The founder and editor of the Forward wrote one of the most important American immigrant novels ever.
Meanwhile, Cahan was also building a reputation as a novelist. Inspired by the examples of Tolstoy, Chekhov, and the other masters of Russian literature, Cahan came to believe that only fiction could properly represent the scope of contemporary life. With his first novel, Yekl: A Tale of the New York Ghetto (1896), Cahan retold his own story of fleeing rapacious Russian anti-Semitism in favor of an unknown future across the ocean.
The memory of virulent bias pushes Yekl from "greenhorn" to "Yankee," eagerly embracing American ways--perhaps, in part, to avoid the notice of the non-Jewish majority. After writing The Imported Bridegroom, and Other Stories in 1898, Cahan published his final, and most famous novel, The Rise of David Levinsky, in 1917. David Levinsky crystallized the entirety of the American Jewish immigrant story, and Cahan’s mixed feelings about success, into one capacious narrative. David is a poor boy, an orphaned child catapulted from the life of the heder and yeshiva in Russia
to that of the American greenhorn. The United States offers untold possibilities, but the loss of home--of tradition--rankles.
“Sometimes, when I think of my past in a superficial, and casual way, the metamorphosis I have gone through strikes me as nothing short of a miracle. I was born and reared in the lowest depths of poverty and I arrived in America--in 1885--with four cents in my pocket. I am now worth more than two million dollars and recognized as one of the two or three leading men in the cloak-and-suit trade in the United States.” Note the overlap between novelist and subject, both 1880s immigrants turned success stories.
Levinsky narrates his own tale, mingling the magic of American transformation with his vague lingering sense of loss. The gap between Europe and the United States, between poverty and wealth, between the past and the present, sometimes feels too vast for Levinsky to bridge, and after sharing his tale of triumph, he retreats to a glum dissatisfaction: “There are moments when I regret my whole career, when my very success seems to be a mistake….David, the poor lad swinging over a Talmud volume at the Preacher’s Synagogue, seems to have more in common with my inner identity than David Levinsky, the well-known cloak-manufacturer.”
Cahan remained the Forverts’ editor for a remarkable forty-eight years, until his death in 1951.The newspaper still exists today, publishing in Yiddish as well as putting out English- and Russian-language versions. And Cahan’s work is still taught in schools and universities, with The Rise of David Levinsky in particular serving as a potent symbol of an era of American Jewish history now past.
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