Below is an excerpt from a recent article in the Jewish Daily Forward entitled “The Best Jewish Film Festivals of 2014”:
The Mobile Jewish Film Festival, Mobile, Ala.
New York, Chicago, Miami, we expect. But Charlotte, N.C.? Baton Rouge, La.? After much deliberation, we finally chose The Mobile Jewish Film Festival, which will feature just seven selections (one of which is still a mystery), but still deserved an award because, well, Alabama.
We don’t know about y’all, but to us, a Jewish film festival in Mobile, Alabama isn’t so stunning. Neither, for that matter, is a Jewish film festival in Charlotte, North Carolina, nor Baton Rouge, Louisiana. (In fact… several of the Southern Jewish film festivals, including the ones in Mobile and Baton Rouge, were started up as part of the ISJL’s Jewish Cinema South regional film festival network.)
In fact, when looking at the communities in-depth, a Jewish film festival in these towns merits more of an “of course.” The Jewish community of Mobile is in fact home to two synagogues (one Reform and one Conservative), a Jewish Family Services, a Jewish Federation, and an excellent Holocaust Library. And then there’s Charlotte, with 12,000 Jews and 26 different Jewish organizations listed in the Jewish community directory. It’s also home to Shalom Park, a 54-acre campus which brings together the entire local Jewish community. Baton Rouge’s community, while small, also has two synagogues, a Federation, and a Hillel located at Louisiana State University.
The two of us writing this post are big-city Yankees in every sense of the term. One of us hails from Milwaukee, Wisconsin, considerably more well-known for its cheese than its grits. The other one of us is from Baltimore, Maryland, which some might argue has little bits and pieces of Southern character. However, most would agree shares more with Delaware or New Jersey than it does with Louisiana or Tennessee.
We understand the author’s perspective, because at one point each of us shared it with her. Our communities growing up did not discuss the South as a contributor to Jewish life. To be frank, versions of ourselves from a few years ago might not have expected to hear about Southern Jewish Film Festivals, either.
But these feelings of ours were at best sectionalist and at worst ignorant. They failed to recognize the unique and beautiful character of many Southern Jewish communities. They ignored the truth that many of the earliest American Jewish communities sprouted in the South, in locations such as Charleston, South Carolina and Savannah, Georgia. Finally, they create a schism between Jews in the North and those beneath the Mason-Dixon line.
We hope the author will come and visit Mobile, Charlotte, or even us at the ISJL headquarters in Jackson, Mississippi. We’re confident that, if she does, she’ll leave with the knowledge that Jewish life in our region is alive and well. And maybe, just maybe, she won’t be so stunned the next time she learns of a Jewish cultural event in the Deep South.
Today’s blog post was co-authored by Education Fellows Dan Ring and Lex Rofes.
I’d like to preface today’s post by saying that while I *wish* this were some sort of April Fool’s Day joke, it is not.
A friend just sent me this article about a controversial art installation in Germany. In this installation, now informally dubbed “Jew in a Box,” visitors can see, encased in glass, a living person of Jewish descent. They can ask that person questions about what it’s like to be a Jew in Germany, about Jewish beliefs – anything they have ever wanted to ask a Jewish person, they can pose the question to a Jew in a box.
When my friend (who is not Jewish) sent me this article, her email asked me just one question: “How do you feel about this?”
My immediate response to her, after reading the article, was “SO FREAKING WEIRD.”
There is something deeply unsettling to me about this exhibit – this stark presentation of “us” and “them”; a venue where people are literally put in boxes. I read the curator’s rationale, about how this will catch folks’ attention, and be in their face, and give Germans a chance to interact with a real, live Jew.
But is this the sort of interaction we want?
Why not actual interaction? Something more organic, and less disparate? Jewish docents, perhaps? Moderated conversations? An exchange, even if it’s still in-your-face? As an educator, it seems counter-intuitive to me to humanize someone, or some group, by putting an actual wall between people. It seems to me that this does not emphasize unique-ness, but other-ness. And isn’t that the problem Germany is still painfully recovering from, decades later?
I also had to wonder why on earth someone would get in the box. Who would volunteer? Luckily, the article covers this, with a volunteer Jew-in-a-box describing why he is participating in the installation:
“With so few of us, you almost inevitably feel like an exhibition piece,” volunteer Leeor Englander said. “Once you’ve been `outed’ as a Jew, you always have to be the expert and answer all questions regarding anything related to religion, Israel, the Holocaust and so on.”
I considered this. After all, I live in Jackson, Mississippi. I have been several people’s FJF (First Jewish Friend, y’all). I’ve had to answer questions about Jewish culture and religion, although I’m quick to point out that I can’t speak for all Jews. In other words, yes. I do understand what it’s like to feel ‘outed’ as a Jew in a place where we are so few. I do understand what it means to “feel inevitably like an exhibition piece,” as the installation volunteer puts it – but that doesn’t mean I would want to actually be an exhibition piece.
Still – this exhibition is resonating with some folks, even as it irks others. And here’s the real kicker, in case you didn’t already click on the link and read the whole article already – what museum is hosting this exhibit?
The Jewish Museum. And the curator, Miriam Goldmann, is Jewish.
By the way, the actual name of the exhibit is “The Whole Truth: Everything you always wanted to know about Jews,” and in addition to live people in boxes, it includes installation such as a wall posing the question How Can You Recognize a Jew?, with hats and yarmulkes and “traditional Jewish garb” on display in front of the wall.
The whole truth? How can you recognize a Jew? It reminds me of the last time I went to a zoo, and the various species of birds and monkeys were being described. The more I read about it and the more I thought about it, the more my initial reaction seems to sum it up: SO. FREAKING. WEIRD.
And more than that – a little frightening.
What do you think? Share your thoughts in the comments below…