Tag Archives: social context

Writing Biography: The Historian’s Challenge, Part 1

For historians, writing biography presents a number of challenges. One of the more important comes from scholars who tend to classify biography as “an inferior type of history.” For example, three years ago the American Historical Society staged a roundtable on “biography as history,” invitations to which included the following: “For a long time historians have been ambivalent about the genre of biography…. Many are skeptical of the capacity of biography to convey the kind of analytically sophisticated interpretation of the past that academics have long expected.”

But we biographers, even those such as myself who want to write cross-over books accessible to the educated lay public, don’t simply chart the course of a life from womb to tomb; we examine our subjects in dialectical relationship to the multiple worlds they inhabit, social, political, and cultural. My two subjects, Howard Fast and Irving Howe, for example, rose from immigrant poverty to eminence and wealth, and in Fast’s case immense wealth. Both were also political activists, and literary figures. And both bore the privileges, burdens, and complexities of being Jewish. Both were also involved, directly and indirectly, with events important to shaping the world of the twentieth century. It would have been next to impossible to neglect social context in biographies of these men.

Biographers are also often accused of voyeurism and sensationalism. Indeed, perhaps as acts of self-defense, several women and men of note have written their own biographies or memoirs – Howe wrote at least one, depending how you count; Fast, two – conceivably as a way of making one’s own case before a prosecutorial or gossip-mongering historian/biographer might appear on the scene. Elsa Morante, the Italian writer and wife of novelist Alberto Moravia, left a warning for biographers: To expose “the private life of a writer is gossip,” she said, “and gossip no matter about whom offends me.” Janet Malcolm, the controversial American journalist goes further, characterizing biographers as burglars, parasites, and obsessive stalkers who trespass and injure. Continue reading

Posted on November 6, 2012

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