Monthly Archives: July 2012

Graphic Memoir: The Legacy of Harvey Pekar

JT Waldman co-authored and illustrated the new graphic novel Not the Israel My Parents Promised Me with writer and frequent David Letterman guest Harvey Pekar. Read more about their relationship here.

“It is true enough to say that he was the “poet laureate of Cleveland” or to describe his American Splendor as “Homeric”, but those descriptives are still inadequate. He was the perfect man for his times, straddling…everything: the underground comic revolution of the 60′s, the creation and transformation of the graphic novel, independent film, television, music (the classic jazz he championed relentlessly throughout his life).

He was famed as a “curmudgeon”, a “crank” and a “misanthrope” yet found beauty and heroism where few others even bothered to look. In a post-ironic and post-Seinfeldian universe he was the last romantic–his work sincere, heartfelt, alternately dead serious and wryly affectionate. The last man standing to wonder out loud, “what happened here?”

- Anthony Bourdain, July 13, 2010

Before Harvey Pekar self-published American Splendor in 1976, there were no publicly distributed memoir comic books. Sure, people doodled in their journals or sketchbooks, and some super-hero artists/writers included themselves in their fantastic stories, but before American Splendor, comix were synonymous with fiction and fantasy.

With Harvey Pekar’s writing, underground comix based on mundane personal realities began to flourish.  From travel journals, to anthologies about true porn, the “gonzo literary comic” style of graphic memoirs has become its own cottage industry in publishing.

Here’s a sampling of the wide range of comic book creators who make comic books about their private lives: Allison Bechdel, Joe Sacco, Art Spiegelman, Josh Neufeld, Miriam Libicki, Miss Lasko Gross, Marjane Satrapi, Craig Thompson, Brian Fies, David B., Marisa Acocella Marchetto, Seth, Peter Kuper, David Small, and Guy Delisle, to name just a few.

This summer in Toronto, the Third Annual Graphic Medicine Conference will delve into the use of comix in health practices. This year, the highly focused confab will explore depictions of the Outsider or Other in the context of issues such as barriers to healthcare, the stigma of mental illness and disability, and the silent burden of caretaking.

Museums and galleries have also opened their doors to graphic memoirs. Last year, an exhibition entitled “Graphic Details: Confessional Comics by Jewish Women” toured the United States.

Graphic memoirs predate blogs, tweets, and Facebook statuses, but the essence and basic components of both media are the same. Today, nearly everyone shares snippets of himself or herself, telling stories to the masses through blurbs and images in sequences. Entire markets are now built around this data.

In the mid-seventies, Harvey Pekar was doing all this before it was ubiquitous and commercialized. He shared his perspective regardless of the number of followers or friends in his circles. Harvey was an archivist and a storyteller at the same time. He was the Paul Revere of graphic memoirs presaging a literary long tail before it was even in sight. He demonstrated that everyone had a voice AND could find an audience. All they had to do was find a pen and start pondering on paper.

Posted on July 3, 2012

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My Pekar Years

I met Harvey Pekar in 2005. On a whim, I gave him a copy of my book, and he really liked it. A series of awkward interactions at comic book signings led to a small collaboration for the foreword of a book about the history of Jews and comics. A few months later he asked me to work on an entire book with him about the history of Jews and Israel.

In 2008, we began what is now known as Not The Israel My Parents Promised Me, a graphic novel published by Hill & Wang and available here. The graphic memoir interweaves his gradual disaffection with the modern state of Israel with a comprehensive visual history from Biblical times to the present. Told over the course of a single day in his hometown, the book follows Pekar and myself as we wrestle with the mythologies and realities surrounding the Jewish homeland.

Producing this book was a bittersweet project for me. When Harvey passed away two years ago, I went from being a hevruta to chevra kadisha. For the better part of four years I was one of a handful of artists working with Harvey on various projects. However, I suspect that the Judaic focus of our relationship was quite unique. I like to think he didn’t call everyone boychik.

Although Harvey cultivated a curmudgeon character on screen and in print, the man himself was quite kind and surprisingly encouraging. Harvey expressed complete faith in my creative vision and was always telling me to “do my thing.”

I got a kick out of Harvey’s sense of timing. He would call me at the most inopportune moments. First thing Monday morning as I sat down to my desk job. Saturday night while I was at a pub with friends, or my favorite, 8:30 AM on Thanksgiving morning.

Harvey had his own way of doing things. He didn’t use the computer. No email, just phone calls and photocopies of his hand written scripts. Decoding his prose, dividing it into digestible chunks, and offering my spin was part of the fun of working with Harvey. Even now, when I recall all those conversations about Judaism and its people, and talking about baseball, Harvey continues to make me smile.

However, finishing the book without Harvey over the last two years was heavy. I wish I could say it was fun. But I missed my collaborator and friend and I was drawing him everyday, so it was a particularly bizarre process of mourning and creativity. Which I guess is oddly appropriate for a graphic novel about Israel.

My Pekar years were full of crazy amounts of joy and sadness and taught me a lot about the type of person and artist that I am. I was lucky to be in the graces of a comix legend and be given the opportunity to be myself and represent another person through comix. I trust that Harvey would be proud of the way the book turned out.

Posted on July 2, 2012

Note: The opinions expressed here are the personal views of the author. All comments on MyJewishLearning are moderated. Any comment that is offensive or inappropriate will be removed. Privacy Policy

Albert Einstein: A Highly Committed Jew

Albert Einstein may have been the most famous Jew of the 20th century. His biographer Walter Isaacson described that “when he arrived in New York in April, [1921], he was greeted by adoring throngs as the world’s first scientific celebrity, one who also happened to be a gentle icon of humanist values and a living patron saint for Jews.” Over the course of his lifetime, Einstein became a committed Jew and a Zionist, a commitment that resulted in his being offered the presidency of Israel, an honor that he declined. In 1955 he stated near the end of his life, he stated, “My relationship to the Jewish people has become my strongest human tie.” Einstein explained his route to Jewishness in his popular 1934 book, The World As I See It: “The pursuit of knowledge for its own sake, an almost fanatical love of justice, and the desire for personal independence – these are the features of the Jewish tradition which make me thank my stars that I belong to it.” He went on to note, “In the philosophical sense there is, in my opinion, no specific Jewish outlook. Judaism seems to me to be concerned almost exclusively with the moral attitude in life and to life. I look upon it as the essence of an attitude to life which is incarnate in the Jewish people rather than the essence of laws laid down in the Torah and interpreted in the Talmud.” Einstein was quite emphatic that his Jewish identity was not religiously motivated. In 1921, he told the rabbis of Berlin who had urged him to become a dues-paying member of the Jewish religious community, “I notice that the word Jew is ambiguous in that it refers (1) to nationality and origin, (2) to the faith. I am a Jew in the first sense, not the second.”

So Einstein highlighted several of the features that foster Jewish identity – nationality (or race or group membership), the culture emanating from group membership, and shared religious belief. In the United States, religion remains a powerful force in Jewish identity, as do an inner commitment to being Jewish and significant Jewish friendship ties. The National Jewish Population Survey of 2000-2001 observed, “Most American Jewish adults observe in some way the High HolidaysPassover and Hanukkah. Majorities also read a Jewish newspaper or magazine or books with Jewish content, regard being Jewish as very important, and report that half or more of their close friends are Jewish.”

Einstein believed that anti-Semitism was a major force in promoting affiliation to the Jewish community as when he wrote, “It may be thanks to anti-Semitism that we are able to preserve our race.” Yet, the writers of the American Jewish Yearbook 2007 have shown that anti-Semitism is simply not present at levels where it would serve as a threat and cohesive force, noting, “The American Jewish community in the U.S. – the largest concentration of Jews in the world outside Israel – experienced remarkably low levels of expression of anti-Semitic expression, both behavioral and attitudinal in 2006. This followed a 50-year pattern that reflected the strengths of a pluralistic society, even as intergroup tensions in general continued to concern political leaders and social analysts.” This has translated into a different set of feelings about being Jewish in the United States with most contemporary American Jews viewing themselves as Einstein did — both assimilated and Jewish.

Posted on July 1, 2012

Note: The opinions expressed here are the personal views of the author. All comments on MyJewishLearning are moderated. Any comment that is offensive or inappropriate will be removed. Privacy Policy

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