Rabbis Without Borders
Rabbis Without Borders is a dynamic forum for exploring contemporary issues in the Jewish world and beyond. Written by rabbis of different denominations, viewpoints, and parts of the country, Rabbis Without Borders is a project of Clal – The National Jewish Center for Learning and Leadership.
These days the pundits and analysts say that the peace process is over. Remember Oslo? Remember the Roadmap for Peace back in 2002? It is now one more memory on the heaping pile of “almost” peace deals. Now, 10 years later, as much has changed as has stayed the same, including the fact that some of you will surely disagree with me about even that statement.
I was reflecting on this when I recently had a chance to see my favorite singer-songwriter, Israeli superstar David Broza, in New Jersey. It was a unique setting – just about 100 people in a small, informal performance space at the NJ Performing Arts Center (NJPAC.) More than a performance, it was a “conversation with the artist”, conducted by the director of the arts program at NJPAC, who brought the audience into the conversation as well. For long-time Broza fans like most of us in that audience, it was a thrill to sit at the master’s feet, so to speak. Here is why: Broza is not only a beloved and influential popular artist for two generations of Israelis. He not only earned an international reputation for his music, but he is one of us. He is not only an incredibly talented singer, composer and master of his guitar, he is also a living example of a commitment to peace that one can only wish the politicians should learn.
As his website, rather humbly, I think, says:
More than a singer/songwriter, David Broza is also well known for his commitment and dedication to several humanitarian causes, predominantly, the Israeli-Palestinian conflict.
“Beginning in 1977, Broza has been working to bring the message of peace to the masses by joining peace movements, and singing what has become the anthem of the Peace process, his hit song, Yihye Tov.
In a recent project, Broza has written and recorded with the Palestinian music group, Sabreen, the song ‘Belibi’, that featured Broza and Sabreen’s Wissam Murad, and two children’s choirs, one from each side of the conflict. In Search for Common Ground presented awards to both artists in November of 2006.”
Broza’s music is inspiring, and made that much sweeter when you meet the artist in person and learn his story. By working on behalf of tolerance, justice and co-existence, Broza is an example of “lived” Jewish values that we look to Israeli society to represent as its very raison d’etre.
A few years ago I made his song “Yihye Tov” the ringer on my IPhone. I wanted to remind myself to never to give up hope that the world can be healed, that things will be better, and that we must keep our dreams of peace alive in our everyday moments. The song movingly envisions:
“I look out of the window and it makes me very sad, spring has left, who knows when it will return. The clown has become a king the prophet has become a clown and I have forgotten the way , but I am still here. And all will be good yes, all will be good , though I sometimes break down but this night oh, this night, I will stay with you.
We will yet learn to live together between the groves of olive trees children will live without fear without borders, without bomb-shelters on graves grass will grow, for peace and love, one hundred years of war, but we have not lost hope.”
A few years ago we heard Broza perform at NJPAC, and while he gave a fabulous performance of a wide range of his music, he left me sitting on the edge of my seat waiting for “Yihye Tov” in vain. We were fortunate that night to be invited to a “chat with the artist” after the show and, of course, a fan hastened to ask Broza why he hadn’t sung his signature song. He said, sadly, that he was a bit tired of it. There is still no peace. I left with such a heavy heart.
But I refused to give in to despair. Like a prayer, I have sung the song many, many times since then. And I continue to support and engage in Arab-Israeli peace projects, though I have been called naïve, or worse.
This time, when Broza was asked to sing “Yihye Tov”, he happily obliged. I smiled thinking about how he had brought the song back to life this past summer with new words for the Israeli “social justice” protests that swept the country. Yes, I felt, there is hope, things will be better.
After the show I had an opportunity to personally say hello to David Broza. I reminded him of that show a few years ago when he didn’t sing “the” song. He didn’t remember that until I reminded him of it. Not bad, I thought, that his hope has so overcome his sadness that he doesn’t even recall that moment. That made me happy. I so appreciated the very human, open-heartedness that Broza brought to the stage, and to our conversation. I’m grateful to him for yet more inspiration.
Yihye Tov. It’ll be good – we have not lost hope.