Tag Archives: sex & jews

Obscene Recommendations

unclean-lipsSome of the literary works I deal with in Unclean Lips are relatively well-known—Henry Roth’s Call It Sleep (1935) and Philip Roth’s Portnoy’s Complaint (1969), for example, are two of the most widely read novels by and about American Jews. But some of them even most scholars haven’t heard of.

Here’s a short recommended reading and listening list, in case you’re eager to learn more about the literary encounters of American Jews with taboo language and explicit discussions of sex.

1. Adele Wiseman’s Crackpot (1974), an extraordinary novel about an obese Jewish prostitute in Winnipeg, Manitoba. It’s brutally, unsparingly frank, and radically feminist, too—and it earns a mention in Ruth Wisse’s The Modern Jewish Canon.

2. Theodore Dreiser’s The Hand of the Potter (1918), a four-act play by one of the most prominent (non-Jewish) American authors of the early 20th century, which tells the tale of a young Jewish man who can’t resist raping and murdering little girls. (It’s actually not anti-Semitic.)

3. Some people remember Robert Rimmer’s novel The Harrad Experiment (1966), which was marketed as “the sex manifesto of the free love generation” and sold millions of copies. But people don’t tend to remember how much of the novel focuses on a Jewish character, Harry Schacht, and his traditional Jewish family. (Turns out his great-grandmother posed for nude photographs.)

4. The short stories by the American Yiddish playwright David Pinski that were translated into English under the title of Temptations in 1919 were censored thanks to the efforts of the New York Society for the Suppression of Vice. But you can read the book online now, including Pinski’s story about the time that Rabbi Akiva had to resist a couple of prostitutes sent to seduce him.

5. Lenny Bruce wasn’t the only Jewish comedian who got busted on obscenity charges; in the same years, Belle Barth was telling filthy stories on stage, with some punchlines in English, some in Yiddish. You can hear her circa 1960 album If I Embarrass You, Tell Your Friends online, and don’t worry if you don’t speak Yiddish: “There’s only two words you need to know in the Yiddishe language,” she tells her audience, “and that’s gelt and shmuk: ’cause if a man has no gelt, he is.”

The Visiting Scribes series was produced by the Jewish Book Council‘s blog, The Prosen People.

The Jewish world is full of debates. Get the latest in MyJewishLearning’s weekly blogs newsletter.

Posted on December 20, 2013

Note: The opinions expressed here are the personal views of the author. All comments on MyJewishLearning are moderated. Any comment that is offensive or inappropriate will be removed. Privacy Policy

How Did You Come to Write That Book, Anyway?

unclean-lipsIt’s a completely reasonable question, though generally people have been asking it a little shyly: “Why did you want to write a book about Jews and obscenity?” The implicit question, I think, is “I know you’re Jewish—are you also some kind of perv?”

I don’t quite accept the terms of that second, implied question—I’m sex-positive, and don’t cotton to the stigmatizing of responsible, thoughtful people who are into, say, polyamory or BDSM—and I’m also quite sure that the last thing I’d do if I did have some outlandish and/or shameful sexual tastes would be to announce them in the Q&A after an book event at a JCC or synagogue. Or here.

But the real explanation as to why I wrote Unclean Lips is simpler: I discovered the works of Philip Roth as a teenager, loved them, eventually read all of them, imitated them, and then went to get a PhD in English with the intention of writing about them. When I got to grad school, my advisor, hearing that I’m Canadian, recommended that I read Adele Wiseman’s 1974 novel Crackpot, which turned out to be the brutally frank story of an obese Jewish prostitute in Winnipeg.

As I kept reading, I found myself asking, “Why are so many of these great writers so obsessed with both Jewishness and sex?” And, wondering about that, I decided to read up on the history of the representation of sex in American literature in general. In books like Edward De Grazia’s magisterial Girls Lean Back Everywhere and Walter Kendrick’s brilliant The Secret Museum, I quickly came across cases including Rosen v. US (1896), Roth v. US (1957), Ginsberg v. NY (1968), and Cohen v. California (1971). And, naturally, I wondered about all those names, which were more or less identical with the names of the kids who had gone to Jewish Day School with me.

Who were these people, and why did they keep ending up on the wrong side of the law of obscenity? Were there any connections between these legal defendants named Roth, Ginsberg, and Cohen, and the literary writers named Roth, Ginsberg, and Cohen whose works I had been reading? It was hard to tell. The historians, literary scholars, and lawyers who wrote about obscenity in American culture, like De Grazia and Kendrick, didn’t say much about who the namesakes of those cases were.

I wanted to know more. That’s what got me started on the reading and research that led me to write Unclean Lips: Jews, Obscenity, and American Culture.

The Visiting Scribes series was produced by the Jewish Book Council‘s blog, The Prosen People.

The Jewish world is full of debates. Get the latest in MyJewishLearning’s weekly blogs newsletter.

Posted on December 16, 2013

Note: The opinions expressed here are the personal views of the author. All comments on MyJewishLearning are moderated. Any comment that is offensive or inappropriate will be removed. Privacy Policy

Privacy Policy