Saul Austerlitz is the author of Another Fine Mess: A History of American Film Comedy. He will be blogging all week for MyJewishLearning and the Jewish Book Council‘s Jewish Authors Blog.
Being on tour for a book is simultaneously an exhilarating and a terrifying experience. Exhilarating because, after toiling so lengthily in the mines of authorial solitude, it is a pleasure of no small import to emerge to the surface, book in hand, and talk about it with friends, family, and total strangers. Terrifying because, as all authors who have ever done a book tour can attest to, the midnight panic that occasionally bubbles up, convinced you’ll give a reading and no one—literally not a single person—will show up.
Thankfully, that did not happen to me during my tour for my new book Another Fine Mess: A History of American Film Comedy, but I’d be lying if I said it wasn’t something I occasionally broke out into a cold sweat at the prospect of.
Some writers are also good talkers, but many writers — myself included — would prefer to gather their thoughts in front of a computer, with unlimited time to gather my ideas and refine them before releasing them to the world at large. Speaking in public offers no such assurances. Like an actor, you must deliver on the spot. Acting is actually a fairly good comparison to giving a reading; there were times where I felt like an actor of whom a performance was required, and like an actor, there were times when I felt like I was playing a role, playing “the author.” But I ended up surprising myself at times with my capacity to perform. Shakespeare, here I come!
The thing about a book tour is that each stop is completely different from the previous one, even if the talk you give is the same every time. Some of my readings, like those in my hometown, Los Angeles, and New York, where I live, were filled with friends and family, while others were composed entirely of people I didn’t know. (Weirdly, I felt more confident in front of the strangers.)