Since the 1940s, the Jews of Seminole, Ada, Nowata, and Shawnee, Oklahoma, have met at the Seminole Hebrew Center for religious services and social events. In the clip below, which is featured on our Online Encyclopedia article for Ada/Seminole, lifelong Ada resident Henry Katz talks about the origins of the Hebrew Center.
I love this excerpt for a number of reasons. Katz, who descends from German-speaking immigrants who arrived in the United States after the Civil War, alludes to the distinction between his decidedly Reform family and the newer arrivals, who were more observant. Then, as evidence of his family’s assimilation, he uses the word “phylacteries” to describe what most traditional Jews would call “tefillin.” As a professor once told me, “no one who wears phylacteries says “phylacteries.”
The story also illustrates the influence of economics on Jewish (and general) migration patterns. In this case, the arrival of recent immigrants to the booming towns above the Seminole oil field influenced the development of the local Jewish community.
Apparently, people used to play a lot of cards. Bridge, canasta, all types of poker—nearly everyone I speak with reports that they or their parents participated in regular card games, inside or outside the Jewish community. Katz attributes the men’s gambling habits to the oil business, which is a clever connection to make. I would also point out that many of these men were also immigrants from Eastern Europe; it was a gamble, or a series of them, that had brought them to Oklahoma in the first place.
Finally, Katz has a great voice and tells his story with real style. Reviewing his interview and putting together this clip brought back memories of a pleasant morning spent in Ada at the end of a successful research trip to Oklahoma.
I’d like to thank Henry Katz for sharing his story with us. Credit is also due to summer oral history intern Jonayah Jackson for the quality of the video.
What do Yiddish-speaking chickens, screaming latkes, and a pig who really, really wants to be kosher have in common?
They’re all characters featured in Jewish Books Cooking, a children’s theater show that brings eight popular, contemporary children’s books to life with bright characters and catchy songs.
Jewish Books Cooking (JBC) is a project made possible by The Covenant Foundation. The show debuted earlier this year in New York City. Created and directed by Liz Swados, the New York production of Jewish Books Cooking was mounted at several venues around the city. This December, along with a new director, new music director, and new cast, the show is also going to have a whole new destination – the Deep South.
How does a show like JBC wind up traveling through the South? It happened how it always happens in show biz, baby: “ya know a guy.”
While preparing for the inaugural New York production, the staff at Covenant thought about how great it might be to bring a peppy show like this to smaller communities. They would need a director for the touring show, and an organizational partner with connections to smaller communities…
But they knew a guy – or, in this case, a gal – and they knew of just such an organization. So they made a few phone calls. They called me (because I’m a theater nerd who lives in Mississippi, and was lucky enough to intern with Covenant awhile back). They called the ISJL (since they’re an organization located in Mississippi, accustomed to partnering and delivering programming to smaller communities). They posed the question: what do you think about teaming up to bring JBC to Southern cities – smaller communities that aren’t always reached by this sort of performance?
Everyone was excited about the idea. I mean, who wouldn’t want to bring something totally different to Southern audiences … namely, a children’s show filled with moxie-rich Jewish stories, not to mention all the kooky, rapping, dancing, hilarious characters?
In short order we had actors, venues, and everything else the recipe called for to stir up a Southern helping of Jewish Books Cooking. Though a lot to wrangle, this has been a fun and rewarding process. The stories included in the show are all upbeat, sometimes poignant, sometimes zany, but never dull. The music gets stuck in your head for days — in a good way, as the entire cast can assure you. And even the craziest of the characters is charming and relate-able, especially as conveyed by our talented actors. (These guys are pros: they go from being rats to parrots to witches to fried foods, without batting an eye!)
Directing JBC has been a treat. But best of all, knowing that this show will travel around and delight audiences who might not see anything like it all year … well. It’s practically a theatrical Chanukah miracle.
Next week, this show hits the road, traveling to Baton Rouge, New Orleans, Memphis, and closes out right here in Jackson, Mississippi. The show is free, and the Southern touring production will be followed by a family program focused on exploring Jewish stories and sharing family bedtime rituals. The program was written and will be implemented by the ISJL Education Department staff – so it’ll be just as fun as the show itself.
Welllllllllll, maybe it’ll be more fun. I mean, the show is pretty hard to beat. Did I mention there’s a Yiddish-speaking chicken?
If JBC is coming to a city near you, find more info here and go check it out! In the meantime, tell us: what’s your favorite Jewish children’s story?
There are moments as an archivist when something unusual (like a fur muff or a military notebook) sticks out from a standard inventory of confirmation photos and store ledgers. And then, sometimes, you come across a group shot of men in drag.
No, this photo from is not from the Greenwood, Mississippi production of La Cage Aux Folles (written by Jewish composer Jerry Herman, who just so happens to be my first cousin twice removed!). That show wasn’t written until 1983, which puts these men way ahead of their time.
The photo was featured in a newsletter put out by the B’nai B’rith District Grand Lodge No. 7 in 1951. While Jews were active members of local clubs like the Masons or Shriners, exclusively Jewish groups like B’nai B’rith were very important to the continuity of the Southern Jewish identity. Many families that worked and lived in smaller towns traveled to larger cities like Greenwood for Jewish communal life. Potlucks and holiday parties were where they could network, discuss business, and, most importantly, find dates!
The event title alone, “What My Lady Should Not Wear,” gives the impression that this brotherhood of men knew how to get a laugh and certainly shakes any preconceived notions I may have had about conservative Southern men. I just hope they got to keep the outfits.