Tag Archives: colors of confinement

Making It Human

The question that I am exploring in this series of blog posts is what a “concentration camp” looks like. In the first post, I noted that there has been tension between some American Jews and some Japanese Americans over the use of the term “concentration camp” for the prison camps that held Japanese and Japanese Americans during World War II. In the second post, I tried to describe a bit of what was unique about the American camps — the ways in which they arose from some of the same kinds of causes as the German camps while being administered by a government agency with a very different set of views from the SS. Tomorrow, in my last post, I’ll say a few words about how I’ve resolved the dilemma about using the term “concentration camp” in my writing about the American camps.

Today, I’d like to say a little bit about Bill Manbo, the photographer who took the Kodachrome slides featured in Colors of Confinement, and his family. It’s often rightly said that the number “six million” is an abstraction and that the truth of the Holocaust can only really be appreciated in the context of a real human life. The same is true of the 120,000 people the US government exiled and imprisoned.

That’s a photo of Bill Manbo. He was born in Riverside, California, to Japanese immigrant parents in 1908. He and his parents moved to Hollywood before Bill went to junior high school. He graduated from Hollywood High School in 1929 and went off to study auto mechanics at the Frank Wiggins Trade School. That’s where he met Mary Itaya, four years his junior, who had grown up on a farm in Norwalk, California. Her parents, Junzo and Riyo Itaya, were Japanese immigrants and successful farmers of truck vegetables; they had a particularly successful and valuable crop in rhubarb. Mary was at Frank Wiggins to become a seamstress.

Bill and Mary married soon after graduating from trade school. Bill opened up a garage in Hollywood and Mary took in sewing and did some costume design for Los Angeles theater companies. In 1940, Mary gave birth to a son, whom they named Bill, like his father. They called him “Billy.”

Billy was not quite two years old on December 7, 1941, when the Japanese attacked the United States at Pearl Harbor. A few months later, the FBI arrested Billy’s grandfather Junzo Itaya (Mary’s father) as a potential saboteur because he had done some accounting work in the late 1930s for his neighborhood Japanese after-school program. This meant that Junzo was gone, locked up in a Justice Department detention camp, when the rest of the family was rounded up and forced to live in a horse stable at the Santa Anita Assembly Center at the end of April of 1942. The day before leaving, the family signed an agreement with their white landlord that required him to preserve and market their rhubarb crop for as long as the family was gone. Continue reading

Posted on January 17, 2013

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