Now that my previous blog established to everyone’s complete satisfaction that Louis Marshall ought to be considered a paramount figure in the history of America’s Jewish community, and, in fact, that his personal archive contains papers of import comparable to Newton’s apple-stained original draft of the law of universal gravitation, it behooves me to wrestle with a question that arose a few times during the drafting of my biography of Marshall. Here it is: given that Louis Marshall was the man who successfully dictated the terms of Henry Ford‘s apology for the Dearborn Independent‘s scurrilous anti-Semitic campaign, who drafted the terms for Jewish minority rights in Eastern Europe after World War I, who argued before the Supreme Court more times than any attorney in his era, who was a founder of many of American Jewry’s premier organizations and institutions, and who became (in his final crusade) a progenitor of American Jewry’s special relationship with Israel, why did it take over eighty years for som eschlemozzle to publish a full-length biography of him?
Formulated in that way, this question is a bit misleading and self-serving. Two or three books about Marshall were published in years after his death. Morton Rosenstock’s
Louis Marshall: Defender of Jewish Rights
is the best known. Biographical in structure though not comprehensive in intent, they are very informative and useful volumes.
Also, Marshall’s preeminent position in early 20th century American Jewish organized affairs is at least implicitly recognized by the quality of scholars who wrote noticeably extensive articles about important facets of his life, such as his campaign with the American Jewish Committee to “abrogate” America’s commercial treaty with Russia, due to Tsarist discrimination, or his part in the dispute about the formation of the American Jewish Congress, or his relations with the
newspaper and its socialist editor,Abraham Cahan. All readers of seminal works in Modern Jewish History will recognize the names of these scholars (Naomi Cohen, Jonathan Frankel, Lucy Dawidowicz) whose intensive probing of key episodes in Marshall’s life is suggestive of its magnetic significance.