Author Archives: Charles Belfoure

Charles Belfoure

About Charles Belfoure

Charles Belfoure is the author of the debut novel The Paris Architect an October Indie Next Pick and National Reading Group Month Selection. An architect by profession, he graduated from the Pratt Institute and Columbia University. His writing has appeared in the The Baltimore Sun and The New York Times. He lives in Maryland.

A Moment of Kindness

Whenever I tell anyone that mother was in a German labor camp during World War II, they assume she was Jewish and in a concentration camp. I then explain that the Third Reich needed labor to produce war materiel and that millions of non-Jewish subjects of the counties they conquered were often forced into working in these camps. Although concentration camp inmates worked, the survival rate for labor camp workers was far greater. The Nazis work philosophy was that you either worked for the Reich or die.

My mother, a Catholic, was fifteen and living in Krakow when the Germans invaded in September of 1939. About two years later, she was put into a labor camp in Germany. She worked in a factory that made chewing tobacco. I thought this was an odd product for wartime; I associated chewing tobacco with hillbillies in the Appalachians and the Ozarks. But I discovered that soldiers (German or Allied) can’t smoke all the time in the field. A lit match at night or a wisp of smoke could give away a platoon’s position resulting in their destruction. The chewing tobacco satisfies the craving for nicotine.

One day when she was working, a civilian German supervisor came up to her and said he had a job for her. Because she was fluent in German, he could arrange for her to be a translator and housekeeper. This was an act of pure kindness on his part; there was nothing in it for him.

My mother would go to work for a contractor who tunneled out the Harz Mountains in Nordhausen where the Nazis built the V-2 rocket, the world’s first ballistic missile. Hidden deep under the mountains, the manufacturing facilities were protected from allied bombing. The tunnels had to be excavated and shored up from timber before they were lined with concrete. Inmates of all nationalities would go into the surrounding forests to cut the timber, while my mother acted as translator.

As a result of the German’s kindness, my mother lived in relative comfort with the contractor and his family while less than a kilometer away, mostly Jewish inmates perished while producing the rockets. It was these acts of kindness I wanted to include in my novel, The Paris Architect. Out of the goodness of their hearts, people step forward to help someone. My mother never saw the supervisor again but always knew how incredibly lucky she had been because of what this man did for her.

The Visiting Scribes series was produced by the Jewish Book Council‘s blog, The Prosen People.

Posted on October 18, 2013

Note: The opinions expressed here are the personal views of the author. All comments on MyJewishLearning are moderated. Any comment that is offensive or inappropriate will be removed. Privacy Policy

Cutting Material from My Novel

paris.architectOne of the hardest things to get used to in writing a novel is cutting material to speed up the pacing and tightening the plot. It’s like casting out a beloved child into the street. You hate to see it go, but it in the end, it’s probably for the best.

In my novel, The Paris Architect, I had to do some chopping—but one scene was particularly hard to edit. The book is about a gentile architect who designs hiding places for Jews in occupied Paris; many of the people the protagonist helps have been hiding in the most horrendous places, based on the historical realities of the time. Their friends have turned their backs on them, and the Parisian Jews must find any refuge no matter how squalid.

One of these places, I reluctantly cut out. Some Jews during World War II hid in false graves in cemeteries. For an exorbitant fee, cemetery caretakers would hide people: The grave would be dug out a little deeper and larger then boards would be placed over the opening and dirt mounded over so it looked like a real grave. A gravestone would be put in place and flowers set in front for a realistic touch. A pipe extending a couple of inches above the ground was placed at the rear to provide air for the occupants. One of the boards could be removed to drop food and water into the grave.

One would think that a grave could hold but one person, but the times were so desperate that three or four people could make do down there. Living in Stygian darkness, the people just sat there day after agonizing day with only a candle for light. Some were family members and some were complete strangers to each other. It would be just endless excruciating boredom mixed with the fear of being discovered at any minute.

Your existence depended solely on the honesty and integrity of the caretaker. Some were kind and others abandoned their charges. Because the dirt was mounded on top of the boards, it was no easy task to escape.

My character was a bachelor chemist in his forties. When he fled, he couldn’t bear to part with his pet rabbit so he took it down into the grave. It was the only comfort he had down there. But the other famished inhabitants of the grave began imagining his rabbit as a very delicious meal. The chemist swore he’d kill anyone who touched his pet as though it were his child. I hated to see him go.

The Visiting Scribes series was produced by the Jewish Book Council‘s blog, The Prosen People.

Posted on October 15, 2013

Note: The opinions expressed here are the personal views of the author. All comments on MyJewishLearning are moderated. Any comment that is offensive or inappropriate will be removed. Privacy Policy