music world—and it’s true in the Jewish music world. One of the current trends is multi-platform music festivals. It supports the idea that you can have something for everyone, educates your audience on new music they might not have heard before, and allows music lovers to interact socially, in real life and through hashtags and Instagram and more.
It’s something I’m passionate about. And it’s something I feel I can help contribute to the Southern Jewish scene.
Being a co-chair of the Atlanta Jewish Music Festival (AJMF) means being on the forefront of musical trends, from artists to festival fun to amazing social interaction and emerging music-interaction opportunities. As the Southeastern Jewish community changes, AJMF seeks to represent that change with our festival offerings. The festival aims to transcend what can often be blurry lines between religion and culture and provide a space for people to appreciate and learn about not just the music itself, but also how it relates to the world around them.
We don’t know what the future of music looks and sounds like. But to me, that makes the whole thing more exciting—and I’m also proud that right here in Georgia, we’ll be a part of that future, whatever it may bring.
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