The Mothers is my third novel but it’s the first novel I’ve written that tracks so closely with my own life. I had to make a leap as a novelist to write in the first person, to examine a single woman’s inner life, as opposed to the bigger sweep of the multi-generational novels, Golden Country and Something Red, that were written with an eye toward history and the way it affects families.
This book is all about families really, or about a couple who wants to make one desperately. If my other books deal with what happens to families over time, this character—Jesse Weintraub—is most concerned about time stopping. About the story, as it were, ending with her.
I, like Jesse, struggled for a long time to make my family (even though I do believe that it’s not just children that make a family…). And like her, my spouse and I were involved in a terribly long and particularly harsh adoption process that has only ended a few weeks ago. My most private concerns, a sadness I could only tell myself, were the same concerns I am interested in as a writer. These were in part involving what gets passed down through the generations. The history of our families, the voices of my grandparents and what they went through. What if it all that stopped with me?
What if all the stories just stopped with me? All those voices? At the bottom of it, this is what Jesse feels deeply. She wants to see a new generation grow. She gets a little despairing, she acts a little wild, but at the bottom of it, she wants to pass on all of it, the good, the bad, the painful, the joyous, so the cycle will keep going, so everyone’s story, including hers, gets told.