This week I had the privilege of viewing an early showing of
, a movie about the historical events that took place in Alabama during the summer of 1965. The bombing of the 16th St. Church, in which 4 young girls were killed in 1963 and the passing of the Civil Rights Act of 1964 were not far from the public consciousness then. And the battle between hate and rights that unfolded that summer in Selma changed the course of American history in profound and essential ways.
There are those who will and have already begun to quibble with the historicity of “Selma” but as a white rabbi who trained as a historian and has devoted the last five years to civil right in the Jewish community through my work at Be’chol Lashon, it is my hope that ALL Americans, no matter race or religion go to see the film.
Telling the story of a movement set in the context of 200 years of history, in 127 minutes means that inevitably some of the lines between history and myth will be blurred. But do not underestimate the power in the cinemagraphic telling of history. Color returns dimensionality to images that we know only in shades of black and white. Camera angles bring out the intimacies and tensions that go into the small moments that make up epic events. In the rabbinic tradition we call filling in of the official narrative, midrash, or interpretation. And midrash is one of most powerful tools we have to teach us about the past, remind us of our values and focus our actions for the future.
Copyright limitations, for example, mean that the words spoken by the fictional Dr. Martin Luther King Jr. are not direct quotations. Nonetheless, the power with which David Oyelowo delivers his portrayal of Dr. King provide us not only with the inspirational Moses figure to whom a monument stands in Washington DC but also the flesh and blood man who struggled with frailty and doubt even as he rose to the challenges of leadership. These nuances encourage us to reach beyond our failing and to see the possibilities of action.