Joshua Henkin’s new novel, The World Without You, is now available.
For a long time I wanted to be a fiction writer, but then for a long time I also wanted to be a basketball player, and at a certain point you realize you’re neither good enough nor tall enough. That’s how I felt about fiction writing. It seemed to me a delusion, a dream. So despite dipping my toes in fiction writing, I studied mostly political theory in college and planned after I graduated to get a Ph.D. in political theory. But first I decided to take a year off, and I moved out to Berkeley and got a job at a magazine, where one of my tasks was to be the first reader of fiction manuscripts. And I was struck by how terrible most of them were. I didn’t necessarily think I could do any better, but I was impressed by the number of people who were willing to try and risk failure. I found it oddly inspiring. I thought I should be willing to try and risk failure, too. So I started to take some workshops, ended up moving to Ann Arbor get my MFA, and the rest, as they say, is history.
But the fact of trying and risking failure hasn’t changed. Richard Ford came to Ann Arbor when I was there. This was around the time that he won the Pulitzer Prize for
, and so he’d had a lot of success, but what he told the graduate students, and I really think this is true, is that when he sits down to write the page is just as blank as it is for anyone. Just because you’ve done it once doesn’t mean you can do it again. And it’s that fact—and the terror that accompanies it—that makes fiction writing both a challenge and a pleasure. Writing fiction is about creating something out of nothing, which is another of its pleasures. And I’m a gossip, which I believe most fiction writers are. We’re interested in people, and what better way to feed your interest in people than to make them up? My mother tells a story that when I was a toddler and she would walk with me down Broadway, she couldn’t get anywhere because I insisted on being picked up so that I could look into every store window. I wanted to see everything and everyone. To me, that’s what a fiction writer is—someone who wants to look into every store window, who’s always hoping to discover something.