This idea came from a Holocaust survivor, no less, who decided in the death camps that he can determine the fate of his inner world, and later suggested in his book Man’s Search for Meaning that your identity does not need to depend on what is going on around you, and that you can control the spirit’s choice as how to respond to any given the situation. Indeed, also under the harshest realities of the African slave-trade, what did many of them do? They stood above their oppressors by singing soul songs, Spirituals, to channel their souls cry of inner yearning. Yes, while in the net of captivity, the heart soared with the eagle’s eyes protecting the soul, but what about the lions kinship to protect their physical freedoms? Would the spirituals freedoms be enough?
“Build for me a sanctuary so that my presence may dwell among you (25:8)”
Busying up nearly 1/3 or the Biblical text, the Mishkan takes the cake as the single most important Biblical creation made by Man. One artistic craft found in the Mishkan’s blueprint, that joins the sacred and the profane, the subtle opposites found in our human experience, are the curtains which serve as the inner and our ceiling covers. From within the Tabernacle, says the Talmud (Yoma 72b), one could see “A lion from this side, and eagle from that side.” From above the Tabernacle, one could see the Tachash hide, which as mentioned by the great Biblical commentator Rabbi Shlomo Yitzchaki (RaSHI), was multi-colored animal that only lived during that specific generation (26:1).
An Eagle (spiritual) and a Lion (physical), have you, needed to be interwoven into the very fabric of our existence—literally. For without this space, and joining of dualities, Mankind, and the legacy of Abraham would cease to exist. This edifice of hope, this manifesto, of the spiritual to dwell in context, and freely among the physical, was the Tabernacle, the Mishkan.