On Monday, Melissa Fay Greene shared the story behind the adoption of her daughter, Helen, from Ethiopia. She has been blogging all week for the Jewish Book Council and MyJewishLearning‘s Author Blog.
Twenty years ago, as I set out upon my very first book tour, for
Praying for Sheetrock
—my 1991 work of nonfiction about the heyday of a corrupt ‘courthouse gang’ on the flowery coast of Georgia and the belated rise of civil rights there—I discovered I had a line in my book-talk that only Jews laughed at.
It was unintentional on my part. I thought it was funny; I didn’t realize until I criss-crossed the country with it, like a stand-up comic, that it wasn’t funny to non-Jews.
The scene: “the blazing summer nights of 1975, as darkness dropped…” when the rural black citizens of McIntosh County, enraged by the police shooting of an unarmed man and by the deliberate neglect of the all-black public school system by the all-white school board, stormed across the sand parking lot, illuminated by bare light-bulbs dangling from wires strung through the live-oak trees, and crowded into the weather-beaten Shorters Chapel African Methodist Episcopal Church.
I read aloud from my book: “Every pew in the church was packed; well-dressed people lined the walls and crowded into the rear of the church; and a choir in royal-blue satin robes led the congregation in rich and heartfelt music. The choir held hymnals without looking into them and swayed heavily back and forth in unison, stamping once as they leaned left, stamping again as they leaned right, and the congregation in full voice joined in.”
Then I told a story that was not in the book. “Whenever I attended one of these political prayer meetings,” I told my audience, “I was always seated up front, an honored guest, the only white person in the room. It was a disadvantage because I couldn’t really see what was going on, without constantly looking over my shoulder. One night the minister, to be especially welcoming to me, invited me to come up and lead a hymn. ‘Oh no, I couldn’t,’ I stammered, ‘for two reasons: first, I can’t sing like THAT, like these incredible voices. And secondly, I’m Jewish and I don’t know the words.’