When I first started writing, I loved reading advice for writers from my favorite authors. Yet there was one common piece of advice I didn’t quite get. Whenever writers spoke about letting the characters control the story, I became skeptical. It sounded a bit too fluffy and hazy for my understanding. I had no idea how to implement that advice. After all—I was the writer. I was the one deciding my characters’ fate. What does that mean, in a practical sense, letting the characters control the story?
I still don’t fully get that advice, but after gaining more experience writing, I have learned that in order to produce my best work I have to be willing to abandon many intentions I had for a story when I first began writing it. This is probably one of the hardest things that I had to learn to do as a writer. Every writer comes to the page bursting to say something. Yet I found that in order for a story to work one must be willing to abandon their original intentions in the service of what works best on the page.
A few months ago I googled myself and found a bunch of thoughtful responses (both favorable and less favorable) that engaged with one of my just-published stories, “Means of Suppressing Demonstrations.”
Some responses, however, treated the story as if it was non-fiction, and clearly in service of one particular opinion or another. Because the story was fiction, I was surprised to read these polar opposite responses from people who held strong opinions on both sides of the Israeli-Arab conflict.
Some viewed the story as pro-Israeli propaganda and claimed that it was degrading to Palestinians, while others claimed that I must hate Israel, and that I’m trying to profit by negatively portraying my own country. The language of the responders on both sides was far less kind than my summary of their sentiments.
I was pleased to see that other readers pushed back on these purely political interpretations of my story, and that they urged for it to be understood as fiction. I think the fact my story managed to enrage people with opposite political views is actually an odd kind of accomplishment. The irony is that one of my story’s central themes was the absurdity of the war of narratives that is happening in the West regarding the Israeli-Arab conflict.