Sounding The Shofar
The
shofar is sounded at specific times during the Rosh Hashanah service.
By Rabbi Reuven Hammer
This explanation for
when the shofar is sounded holds true for all forms of Judaism other than
Reform Judaism. Because Reform Judaism does not have a Musaf (additional)
service, the shofar service is incorporated into Shaharit, the morning service.
This article is excerpted with permission from Entering the High Holy Days, published by the Jewish Publication Society.
The Torah prescribes the sounding of the horn but does not
say when or how this ritual act is to be performed. It is rabbinic Judaism that
supplies these details, as outlined in the Mishnah:
The following is the order of the blessings: One
recites the Patriarchs, the Might of God, the Sanctity of the Name, including
Kingship verses in it, and does not sound the shofar; the Sanctity of the Day
and sounds the shofar, remembrance and sounds the shofar, shofarot and sounds the shofar... so taught Rabbi Yohanan ben Nuri.
Rabbi Akiba said: If he does not sound the shofar with the saying of the
kingship verses, why say them? Rather ... he includes the kingship verses with
the sanctification of the day and sounds the shofar, remembrance and sounds the
shofar, shofarot and sounds the
shofar.… (Talmud, Tractate Rosh Hashanah 4:5).
The reference here is to the main service of Rosh
Hashanah, which was, in the rabbinic period, the morning (Shaharit) service. At some later time, this practice was changed,
so that the sounding of the shofar and the reading of biblical verses connected
with it were postponed until quite late in the day. The Rabbis explained this
postponement as follows:
It once happened that they sounded the shofar at the
beginning [of the day]. The enemy [the Romans] assumed that this was the signal
for an uprising against them so they attacked and killed them. (PT Rosh
Hashanah 4:8 59c)
Although the historicity of this specific event is not
verifiable, what is clear is that the shofar, like the trumpet of the Romans,
was an instrument used in biblical times to signal battle, as exemplified in
the story of Joshua and the walls of Jericho. Sounding it later, to avoid any
misunderstanding, when it was obviously a part of the ritual of the day, was
therefore plausible and indeed advisable.

Yet, moving the sounding of the shofar from Shaharit
[morning service]to Musaf [additional service] was not
completely appropriate. Indeed, the talmudic rabbis found it problematic that
the main mitzvah of the day was not performed until such a late time. An additional
blowing of the shofar was therefore added at the conclusion of the Torah
service (without the biblical verses that once accompanied the act), and the
sounding of the shofar was never returned to its original place. Interestingly
enough, then, what has come to be seen today as the main shofar service was
originally a secondary service.
These two shofar services have specific names. The first
is called "sitting" and the second (during the repetition of the
Musaf Amidah) is called
"standing." The latter refers to the Amidah,which means "standing." "Sitting" refers
merely to a time other than the standing Amidah.Regardless of the name of the service, the custom is to stand
whenever the shofar is sounded.
The shofar service conducted after the Torah reading
begins with the chanting of Psalm 47, which could well have been read on Rosh
Hashanah in the Temple. Its appropriateness to Rosh Hashanah is obvious:
God ascends
midst acclamation: the Lord to the blasts of the shofar (47:6). God reigns over
the nations; God is seated on His holy throne (47:9).
In some congregations, this psalm is recited seven times.
This repetition is another of the many Lurianic mystical practices that have
become part of the Rosh Hashanah service.
The two blessings, "to hear the sound of the
shofar" and Sheheheyanu ("who
has kept us in life"), are recited by the person who sounds the shofar.
While only one person blows the shofar, all the worshippers listen.
The Torah (Numbers 10:6‑8) mentions two different
sounds, the teki'ah, one long blast,
and the teru'ah, a shorter sound.
Since the Rabbis were not certain exactly what the teru'ah was, two possibilities emerged: the shevarim, broken sounds resembling a moan, and the teruah, an outcry of nine staccato
notes. Both are used today.
Thus the blowing of the shofar follows a prescribed
pattern. It is composed of three sets of blasts, each consisting of three
repetitions of three notes. Each set is different from the other. The various
notes of the shofar that are blown are:
teki'ah--one
long blast,
shevarim--three
broken sounds, and
teru'ah‑nine--staccato
notes.
The pattern of blasts is as follows:
teki'ah‑shevarim teru'ah‑tekiah;
teki'ah‑shevarim‑teki'ah;
teki'ah‑teru'ah‑teki'ah.
The final tekiahisprolonged (it is called teki'ah
gedotah, a "great blast"). This last blast recalls the verse from
Isaiah, "And on that day a great ram's horn shall be sounded"
(27:13).
We conclude the service with a hopeful look toward the
future, as the blowing of the shofar is followed by the reading of a verse from
Psalm 89:
Happy is the people who know the teru'ah, O
Lord, they walk in the light of Your presence (89:16).
Since the first word of this verse in Hebrew is ashrei, this verse leads perfectly into
the recitation of the next prayer, Ashrei
(Psalm 145), after which the Torah is returned to the ark, concluding the
morning service.
Rabbi Reuven Hammer
holds a doctorate in theology from the Jewish Theological Seminary of America.
He teaches Jewish studies and special education in Jerusalem.
Photo credit: Beth
Hatefutsoth, Museum of the Jewish Diaspora