Dealing With Troubling Texts
Dr. Cohen’s article, republished with permission from magazine (April, 2001), raises the difficult question of how one relates to Jewish texts that one finds truly abhorrent. Classically, Jewish interpreters have approached “problematic texts” in a variety of ways. Sometimes, difficult texts, like Moses’ brother Aaron’s role in the sin of the golden calf, are buried inside countervailing material, like the six chapters that precede the story and the six chapters which follow, all of which glorify Aaron’s role in the Tabernacle. The conclusion of the Talmudic tractate on scrolls and liturgical recitation of texts (Megillah 25a-b) discusses some passages which are read but not translated, as well as texts that are just not read. Perhaps more drastic is the actual substitution of a euphemism for a harsh word in liturgical reading (Deuteronomy 30:28). A more common approach fills in the problems with additional narrative: Although it looks like Abraham exchanged his wife’s virtue for lots of property (Genesis 12: 11-15), the midrash explains that this only happened after Abraham tried to protect her by offering large sums of money (Genesis Rabbah 40:5). Moderns frequently “explain away” difficulties by pointing to the historical context in which the text was produced. None of these approaches excludes the problematic text from the category of Torah.
Cohen’s conclusion, in response to a text which uses the metaphor of God as the wife-beating husband, is to exclude the text from the category “Torah.” As he states it, “Would a holy text say something like this?" His article raises more questions than it answers.
I teach a third-year course at the Ziegler School for Rabbinic Studies at the University of Judaism called "Aggadah and Halakhah." The course explores--in both a general way and through specific midrashic and talmudic texts--the relationship between the genres of rabbinic literature that are traditionally known as aggadah and halakhah.
Aggadah often is seen as comprising stories, homilies, religious epigrams, and anything else that is not halakhah or law. I try to show how halakhah and aggadah are inextricably linked together using a model based on the works of Zionist visionary and writer Haim Nachman Bialik and legal theorist Robert Cover. Specifically, I was looking at the issue of divorce as symbolic representation of the exilic relationship between God and Israel, and how this impacted the "purely legal" discussions of divorce law.
My class studied a midrash that includes a parable picturing God and Israel as husband and wife. The midrash relates that the husband beat his wife mercilessly. The wife's guardian then approached the husband saying: "If you do not want to remain married to this woman, then kill her." The husband replied that he would never kill her, even if his whole estate were destroyed. The nimshal, or moral, of this parable teaches that though God might cause Israel to suffer terribly, God would never destroy her completely.
My class discussed this midrash and the problematic picture of the husband-wife relationship. For days after the class, I could not shake the midrash. I was surprised by how disturbed I felt, as I had been working with similar material for years. Working with texts like this in the past, I would state the ways a text was disturbing and then identify its political motivations. However, pointing out that these texts uncovered the rabbinic anxiety about power and their perception of women as a threat to their own power continued to leave me unsettled.
The source of my continued unease was that I was teaching these texts to students who understood them as Torah. I see these texts as Torah. Every morning I recite the blessing "who has sanctified us in the commandments and commanded us to engage with the words of Torah." With these words in my heart, I teach in the Rabbinic School. It cannot, then, be enough to explain, analyze, and locate the texts within their political tensions and cultural negotiations.
Confronted with a confounding statement attributed to the great sage Rabbi Meir, Resh Laqish asks: "Would a holy mouth say something like this?" This is the question I needed to voice: "Would a holy text say something like this?" I articulate the question in this way in order to make it more, not less, difficult to answer. If this story were found in any other text, it would bother me to the extent that it reflected a certain attitude that was abhorrent. Yet, once the moral judgment was made, and the political investments deconstructed, I would move on. I had then fulfilled my obligation as scholar and teacher. This, however, was not the case when I confronted a text that was part of the sacred core of my tradition.
Finally, I came to the following three-step framework. The three steps loosely resemble three biblical scenes wherein characters struggle with troubling situations. The first step is modeled after Aaron. When Moses tells Aaron that Aaron's sons have been killed at the dedication of the tabernacle (Leviticus 10), Aaron's response is silence. The silence, it seems, is his first acknowledgement that this too is "a way of God." Although this might be "a way of God" that is problematic, it is still "a way of God." Aaron's silence lets the impact of the death and tragedy hang in the air, untainted by pieties or apologies. As a reading practice, this model dictates that the reader first allow a text to wash over him or her as is, in all of its troubling aspects, without the vitiation of apologetics or even the distancing of historicistic location (i.e. "In the culture in which the rabbis lived...").
The second step is modeled after Abraham's interaction with God concerning the destruction of Sodom and Gomorrah. When God tells Abraham that God is about to destroy the cities, Abraham addresses God: "Shall not the Judge of all the earth do justly?" That is, is God in this situation living up to the ethical standard that God demands? As a reading practice this model suggests that the reader judge the text by the standard of the text. "Is this text living up to the ethical standards demanded by these texts?" Is this mashal, this parable, representing a relationship between man and woman that is consonant with that found in rabbinic literature in general, or is this text an aberration?
The third step is modeled after Moses' argument with God following the incident of the Golden Calf. When God seeks to destroy the people of Israel, Moses responds: Forgive your people or "if not, blot me, I pray Thee, out of Thy book which Thou hast written" (Exodus 32:32). This final step in the reading practice is most difficult. Here, the reader must decide whether or not this troubling text is Torah. Is this what one has in mind when reciting the blessing for studying Torah? Moreover--and here the context of the specific teaching situation is all-important--in what way does this text inform one's practice? To put this another way, to what extent am I ready to let this narrative stand as part of the cultural framework that produced the laws of divorce?
The final step in this engaged reading practice is to take responsibility for the narratives that enmesh (intentionally or unintentionally), or ground (intentionally) legal choices. As Robert Cover argues, laws are the concrete ways that values are articulated, and these values are initially (and of necessity) voiced through narratives, so changing the narratives will also change the laws. Within the context of a Rabbinical School, where reading texts is an act of talmud Torah, and halakhah defines the parameters of daily life and interaction with the sacred, there is no more significant point in study than this final moment of deciding where the boundaries of Torah reside.
Returning to the earlier example, I could neither reconcile what I read with my understanding of a relationship between a man and a woman nor reconcile it with the obligations of husband to wife and vice versa that are enumerated elsewhere in rabbinic literature. Neither could I put aside the mashal by saying "it is only a parable," or "it is from a different historical moment," or "this narrative was generated for a specific reason, and out of a specific set of hermeneutic and theological constraints." After struggling through this process I had to say that this was not Torah. The mashal was not merely reflecting the pain felt by Sages in the exile--a pain they feared would continue unabated. The construction of the relationship between men and women that was essential to this parable completely erased any notion of tzelem Elohim (divine image) that all men and women are imbued with. In the end, I was forced to say that when I say birkat haTorah (the blessings of studying Torah) each morning bounding my study of texts as sacred work, this text falls outside those bounds
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