“Eastern Europe’s outcast, Belarus lies at the edge of the region and seems determined to avoid integration with the rest of the continent at all costs. Taking its lead from the Soviet Union rather than the European Union, this pint-sized dictatorship may seem like a strange choice for travelers.”
- Lonely Planet: Eastern Europe
I am going to Minsk. It is a strange choice indeed. All I keep thinking in my head is, “didn’t our people work hard to get out of there?” More than that, my great grandmother was taken there against her will. Brought by train to a forest and along with thousands of other cultured, educated, Viennese Jews she was shot.
So why the heck would I choose to go there voluntarily?
I keep telling myself it is to honor and support my mother, who wants to honor her grandmother.
All of this is true. I do want to honor and support my mother and honor my great grandmother.
But this still feels a bit crazy.
I grew up breathing the Holocaust. It was a topic spoken of at almost every meal. Hitler’s Mein Kampf sat on the bookshelf right outside my door. For years I suffered from nightmares that I was being deported. I found my own way to deal with the pain in my family and our community. I eschewed all things Holocaust. I did not read books that were not assigned reading. I did not see Schindler’s List. Even as I pursued a PhD. In Jewish history, I chose to focus on the lives of German speaking Jews until 1914. I actively chose to remember those who were murdered as they lived and not only as the victims Hitler wanted them to be.
I am filled with trepidation. Clearly this will not be a fun trip. In addition to the guidebook description, we have been told to bring bug repellant and raingear to manage the swampy conditions we may encounter. One cannot visit Belarus without getting a visa which is obtained through a complex and archaic process.
You have to be part of an organized tour or work program. And very clear limits on the duration must be set in advance. So we are heading on a four day trip that heads out from Austria, my grandmother’s birthplace. The trip is organized by an Austrian woman named Waltraud Barton who is not Jewish. She dedicates her time to placing markers on the graves or former homes of Jews deported from Austria. My mother connected with her last year when she and my children dedicated a tripping stone outside the home from which my great-grandmother was deported. Waltraud is bringing a group of like-minded Austrian with her. My parents and I will be the only non-Europeans. While we will meet briefly with the Reform rabbi of Minsk, we will be the only Jews for most of the journey. I am bringing a tallit and yizkor candles. The entire tour will be conducted in German and my language skills will be stretched to their limits. My borders, rabbinic and otherwise will be pushed.
I do not know what remembering the Holocaust will look like for the coming generations. In my work on global Judaism with Be’chol Lashon I often teach about the expulsion from Spain which like the Holocaust displaced a whole community, destroying physically and spiritually much of the core. Yet centuries later it is often relegated to a footnote in history.
I do not worry that the Holocaust will have the same fate. In our modern era we have done well recording and memorializing the atrocities perpetrated by everyday people against Jews in Europe. But the process of remembering forward the collective loss is a collective responsibility. When I was younger, I was content to leave that responsibility of remembering the horrors to others but now, as my parents age, and the generation that knew the Holocaust first hand is disappearing, my sense of obligation is changing.
I honestly don’t know what that means exactly. I am trained as a historian but there are some things that cannot be reasoned from an armchair. I suspect that going to this place which on so many levels repels me will help me better understand what I think and feel. In general, we are taught to set out expectations and proceed towards goals. But this is different. This trip is an act of faith, faith that it will be all right in the moment, faith that emotionally I will be able to grapple with what I encounter, faith that this is not really a crazy thing to do, faith that meaning will be illuminated. Somewhere beyond reason, I believe that this trip is the right thing to do.
Every Thursday, my Facebook feed is filled with old pictures, stories of favorite memories, and statuses that remind people of “where they were X years ago.” Why? Because they all end with the hashtag “#tbt”—a way for people to recall memories on “Throwback Thursday.”
But why do we love “Throwback Thursday?”
Clearly, when we go through our old pictures or think back on events we experienced, we feel a wonderful sense of nostalgia—a warm, fuzzy feeling. But that just pushes the question one level back: why do we feel nostalgia? What value does does nostalgia have?
It’s actually a very nuanced question. The value of simple memory is very easy to explain, especially for evolutionary reasons. If, on the African savanna, you could remember who in your tribe had helped you take down that mastodon, or which berries had made you sick when you ate them, or where that saber-tooth tiger tended to live, you would clearly have an competitive advantage over others.
But it’s harder to understand why we would want to use memories to evoke certain feelings. especially because nostalgia is often very bittersweet. We smile when we remember a poignant memory, and at the same time, there’s some sadness as we realize that that moment from the past can’t ever be replicated.
Yet it turns out that there is some research that suggests that those feelings of nostalgia can make us better people. As John Tierney explains in a piece in the New York Times, “Nostalgia has been shown to counteract loneliness, boredom and anxiety. It makes people more generous to strangers and more tolerant of outsiders. Couples feel closer and look happier when they’re sharing nostalgic memories. On cold days, or in cold rooms, people use nostalgia to literally feel warmer.”
Nostalgia, in other words, helps us connect to ourselves and to others. As Dr. Constantine Sedikides, one of the pioneers in this field, remarked: “Nostalgia made me feel that my life had roots and continuity. It made me feel good about myself and my relationships. It provided a texture to my life and gave me strength to move forward.”
So if that’s what nostalgia truly is about, then Judaism is very much about nostalgia. We see our child become bar or bat mitzvah, and we see the past, present and future mixed together. We smell the brisket our grandmother used to make on Passover, and it brings us back to our childhood seders. We join a synagogue community and build relationships and memories that sustain us.
So “Throwback Thursday” is a perfect avenue for Judaism. It connects us to our friends and our family. It roots us. And it makes us smile.
Because in the end, our memories are what make us who we are. When we recall our fondest memories, we end up strengthening our sense of self.
And that’s why we love “Throwback Thursday”—it not only lets us relive the past, it truly helps us live in the present and get ready for the future.
While there were quite a few excellent movies in 2012, my favorite, far and away was “Argo.” I saw it with my wife and another couple, and the film was so well-crafted that my friend was quite literally curled in his seat, covering his eyes and holding his breath during a scene where the only thing happening was the printing of plane tickets. The whole ending was tense, taut and exciting.
It was also completely fabricated.
Yet when I learned about that, I actually wasn’t all that upset. It was a great movie that prompted me to read Tony Mendez’ personal account how he got six Americans out of Iran, so that I could learn what had been true, what had been adapted, and what had been made up whole cloth.
We know that no movie that is “based on a true story” is ever the truth, the whole truth and nothing but the truth. The editors decide what stays in, what gets cut, and what order the story should be told in. What we forget is that our lives are “based on a true story,” as well.
Jonathan Gottschall is the author of the book The Storytelling Animal: How Stories Make Us Human, and he reminds us that we all edit our life story. As he describes it:
A life story is a “personal myth” about who we are deep down — where we come from, how we got this way, and what it all means….[I]t is not, however, an objective account. A life story is a shaped narrative that is replete with strategic forgetting and skillfully spun meanings. (161)
It’s important to remember the real purpose of a story — and it is not simply to relay facts. It’s to put those facts into a meaningful context. A good story doesn’t simply tell us “what happened,” it tells us how and why it happened. In other words, a story — whether that’s a movie like “Argo” or our own personal narrative — is not designed to be a perfectly accurate record of history. Instead, our stories are much more like “memory.”
While history is an attempt to correctly portray past events, memory is a reconstruction of past events, some of which are going to be inherently distorted, overlooked, or even completely rewritten. And for our day-to-day lives, memory is much more important than history — and that’s an idea that resonates with a Jewish perspective.
Avraham Infeld, who served as President of Hillel International, once said that there’s no such things as Jewish history; there is only Jewish memory. What’s the difference? “History means knowing what happened in the past. Memory means asking how what happened in the past influences me, and my life today. It is for that reason that we do not teach our young that our ancestors left Egypt. We teach them that ‘every human being must see him or herself as having left Egypt.’” Memory, in other words, is the driver for the story we tell about ourselves here and now.
So yes, we do need history. We do need accuracy. We do need to make sure that we trying to act with intellectual integrity. But we also shouldn’t conflate history with story. After all, our personal and communal myths are rarely historically accurate, but that doesn’t mean that they don’t have value.
Indeed, there’s a line that my friend and colleague Cantor Ellen Dreskin often says that is equally true about “Argo,” our collective Jewish memory, and our own life story: “Something doesn’t have to be factual for it to be true.”
How very true that is.