The Magic of Summer Camp

By: Jonathan Krasner | Tagged , , , , ,

When my ten year old daughter heads to sleep-away camp this summer she will follow a family tradition that began the summer after World War II. Fearing an outbreak of polio in New York City, my grandparents shipped my father off to Massad, a Hebrew-speaking camp in the Poconos. He was only five years old. My grandmother kept the postcards he mailed home. My dad was just learning to print and his penmanship was atrocious. Still, they weren’t difficult to decipher, and all were virtually identical: “I don’t like it here,” his postcards wailed. “Take me home!”

As a former camp counselor I know that dad’s homesickness was hardly anomalous. But by-and-large, his peers who attended Jewish overnight camps have very fond memories of their summers. Dr. Josh Perelman, the deputy Director of Programming and Museum Historian at the National Museum of American Jewish History recently told me that the section of the museum’s permanent exhibit dedicated to summer camping is easily one of the biggest draws. A section of the museum’s website is devoted to Jewish summer camps and guests are invited to upload their own camp photos and share memories.

When I was researching the origins of Jewish culture camping for The Benderly Boys I was struck by the central role that overnight camps played in the Jewish identity formation of my informants. Decades after the closure of Cejwin Camps, the oldest Jewish culture camp, hundreds of alumni remain connected through an online discussion group and social media. A Camp Massad Facebook group has almost 600 participants. Another venerable overnight camp, Modin, which still thrives in Belgrade, Maine, recently held a 90th anniversary reunion gala at a swanky Manhattan venue with over 500 former campers in attendance. And a 1998 reunion of the oldest Yiddish-speaking camp, Boiberik, drew 450 alums and merited an article in theNew York Times.

I suppose my father’s memories of camp were not all bad. The summer I turned ten, he and my mom signed me up for a month at Camp Massad. I spent three glorious seasons at Massad Bet and would have returned. But dwindling enrollment compelled the camp to close, in 1979, the same year that the Boiberik campgrounds, in Rhinebeck, New York, was sold to a meditation center. Cejwin, which paved the way for camps like Massad, was shuttered a little over a decade later, in 1991.

Various reasons have been given for these camps’ decline. My guess is that the phenomenon can largely be explained by their failure to keep pace with the rapid socio-economic advancement of the Jewish community. As much as I loved Massad, the truth is that the camp facilities were terribly outdated by the 1970s. I doubt that they were ever in mint condition. But whereas an earlier generation was willing to write off overgrown playing fields, dilapidated communal shower houses and leeches in the lake as symptomatic of the camp’s rugged charms, such blemishes could not be overlooked by middle class kids thoroughly acclimated to the creature comforts of suburbia. Certainly not when there were other well-manicured, flashier alternatives competing for the same clientele.

Moreover, the ideological core of these camps — their devotion to Zionism, Hebrew or Yiddish language and culture — did not tug as deeply at the heartstrings of the third generation. By and large, their parents left their immigrant ideologies in Brownsville and Roxbury when they moved to Great Neck and Newton.

My hypothesis is borne out by the opposing fates of Cejwin and Modin. Established within a few years of one another (1919 and 1922, respectively) and sharing some of the same founders, the former catered to a working class clientele and placed Jewish culture front and center, while the latter attracted the children of professionals and businessmen, enticing them with bourgeois activities like horseback riding and (later) waterskiing. In the 1940s and 50s, Cejwin was teeming with campers and seemed to be in permanent expansion mode. But in the long run, Modin’s formula had greater longevity. The same summer that Cejwin closed, the current owners of Modin relocated their high end camp to a first class facility on the picturesque Belgrade Lakes with a state-of-the-art fitness center and recreation pavilion. The 2011 brochure features panoramic views and happy children of privilege, sailing, windsurfing, white water rafting and wall climbing.

Even Orthodox Judaism had gone bourgeois by the 1970s. In the 1980s I worked at Camp Raleigh, the “sports camp in a Torah environment.” Raleigh boasted private showers in each bunk, a gleaming swimming pool, and a pastry chef who’s creations could rival anything one might find at the nearby Grossinger’s resort hotel. A colleague and fellow member of the Massad Diaspora mockingly referred to Raleigh as “Camp Fress,” from the Yiddish word for pigging out. But camps like Raleigh and Seneca Lake embodied the American Jewish zeitgeist of the late twentieth century, the Age of Fress.

Twenty years later, there is a new trend in Jewish camping: the boutique or niche camp. In 2010, the Foundation for Jewish Camp created a camp incubator that facilitated the launching of five non-profit specialty camps, with names like Adamah Adventures and 92Y Passport NYC. The incubator experiment was so successful that plans for a second incubator are well underway. According to the American Camp Association, the Jewish interest in specialty camps mirrors a larger trend in American camping. Rabbi Eve Rudin, a veteran Reform Jewish camp leader and former Director of the Department of Camp Excellence and Advancement at the Foundation for Jewish Camp is positively bullish on the new specialty camps: “Before specialty camps, young people had to chose between their area of interest and their Jewish interests. Too often, they chose to opt out of the Jewish community in order the gain the skills and mentoring they desired. In these new settings, young people can lead Jewish lives, have Jewish experiences and still receive the sophisticated training and opportunities in their areas of interest.”

Individual Jewish summer camps may come and go and the trappings and programs of these camps may adapt to changing times. But the idea of Jewish camping is as fresh and as full of promise for Jewish identity building and personal growth today as it was when the first Jewish culture camps were founded almost a century ago. My daughter will be attending one of the new specialty camps, Eden Village, a religiously pluralistic camp in Putnam Valley, New York, focusing on Jewish environmentalism and organic farming. Like her counterparts twenty, fifty and ninety years ago, she is breathlessly counting the days until summer.

Jonathan KrasnerJonathan B. Krasner is the author of the National Jewish Book Award winning title The Benderly Boys & American Jewish Education. Krasner was also a finalist for the 2012 Sami Rohr Prize for Jewish Literature.
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What’s in a Name?

By: Jonathan Krasner | Tagged , ,

One of the greatest dilemmas I faced while writing The Benderly Boys & American Jewish Education was how to refer to the group of Jewish educators who were mentored by New York Bureau of Jewish Education director Samson Benderly. At first glance the answer seemed deceptively simple. Benderly referred to his protégés as my “boys,” and the moniker “Benderly boys” was widely used both by members of the group and their colleagues in the field.

And yet, the appellation is problematic. For one thing, in today’s world the term “boy” or “girl” when used in reference to a grownup has taken on a pejorative, or at the very least, a paternalistic connotation. This usage has largely become anachronistic, a relic of the “Mad Men” and “Driving Miss Daisy” era.

More fundamentally, the term “Benderly boys” is misleading. Although the majority of Benderly’s disciples were men, the group also included a number of women. A few attained leadership positions in schools, community centers, camps and other organizations. And while most voluntarily “retired” after marriage or the birth of their children, a few became career women long before the feminist revolution. Libbie Suchoff Berkson, for example, directed Camp Modin, in Canaan, Maine, while Elsie Simonofsky Chomsky served for many years as the principal of Gratz College‘s well regarded Hebrew teacher’s program, the School of Observation and Practice. Still other women gave up leadership positions but continued to wield influence in the field. Rebecca Aaronson Brickner, who served as Benderly’s veritable right hand during his early years at the New York Bureau, officially left education in 1919 when she married Rabbi Barnett Brickner. But her influence continued to be felt in the religious school of Cleveland’s Euclid Avenue Temple (later called the Fairmount Temple), where her husband spent much of his rabbinical career. Likewise, Mamie Goldsmith Gamoran and Elma Ehrlich Levinger published dozens of religious school textbooks, storybooks and other educational materials years after they supposedly embraced domestic life.

Benderly, apparently, did not hesitate to apply the ‘Benderly boy’ appellation to his female disciples. In my book, I discuss the implications of this curious usage. Benderly reflexively used gender as a marker for his closest disciples. If you fulfilled his criteria, which included studying at Columbia Teachers College, assuming administrative responsibilities at the Bureau or one of its affiliated schools, and attending his daily, early morning schmooze sessions, you were considered one of the boys, regardless of your anatomical make-up. Contemporary scholars, however, have been less sanguine about using the term “Benderly boys,” with some preferring gender neutral terms like “group” or “bunch.”

The term “Bureau bunch” was adopted in the 1910s by the larger team of workers at the New York Bureau, while the inner circle of disciples referred to themselves as Chayil , an acronym for the Hebrew phrase “education is our national foundation,” and a word meaning valor or virtue. While I intersperse the term “Benderly group” throughout the book for the sake of variety, I will admit to finding neither “Bureau bunch” nor Chayil compelling. The latter seemed obscure and, in any event, was confined in the day to an exclusive group of insiders. I wished to cast a wider net. The latter, meanwhile, was irredeemably hokey-sounding, particularly in the ear of one who was raised on a seemingly continuous loop of Brady Bunch reruns.

In the end, I decided to stick with “Benderly boys,” despite its drawbacks, and not merely due to its alliterative appeal. For me, the use of the appellation by Samson Benderly and its embrace by his disciples was decisive. By retaining the term “Benderly boys” I felt that I was at once remaining true to history while also honoring the memories of these men and women. But I did not entirely give up on the desire to problematize the designation. That is why I was thrilled to come across a crisp photograph of Benderly walking arm in arm with three of his closest disciples, including Libbie Berkson, while working at theAmerican Jewish Archives. I knew immediately that it needed to adorn the book’s cover. This photo of Libbie, surrounded by men, but clearly accepted as a full member of the Benderly team, juxtaposed with the book’s title, is purposely discordant and meant to induce perplexity. Here was a case where a picture could truly speak louder than words.

Here is hoping that the publication of The Benderly Boys (along with Carol Ingall’s 2010 volume, The Women Who Reconstructed American Jewish Education) helps to encourage a rediscovery of Benderly’s “girls.”

Jonathan KrasnerJonathan B. Krasner is the author of the National Jewish Book Award winning title The Benderly Boys & American Jewish Education. Krasner was also a finalist for the 2012 Sami Rohr Prize for Jewish Literature.
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Tisha B’Av and the Olympic Games

By: Dvora Meyers | Tagged , , , , , , ,

What happens when the saddest day on the Jewish calendar, the Ninth of Av, which memorializes the destruction of King Solomon’s Temple in Jerusalem, coincides with you learning about the U.S. women’s victory at the 1996 Olympics, arguably the happiest gymnastics moment in my twenty-year relationship with the sport? Should I cry for the Temple? Or flip for the Magnificent Seven?

Unfortunately, the rabbis never bothered with these (and other) questions in their responsa. I was forced to answer them on my own (I flipped and then felt guilty about it, thus covering both my Jewish and gymnastics bases).

The text above is a snippet from the introduction to Heresy on the High Beam. In it, I allude to a story that I never ended up writing out (though I did tell it at my Leotard Optional book launch party, which was just like a “black tie” event except with a lot more spandex). Since I didn’t include the anecdote in any of the essays, I’m giving it away for free here.

During the summer of 1996, I was at sleepaway camp in upstate New York. This camp, a place I attended for nine summers, had strict rules about correspondence — letters only. You weren’t allowed to receive care packages nor were you allowed to make or take phone calls from your parents. This was only feasible in a pre-cellphone, pre-internet age. I know that I’m dating myself here but I don’t mind. I’ll even do the math for you — I’m 29. (Can someone tell me how it works at camps nowadays? Do kids check in on Foursquare when they arrive at the dining hall? And what does the mayor of the mess get? An extra cup of bug juice?)

Anyway, back then I was 13 and was quite sad to be missing the broadcast of theSummer Olympics from Atlanta. The 1996 Olympic Team was my Dream Team, comprised of athletes I had followed ever since I started doing gymnastics at age 8, including Shannon Miller, Dominique Dawes and Kerri Strug. I demanded regular letter updates from my mother back in Brooklyn to know what was going on in the gymnastics competition. She also sent me information about the platform diving since it was similar enough to gymnastics to merit my attention.

During the waning hours of the Ninth of Av, which for Jews is the saddest day on the calendar because it is when the Temple in Jerusalem was destroyed, I was summoned to the camp office. Weak from fasting, I trudged over. “You’ve got a phone call,” I was told. “It’s your mother. She said she needs to talk to you about your scoliosis.”

I took the phone, utterly confused. Though my scoliosis had already been diagnosed, my mother and I were both under the impression that it was minor. (In a few months, however, we’d discover that it was severe and would require spinal fusion surgery. But I digress.) Why would she be calling me about that, I wondered.

“Mom?” I said.

“They won!” my mother practically shouted into the phone.

“What?”

“The Americans! They won the gold medal!” she yelled.

In the background, I could hear my older sister add her two cents. “Tell her about Kerri Strug on the vault!”

This, as many of you probably recall, was the famous vault on a sprained ankle that the squeaky-voiced (and Jewish) Strug did to the bellowing chants of “You can do it!” from her Romanian coach, Bela Karolyi. She vaulted, stuck it and then had to be carried off the podium, helping clinch the first ever team gold medal for the U.S. (Actually, it turned out that they didn’t need her score after all of the numbers were crunched. They would’ve defeated the Russians even if they needed to count a fall from Dominique Moceanu. But forget I mentioned that. Math ruins stories.)

“I wanted to tell you myself,” my mom said, explaining her deception in gettingme to the phone, which I obviously couldn’t openly signal in any way since a campadministrator was watching me carefully. I thanked her tonelessly and hung up.

There was still an hour left to the fast and I had been taught at camp that I should feel sad because the Temple was still burning, at least in a historical sense, and would be for several hours, even after we’d been given the OK to eat.

But as I walked along the path back to my bunk, I wasn’t remotely sad. I was happy, jubilant even. My earlier lethargy had been replaced by joy. I started to skip. Then I stopped. Then I started again. I couldn’t help it. My gymnastics idols had won the gold!
I tried a few more times to rein my feelings in and feel sad for something that happened over two thousand years prior but I couldn’t, not when something so wonderful happened less than 24 hours earlier. And I was so touched that my mother, who used to complain endlessly about driving me to and from gymnastics practice, had gone so far as to lie to tell me about the gold medal as soon as possible.That, I thought, is what family is all about.
And, two days later, the entire newspaper arrived in the mail.

Dvora MeyersDvora Meyers has written for The New York Times, Deadspin, and Tablet. She was never allowed to compete professionally, but she is the recipient of a gold medal for gymnastics obsessiveness. Her new book, Heresy on the High Beam: Confessions of an Unbalanced Jewess, is out now.
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It Takes Two

By: Dvora Meyers | Tagged , , , , , , ,

As a writer, I’ve paid scant attention to the images that accompany my work. I’m usually too preoccupied with the phrasing and timing of jokes to fret over the all-important. That’s why one of my websites looks like this. (I hope you didn’t just die of purple.) 

I’m not at all trying to downplay the importance of art in storytelling. I’m simply admitting to my own deficit in this department. And I would’ve probably gone on not caring about the visual component to my work had it not been for Margarita Korol, the urban pop artist that who created the vibrant cover to my new book, Heresy on the High Beam.

Allow me to backtrack for a moment. I met Margarita while I was an intern at Tablet, where she creates illustrations that accompany many of the articles. Almost right away, I decided I liked her when I realized she wore earrings as big as mine. Yes, a big pair of hoops is all it takes to secure my friendship.

After my internship was over we met up for coffee at my behest. I had an ideaI wanted to discuss with her and needed her visual expertise. I had just been called “The Anti-Girlfriend” by a guy, a former flame, to which I responded, “Because just like the antichrist, I’m Jewish and I have curly hair?” Next, I did exactly what anyone in my shoes would’ve done—bought the domain and resolved to create a website by the same name.

Well, you might be wondering, what’s art got to do with it? I was wondering thesame thing myself. For some reason, the notion that this site should have a strong visual storytelling component got stuck in my head. It might’ve had something to do with all the graphic novels I was reading at the time.

Thankfully, Margarita was game and we started working on dating comics for the site. I would send her dialogue sets and she would return with comics that far exceeded anything I had imagined when I jotted my thoughts down. She didn’t merely illustrate—she improved the stories with her visuals and sometimes edited my words for the better.

Plus, the collaboration was fun. As a freelance writer, you spend so much time working alone with little input from others that it was wonderful to pool my ideas with another creative person who possesses similar sensibilities.

Obviously, Margarita was the natural choice to create the cover for my essay collection. When asked what went into creating the vibrant image that introduced the text, she responded, “Heresy on the High Beam channeled some of my favorite things: a strong female lead, ethnic struggle, and a Lisa Frank palette.”

She forgot to mention big earrings. I guess that’ll have to wait until our next collaboration.

Dvora MeyersDvora Meyers has written for The New York Times, Deadspin, and Tablet. She was never allowed to compete professionally, but she is the recipient of a gold medal for gymnastics obsessiveness. Her new book, Heresy on the High Beam: Confessions of an Unbalanced Jewess, is out now.
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A Nice Jewish Girl on the Balance Beam

By: Dvora Meyers | Tagged , , , , ,

When you tell someone that you used to do gymnastics, she frequently answers that she, too, did it. When she was seven. And hadn’t thought about it in years. The implication is clear — gymnastics is the sort of sport you’re supposed to outgrow. In most instances, you start doing it before you know how to sign your own name and it’s over by your first adolescent growth spurt, joining the childhood hobby trash heap, which in my case includes rollerblading and playing with Barbie dolls.

But in my case, I couldn’t seem to shake the sport unlike the rest of my practice peers, who ended their involvement with gymnastics by the end of high school. There I was, about to start grad school in Creative Nonfiction at twenty-three, still checking the online message boards devoted to the sport daily in order to learn which Romanian gymnast had a new vault or who was injured and or who quit and so on. (The gymnastics community, both online and in real life, is especially tight knit for the same reasons that Jews tend to cluster together — there are so few of us who give a damn.)

As I was trying to figure out the topic for the first essay I wanted to write for my workshop, my mind drifted to the sport, which I hadn’t really written about much (even if I talked about it ad nauseum and watched YouTube videos of competitions from two decades prior merely to admire the way a particular Soviet pointed her toes). Hey, I said to myself, I’m still as obsessed with gymnastics in my 20s as I was at seven. In a very Seinfeldian way, I wondered — What’s that about?

So I wrote my first essay exploring the role of the sport in my life. Like Genesis, I started at the beginning, or at least what I thought was the beginning — my seemingly coming-out-of-nowhere obsession with gymnastics. In those earliest examinations, it seemed like I had woken up one day and decided that I must learn how to flip over my hands. It was a pretty unsophisticated piece, both in writing and insight, and thankfully none of it made its way into any formally published work.

But even in those early efforts, what was becoming very clear was the role that my family’s strict observance of Orthodox Jewish rules was playing in my participation in the sport and how it added fuel to the fire of my obsession. There was the fact that I couldn’t go to a real competitive gym because their afterschool classes started too early for someone with the longer hours of a yeshiva student. Or that leotards posed a religious problem to someone who wore only skirts and longer sleeved skirts outside of the gym. And nearly all competitions took place on Shabbos. When it came to the lower level ones, I simply wasn’t allowed to compete. As for the elite, televised ones—I had to learn how to program the VCR so I could eventually watch them after the stars came out on Saturday night. All of these limitations imposed by Judaism simply made me want to do and think about the sport even more. I like to imagine that if I had been totally unfettered by religious doctrine, I probably would’ve left the sport behind when it became apparent that I simply wasn’t any
good at it.

During one after class drinking sessions at a local bar, my workshop professor, who had been subjected to a semester-long barrage of gymnastics, tipsily looked me in the eye and said, “You’ve got this whole Potok thing going on. Except with a weird thing about gymnastics.”

While my personal essay collection, Heresy on the High Beam: Confessions of an Unbalanced Jewess, bears little resemblance to Potok’s novels—fiction vs. nonfiction, male vs. female protagonists, different eras—I’d like to think that perhaps had Potok been enamored with gymnastics instead of the national pastime then maybe Reuven Malter, the main character in The Chosen, would’ve hit his head on the balance beam instead of getting nailed in the eye by a baseball. That would’ve been cool.

Dvora MeyersDvora Meyers has written for The New York Times, Deadspin, and Tablet. She was never allowed to compete professionally, but she is the recipient of a gold medal for gymnastics obsessiveness. Her new book, Heresy on the High Beam: Confessions of an Unbalanced Jewess, is out now.
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Montefiore’s Ramsgate

Sunday June 17th will be Montefiore day in Ramsgate, the faded seaside resort where Sir Moses and his wife Judith lived for nearly fifty years. Ramsgate was incorporated in 1884, the year Montefiore turned 100, and the town’s most distinguished resident donated the new mayor’s chain of office – gold, as you would expect, but rather surprisingly made up of the Hebrew letter Mem, Montefiore’s own initial. For the first time in many years, Ramsgate has its own mayor again – and the chain has reminded him of the town’s distinctive Jewish heritage. So Ramsgate has launched a Montefiore Heritage Society, and is inviting the great and good to commemorate the opening of Montefiore’s private synagogue there on June 17, 1833.
It’s good to see the town embracing its Jewish past because it hasn’t always been thus. And yet to Victorians, Montefiore and Ramsgate were synonymous. Before Montefiore’s arrival, this was a typical English working port, with a good beach and some gracious Georgian housing. By his death it had acquired not just a synagogue, but a replica of the Tomb of Rachel (where Montefiore mourned his own lamented Judith), a range of Jewish schools and boarding houses, and something called the Lady Judith Theological College, which was a cross between a yeshiva and an Oxford college. And of course there was East Cliff Lodge itself: Montefiore’s home, a neo-Gothic gentleman’s residence that was at once typically Victorian and full of the most extraordinary Judaica.
My cousin Robin Sebag-Montefiore was born in East Cliff Lodge, and my mother’s elderly relatives can still remember playing in its fabulous gardens during their school holidays. Others have told me how the whole Jewish community was invited to the house for Sukkot, and of the wonderful tea parties held on its lawns. But Robin’s father died when he was 3, and his young widow sold the house and much of its contents. Like so many grand houses it fell into decay – occupied by the army during the Second World War, sold to the Borough of Ramsgate in 1952 and demolished in 1954. All that remains now are the greenhouses – ambitious, curved, glass buildings that predate the Crystal Palace. The Judith College suffered a similar fate. It was training North African rabbis as late as the 1950s, but demolished in 1961, when the Sephardi community chose to transfer its activities to London.
And so it is that I mostly associate Ramsgate with funerals. Because the Montefiores are the only members of London’s Sephardi community who still chose to be buried here. It’s strange visiting a cemetery where so many family members are buried close together, and its strange burying so many family members so far away from their loved ones that for most of the year their graves lie forgotten and unvisited.
I’m glad there are others now to remember the Montefiore past: to visit the greenhouses, and to walk down the steep footpath, past the synagogue and on towards the cemetery; to stop for a pint at The Montefiore Arms before heading on to catch a glimpse of the sea.
Dr. Abigail GreenDr. Abigail Green is Lecturer (CUF) in Modern History at Brasenose College, Oxford University. She was the Choice Award winner for the Sami Rohr Prize. Her new book, Moses Montefiore: Jewish Liberator, Imperial Hero, is now available.
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In Moses Montefiore’s Footsteps

By: Dr. Abigail Green | Tagged , , , ,

For the past ten years I’ve been travelling the world in Moses Montefiore’s footsteps. This was a man who spent much of his (long) life on the road: besides the usual round of European tourist destinations (Paris, Florence, Rome, Frankfurt and Berlin), he visited Jerusalem seven times in total and passed through innumerable Jewish communities as he embarked on politically motivated missions to places like St. Petersburg, Istanbul, Marrakesh and Bucharest.

But what does it mean to travel in the footsteps of a man who’s been dead for over 120 years, and why bother? After all, it’s impossible to recreate the nineteenth century travel experience in our world of cars, planes and high-speed trains. (I once met a Reform Rabbi who followed the Montefiores’ route during their first trip abroad; apparently it was very scenic, involving only minor roads.) More to the point, most of the places Montefiore visited have changed beyond all recognition. It’s not just that Bucharest is full of shabby, Ceausescu high-rise flats, or that a whole quarter of Marrakesh is devoted to glitzy hotels. The real problem is more fundamental. The shifting currents of world history mean that places that were once heartlands of the diaspora are now barely Jewish places at all.

And yet, it was worth the trouble. I found no echo of Montefiore’s visit when I travelled through Poland and Lithuania, but the scale of Jewish absence helped me to understand the ways in which twentieth century developments had erased his achievements. Sitting through Shabbat services in Rome’s empty Great Synagogue and the even emptier Choral Temple in Bucharest, I could not fail to notice the ways in which synagogue architecture paid tribute to the aesthetic values of the non-Jewish world. Nothing could have prepared me for the florid extravagance of the former or the delicate, Byzantine beauty of the latter – surely the most beautiful synagogue in which I have ever been privileged to sit. Only retracing the boundaries of Rome’s ancient Ghetto could have shown me how pitifully small it was. Only by visiting the tiny Moroccan sea-port of Essaouira could I appreciate the rocky isolation of this wealthy entrepot that was once home to so many of Moroccan Jewry’s financial and commercial elite.

If anything, then, I regret the places I left unvisited. Damascus and Alexandria are only names to me. But if I close my eyes I can see the golden sands of the beach that is the old Jewish cemetery of Essaouira; I can see the crumbling stone fantasies of the Jewish cemetery in Warsaw; and I can see streets of the old Jewish quarter in Vilna, empty now but in Montefiore’s day teeming with vibrant, impoverished, contentious Jewish life.

Dr. Abigail GreenDr. Abigail Green is Lecturer (CUF) in Modern History at Brasenose College, Oxford University. She was the Choice Award winner for the Sami Rohr Prize. Her new book, Moses Montefiore: Jewish Liberator, Imperial Hero, is now available.
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Historians, Biographers

By: Dr. Abigail Green | Tagged , , , ,

Dr. Abigail Green’s new book, Moses Montefiore: Jewish Liberator, Imperial Hero, is now available.

What makes a good biography? I thought about this question a lot when I was writing my book about Moses Montefiore, and I’ve been thinking about it again recently. As a historian, my preference has always been for biographies that illuminate the broader context – books like Elisheva Carlebach’s The Pursuit of Heresy, which brought the world of the itinerant Jerusalem rabbi Moses Hagiz so vividly to life, or Perfecting the World – a wonderful book about Montefiore’s life-long friend, the Quaker philanthropist and physician Thomas Hodgkin.

Of course, such books don’t necessarily make for easy reading.

A couple of weeks ago I contributed to In Our Time, one of the most popular and long-lived discussion programs on British radio. The subject was Moses Mendelssohn, a fascinating character about whom I know rather less than I should. Preparing for this broadcast, I came across Shmuel Feiner’s brilliantly readable little biography of the German-Jewish philosopher, which just came out in the Yale Jewish Lives series. I loved the way it opened with youths throwing stones at Mendelssohn and his family as they walked down Unter den Linden, Berlin’s smartest promenade; and ended, by alluding both to this episode and to German Jewry’s terrible future. Indeed, it’s hard to believe that this pearl of a book was
written by the author of The Jewish Enlightenment, a superb piece of scholarship but famously heavy-going.

Biographers tend to get bogged down in detail, and my own book is no exception. Something about the brief, interpretative format of the Yale series seems to have liberated Feiner. He tells us everything we need to know about Mendelssohn’s thought and brings the man to life, all in about 70,000 words. Each of which is precious. It’s a far cry from Altmann’s classic, 900 page intellectual biography and infinitely more enlightening.

Feiner’s elegantly concise approach contrasts starkly with the other biography I’m reading at the moment: Jonathan Steinberg’s psychologically driven Bismarck, which I’m reviewing for the European History Quarterly. It’s a bulky volume, and like me he had difficulty cutting a life down to size. Steinberg’s earlier books, such as All or Nothing: the Axis and the Holocaust seemed to me to ask the right questions (why did the Italians and the Germans behave differently during the Holocaust?) without coming up with really satisfactory answers. This time, however, he seems to have struck gold. The style is genuinely sparkling, and focusing on an individual rather than broader societal structures seems to play to Steinberg’s strengths. Two things that resonated for me were Steinberg’s emphasis on the emotional dimension of Bismarck’s approach to politics and the way in which the story of Bismarck’s life was intertwined with the evolving and deeply ingrained hostility Junkers like Bismarck felt towards Jews as alien symbols of change and modernity.

Oddly then, these are both books about the German-Jewish symbiosis. Despite their different qualities, they share the same fundamental virtue. Both Feiner and Steinberg are drawing on a lifetime of knowledge – and you can tell that in writing these biographies they had the time of their lives.

Dr. Abigail GreenDr. Abigail Green is Lecturer (CUF) in Modern History at Brasenose College, Oxford University. She was the Choice Award winner for the Sami Rohr Prize. Her new book, Moses Montefiore: Jewish Liberator, Imperial Hero, is now available.
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Blazing Saddles It Wasn’t

By: Gerald Kolpan | Tagged , , , ,

When a modern audience thinks of American Indians and American Jews, the image that comes to mind is likely to be that of Mel Brooks as an Indian chief in Blazing Saddles.

Dressed in ornate plains schmattes (including war bonnet), and astride a paint pony, Brooks and his warriors come upon a prairie schooner carrying an African-American family. “Chief” Brooks looks at the little group as they huddle together in terror, and then turns to his closest companion who is raising his tomahawk to strike:

No, no, zayt nisht meshuge! Loz im geyn! Abi gezint! Take off! Hosti gezen in dayne lebn? (Don’t be crazy! Let him go. As long as you’re healthy! Take off! Have you ever seen such a thing?).

The “chief” lets the family go in peace, quickly stating the reason for his mercy:

“They darker than us!”

It’s either funny or offensive depending upon who’s watching; but for many, it’s the only reference to Jews and Indians they’ve ever seen.

Pity – because there was a bone fide Jewish Indian chief. His is a tale of guts and brains, as are most stories about Jews among the Indians.

Almost from the beginning of Westward expansion, Jews have made a home on the range. They were fur trappers, gold miners, cowboys, peddlers and scouts. There were sheriffs, marshals, mayors of small towns and at least one gunfighter. A shana medele from San Francisco married Wyatt Earp; a storekeeper from Bavaria and a tailor from Latvia invented blue jeans.

Czechoslovakian émigré Sigmund Schlesinger was one such pioneer. After losing his job in Philadelphia, Schlesinger went to eastern Kansas where he found work on the railroad, only to be laid off again when hostile Sioux took charge of the tracks. Needing work, he volunteered to be an Indian Scout for the Army, despite never having ridden a horse or shot a gun. A quick study, he became a hero of the Battle of Breecher’s Island, Colorado, said by some to be the most ferocious in the history of the Indian Wars.

Years after the battle, his commanding officer wrote to Rabbi Henry Cohen of Galveston, Texas:

He had never been in action prior to our fight with the Indians and throughout the whole engagement which was one of the hardest, if not the very hardest, ever fought on the Western plains, he behaved with great courage, cool persistence and a dogged determination that won my unstinted admiration as well as that of his comrades, many of whom had seen service throughout the War of Rebellion on one side or the other.

I can accord him no higher praise than that he was the equal of many in courage, steady and persistent devotion to duty, and unswerving and tenacious pluck of any man in my command.

But not all Jews encountered the Indians in battle. Some were among their closest friends – and became trusted advocates for their rights and freedoms.

Such a man was Julius Meyer, the hero of my novel Magic Words, born in Bromberg, Prussia in 1851.


Julius Meyer

Meyer came to the United States in 1866. In Europe, he had been a yeshiver bocher and a talented musician. Shortly after his arrival, he joined his older brothers Max, Adolph and Moritz in Omaha where they had a prospering cigar and jewelry business. Separate from his brothers, Julius began trading with Indian tribes like the Ponca, Omaha, and Sioux. So well known did he become for his honesty that the Indians dubbed him “Box-Ka-Re-Sha-Hash-Ta-Ka: “the curly-headed chief who speaks with one tongue.”

According to Julius, in 1869, a hostile tribe attacked him. They tried to kill him – and it was only the intercession of Standing Bear, chief of the Ponca, that saved his life. Julius became Standing Bear’s interpreter and was soon translating for such famous chiefs as Sitting Bull, Red Cloud, and Swift Bear.

For many years, Meyer served as Omaha’s government Indian agent, often fighting for Native rights. Julius was also known as a man who knew how to make a dollar for his friends (and himself). One such scheme involved taking Standing Bear and a group of the Ponca on a yearlong jaunt to the 1889 Paris Exposition where they caused a sensation.

Julius kept up his association with Standing Bear and the Nebraska tribes until May 10, 1909 – the day he was discovered dead in Omaha’s Hanscom Park. He was clutching a revolver and had two bullet holes in him: one in his temple and another in his chest. He was legally declared a suicide, although to this day, there are people who believe that this great Jewish friend of the Indian was murdered.

Still, if Julius Meyer was an honorary Indian, Solomon Bibo became the real thing: real enough, in fact, to become a chief.

Bibo was born in Westphalia in what is now Germany, in 1853. Like Meyer, he immigrated in 1869 and joined his brothers in business. The Bibos were among Santa Fe, New Mexico’s most successful traders, known for square dealing with their Indian neighbors. Bibo and his brothers became speakers of several Indian dialects and Solomon was often called upon by the Acoma Pueblo to negotiate treaties between their tribe and the U.S. government.

In 1885, Bibo married Juana Valle, the granddaughter of an Acoma chief. Later that year, the Acoma elected Bibo their new “governor,” the equivalent of tribal chief – a position he held four times. He helped create the tribe’s first modern education system, hired its first schoolteacher and supervised the first Acoma school building.

Solomon Bibo

Solomon and Juana were married for nearly fifty years and had six children. Years before, she had converted to Judaism. At 13, their son, Leroy became a traditional Bar Mitzvah but also participated in the Acoma rituals of manhood. The couple was separated only by his death on May 4, 1934; they are buried side-by-side in a Jewish Cemetery in Colma, California.

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A Jewish Magician at the Egyptian Theatre

By: Gerald Kolpan | Tagged , , , , ,

When you do anything creative – from writing stories to hooking rugs – people are likely to ask you where you get your ideas.

A lot of times I haven’t had a good answer; but in the case of my new novel, Magic Words, the lightning bolt of creativity hit me in the midst of pursuing one of the most American of all activities.

I was watching TV.

The program was a PBS documentary “The Jewish Americans;” and a nice little show it was, too. All of the Yiddishe luminaries were included: Abraham Cahan and Irving Berlin; Emma Lazarus and Jerry Seinfeld; Jacob Adler and Hank Greenberg and I guess, a coupla doctors and scientists.

Then there was the young man in buckskins. He only appeared for about 10 seconds in the show: short, with curly hair and a droopy moustache, he stood proudly behind four Indian chiefs in a posed studio photograph taken sometime in the 1880’s.

julius meyerThe voiceover said that the kid was one Julius Meyer, a Jewish immigrant who became a famed translator for many Native American tribes: or words to that effect.

I was amazed: a boychik from Europe who somehow gained the confidence of a group of people rightly suspicious of the white man? An Israelite adventurer who once conversed with the free-living masters of the mountains and plains?

As the photograph faded from the screen, I knew I had found the subject of my next novel. All I needed now was a little research.

Not that Julius was easy to track down. He was, to say the least, obscure. There wasn’t very much about him on the Internet (he still has no Wikipedia page); so I had to search for him in more traditional ways. I wrote to Jewish historical societies; I haunted libraries and perused photo collections.

And the more I discovered about Julius, the more fascinating he became.

Born in Bromberg in what is now Poland; immigrated to America after the Civil War to join his brothers who were merchant princes in Nebraska; captured by the Ponca and eventually made their interpreter; named Box-ka-re-sha-hash-ta-ka (“Curly-headed white chief with one tongue”), by the greatest chieftain who ever lived; Indian agent and trader; speaker of seven Siouxan dialects.

But two facts really sold me on Julius. First, there were the circumstances of his death. He was found dead around noon in Hanscom Park in Omaha in the Spring of 1909 – with one bullet in his breast and another in his head -and declared a suicide. The possibilities around that almost wrote themselves.

Then, in an article in the September 10, 1926 issue of The American Hebrew, I read that Julius brought a magician named “Herman the Great” to a Ponca camp to perform for the great Standing Bear and his people – and about how that night as Alexander slept, a young brave attempted to kill him for his hat, believing it to be the source of his mystic power.

For me, this was like that one good gift at Chanukkah. A magician? I’m there!

And it got even better. Further research revealed that “Herman” was in fact, Alexander Herrmann, the most famous magician in the world before Houdini and the creator of many of the famous stage illusions still amazing audiences today; the inventor of the “Cake From A Hat” and the “Floating Boy”; the wizard who sold out the Egyptian Theatre in London for 1000 straight nights.

I knew I had found my second leading man; and when I discovered that Alexander’s mother’s maiden name was Meyer, I used my author’s prerogative to declare them cousins. Besides…how else would a humble man of the plains like Julius know a prestidigitator of such distinction?

A year and a half later, I had a book. All because of 10 seconds of TV that provided a tantalizing glimpse of a man who was a member of the tribe…in more ways than one.

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