What happens when the saddest day on the Jewish calendar, the Ninth of Av, which memorializes the destruction of King Solomon’s Temple in Jerusalem, coincides with you learning about the U.S. women’s victory at the 1996 Olympics, arguably the happiest gymnastics moment in my twenty-year relationship with the sport? Should I cry for the Temple? Or flip for the Magnificent Seven?
Unfortunately, the rabbis never bothered with these (and other) questions in their responsa. I was forced to answer them on my own (I flipped and then felt guilty about it, thus covering both my Jewish and gymnastics bases).
The text above is a snippet from the introduction to Heresy on the High Beam. In it, I allude to a story that I never ended up writing out (though I did tell it at my Leotard Optional book launch party, which was just like a “black tie” event except with a lot more spandex). Since I didn’t include the anecdote in any of the essays, I’m giving it away for free here.
During the summer of 1996, I was at sleepaway camp in upstate New York. This camp, a place I attended for nine summers, had strict rules about correspondence — letters only. You weren’t allowed to receive care packages nor were you allowed to make or take phone calls from your parents. This was only feasible in a pre-cellphone, pre-internet age. I know that I’m dating myself here but I don’t mind. I’ll even do the math for you — I’m 29. (Can someone tell me how it works at camps nowadays? Do kids check in on Foursquare when they arrive at the dining hall? And what does the mayor of the mess get? An extra cup of bug juice?)
Anyway, back then I was 13 and was quite sad to be missing the broadcast of theSummer Olympics from Atlanta. The 1996 Olympic Team was my Dream Team, comprised of athletes I had followed ever since I started doing gymnastics at age 8, including Shannon Miller, Dominique Dawes and Kerri Strug. I demanded regular letter updates from my mother back in Brooklyn to know what was going on in the gymnastics competition. She also sent me information about the platform diving since it was similar enough to gymnastics to merit my attention.
During the waning hours of the Ninth of Av, which for Jews is the saddest day on the calendar because it is when the Temple in Jerusalem was destroyed, I was summoned to the camp office. Weak from fasting, I trudged over. “You’ve got a phone call,” I was told. “It’s your mother. She said she needs to talk to you about your scoliosis.”
I took the phone, utterly confused. Though my scoliosis had already been diagnosed, my mother and I were both under the impression that it was minor. (In a few months, however, we’d discover that it was severe and would require spinal fusion surgery. But I digress.) Why would she be calling me about that, I wondered.
“Mom?” I said.
“They won!” my mother practically shouted into the phone.
“The Americans! They won the gold medal!” she yelled.
In the background, I could hear my older sister add her two cents. “Tell her about Kerri Strug on the vault!”
This, as many of you probably recall, was the famous vault on a sprained ankle that the squeaky-voiced (and Jewish) Strug did to the bellowing chants of “You can do it!” from her Romanian coach, Bela Karolyi. She vaulted, stuck it and then had to be carried off the podium, helping clinch the first ever team gold medal for the U.S. (Actually, it turned out that they didn’t need her score after all of the numbers were crunched. They would’ve defeated the Russians even if they needed to count a fall from Dominique Moceanu. But forget I mentioned that. Math ruins stories.)
“I wanted to tell you myself,” my mom said, explaining her deception in gettingme to the phone, which I obviously couldn’t openly signal in any way since a campadministrator was watching me carefully. I thanked her tonelessly and hung up.
There was still an hour left to the fast and I had been taught at camp that I should feel sad because the Temple was still burning, at least in a historical sense, and would be for several hours, even after we’d been given the OK to eat.
But as I walked along the path back to my bunk, I wasn’t remotely sad. I was happy, jubilant even. My earlier lethargy had been replaced by joy. I started to skip. Then I stopped. Then I started again. I couldn’t help it. My gymnastics idols had won the gold!
I tried a few more times to rein my feelings in and feel sad for something that happened over two thousand years prior but I couldn’t, not when something so wonderful happened less than 24 hours earlier. And I was so touched that my mother, who used to complain endlessly about driving me to and from gymnastics practice, had gone so far as to lie to tell me about the gold medal as soon as possible.That, I thought, is what family is all about.
And, two days later, the entire newspaper arrived in the mail.
As a writer, I’ve paid scant attention to the images that accompany my work. I’m usually too preoccupied with the phrasing and timing of jokes to fret over the all-important. That’s why one of my websites looks like this. (I hope you didn’t just die of purple.)
I’m not at all trying to downplay the importance of art in storytelling. I’m simply admitting to my own deficit in this department. And I would’ve probably gone on not caring about the visual component to my work had it not been for Margarita Korol, the urban pop artist that who created the vibrant cover to my new book, Heresy on the High Beam.
Allow me to backtrack for a moment. I met Margarita while I was an intern at Tablet, where she creates illustrations that accompany many of the articles. Almost right away, I decided I liked her when I realized she wore earrings as big as mine. Yes, a big pair of hoops is all it takes to secure my friendship.
After my internship was over we met up for coffee at my behest. I had an ideaI wanted to discuss with her and needed her visual expertise. I had just been called “The Anti-Girlfriend” by a guy, a former flame, to which I responded, “Because just like the antichrist, I’m Jewish and I have curly hair?” Next, I did exactly what anyone in my shoes would’ve done—bought the domain and resolved to create a website by the same name.
Well, you might be wondering, what’s art got to do with it? I was wondering thesame thing myself. For some reason, the notion that this site should have a strong visual storytelling component got stuck in my head. It might’ve had something to do with all the graphic novels I was reading at the time.
Thankfully, Margarita was game and we started working on dating comics for the site. I would send her dialogue sets and she would return with comics that far exceeded anything I had imagined when I jotted my thoughts down. She didn’t merely illustrate—she improved the stories with her visuals and sometimes edited my words for the better.
Plus, the collaboration was fun. As a freelance writer, you spend so much time working alone with little input from others that it was wonderful to pool my ideas with another creative person who possesses similar sensibilities.
Obviously, Margarita was the natural choice to create the cover for my essay collection. When asked what went into creating the vibrant image that introduced the text, she responded, “Heresy on the High Beam channeled some of my favorite things: a strong female lead, ethnic struggle, and a Lisa Frank palette.”
She forgot to mention big earrings. I guess that’ll have to wait until our next collaboration.
When you tell someone that you used to do gymnastics, she frequently answers that she, too, did it. When she was seven. And hadn’t thought about it in years. The implication is clear — gymnastics is the sort of sport you’re supposed to outgrow. In most instances, you start doing it before you know how to sign your own name and it’s over by your first adolescent growth spurt, joining the childhood hobby trash heap, which in my case includes rollerblading and playing with Barbie dolls.
But in my case, I couldn’t seem to shake the sport unlike the rest of my practice peers, who ended their involvement with gymnastics by the end of high school. There I was, about to start grad school in Creative Nonfiction at twenty-three, still checking the online message boards devoted to the sport daily in order to learn which Romanian gymnast had a new vault or who was injured and or who quit and so on. (The gymnastics community, both online and in real life, is especially tight knit for the same reasons that Jews tend to cluster together — there are so few of us who give a damn.)
As I was trying to figure out the topic for the first essay I wanted to write for my workshop, my mind drifted to the sport, which I hadn’t really written about much (even if I talked about it ad nauseum and watched YouTube videos of competitions from two decades prior merely to admire the way a particular Soviet pointed her toes). Hey, I said to myself, I’m still as obsessed with gymnastics in my 20s as I was at seven. In a very Seinfeldian way, I wondered — What’s that about?
So I wrote my first essay exploring the role of the sport in my life. Like Genesis, I started at the beginning, or at least what I thought was the beginning — my seemingly coming-out-of-nowhere obsession with gymnastics. In those earliest examinations, it seemed like I had woken up one day and decided that I must learn how to flip over my hands. It was a pretty unsophisticated piece, both in writing and insight, and thankfully none of it made its way into any formally published work.
But even in those early efforts, what was becoming very clear was the role that my family’s strict observance of Orthodox Jewish rules was playing in my participation in the sport and how it added fuel to the fire of my obsession. There was the fact that I couldn’t go to a real competitive gym because their afterschool classes started too early for someone with the longer hours of a yeshiva student. Or that leotards posed a religious problem to someone who wore only skirts and longer sleeved skirts outside of the gym. And nearly all competitions took place on Shabbos. When it came to the lower level ones, I simply wasn’t allowed to compete. As for the elite, televised ones—I had to learn how to program the VCR so I could eventually watch them after the stars came out on Saturday night. All of these limitations imposed by Judaism simply made me want to do and think about the sport even more. I like to imagine that if I had been totally unfettered by religious doctrine, I probably would’ve left the sport behind when it became apparent that I simply wasn’t any
good at it.
During one after class drinking sessions at a local bar, my workshop professor, who had been subjected to a semester-long barrage of gymnastics, tipsily looked me in the eye and said, “You’ve got this whole Potok thing going on. Except with a weird thing about gymnastics.”
While my personal essay collection, Heresy on the High Beam: Confessions of an Unbalanced Jewess, bears little resemblance to Potok’s novels—fiction vs. nonfiction, male vs. female protagonists, different eras—I’d like to think that perhaps had Potok been enamored with gymnastics instead of the national pastime then maybe Reuven Malter, the main character in The Chosen, would’ve hit his head on the balance beam instead of getting nailed in the eye by a baseball. That would’ve been cool.