Jews read sections of the Torah each week, and these sections, known as parshiyot, inspire endless examination year after year. Each week we will bring you regular essays examining these portions from a queer perspective, drawn from the Torah Queeries online collection, which was inspired by the book Torah Queeries: Weekly Commentaries on the Hebrew Bible. This week, Marisa James examines Parashat Vayakhel and Parashat Pekudei and how we can all appreciate the beauty of a complex world.
When I first read this week’s parashah, with their detailed lists of the sockets, pegs and posts that go into building the Mishkan, I could only imagine that the children of Israel had somehow ended up at the Sinai IKEA. I pictured Moses, in a burst of confidence after getting everyone across the sea, picking up the “A_rk oöf Tabêrnäkkle” kit and making everyone sit down to decipher wordless instructions on how to build the thing.
But really, there’s something lovely about the time and care that goes into all of these descriptions. Last week’s portion Vayakhel and and this week’s portion Pekudei continue our languorous journey through the design and creation of the tabernacle. During their 430 years in Egypt, laboring as slaves, building stark, massive pyramids for a succession of pharaohs, the children of Israel have been deprived of beauty. As we’ve seen, they have lacked imagination until now; they bitterly complain to Moses at every turn, until he produces yet another miracle, which they promptly forget again when they are hungry, or frightened, or want something tangible to worship.
But in the building of the Mishkan, the children of Israel become artists. Yes, there are specific instructions for how to build it, but each member of the community, we are told, gives what they can: their goods, their effort, and their talent. And we are privileged to read about the results in loving, careful, artistic detail. Beauty is a necessity, both for Moses and the Israelites then, and for us now.
Moses says, “If a person feels like giving an offering to God, bring any of the following: gold, silver, copper, sky-blue, purple, and crimson yarns, fine linen, and goats’ hair, reddened ram’s skins, blue processed hides, acacia wood, oil for the lamp, fragrances for the anointing oil and perfume incense, as well as sardonyxes and other precious stones for the ephod and the breastplate.” (Exodus 35:5-9)
If they feel like giving an offering to God, says Moses. This is not like last week’s building of the golden calf, when Aaron, in his frustration with the Israelites, says, “Take the rings off the ears of your wives and children, [. . .] Bring them to me.” (Exodus 32:2) The creative impulse cannot be demanded. In the creation of the Mishkan there can be no room for those who might give reluctantly, or unwillingly, or all exactly the same. Every individual piece of silver and copper and wood and cloth must be given freely and with love in order to create the place where God can reside.
And the Mishkan is not being created from gold alone; Moses lists so many options for what each person could contribute that we’re left in amazement about where all the materials come from. Each of the Israelites apparently has unexpected and diverse resources that we haven’t seen until now. They bring items of every color and texture, metals and stones and fibers, along with talents which until now have remained hidden.
Why is it so important that we read several chapters of this description? A few p’sukim (verses), two or three verses, could have told us that God asked Moses to make a beautiful dwelling-place, the Mishkan, of gold and silver, with the priests in robes embroidered with “pomegranates of blue, purple, and crimson yarns, twisted.” (39:24) A few p’sukim could have told us that the Israelites gave freely of their possessions and skills, and that the Mishkan was completed to God’s specifications.
After centuries of famine and slavery, backbreaking work followed by a perilous escape, the Israelites need time to dwell on beauty, and so do we. It’s easy to fall into the victimization of Israel in mitzrayim (Egypt/ the narrow place) and the alternating tedium and terror of wandering in the desert and have no hope for the future. Taking time to see the world around us in every inch of its detail is one way to restore our souls.
Similarly, in our own lives, it can be difficult to avoid feeling constantly victimized and oppressed, especially as members of the Jewish community, the queer community, and other minority communities. Our multiple marginalized identities frequently overlap to make us prime targets for the “hate-mongers” in our world. And in our work towards social justice and equal treatment, it can be hard to raise our heads from the struggle and appreciate the sheer beauty of the communities we have created. Just as the Isarelites found beauty in the creation of the Mishkan, it’s also necessary for us to move beyond our painful interactions with the world and take delight in the places where we are accepted and loved for all of our different aspects.
How do we do this in our daily lives? I live in New York City, where I’m constantly so inundated by my surroundings that it’s easy to block it all out. But sometimes, I need to stop and listen to a street performer with a beautiful voice. Watch my friends’ sleeping newborn children and imagine their dreams. Delight in the amazing diversity of the communities that have welcomed me, and in the beautiful visions we share of the world we’re trying to create. It isn’t enough to simply notice the beauty of the world—it’s necessary that we each bring our diverse talents and gifts to continue the work of making our world into a Mishkan where God can reside.
If it takes holy chutzpah to argue with God, Jonah has it in spades. God’s word steers him to Nineveh, the great Babylonian metropolis whose wickedness is driving the Divine to distraction, but instead of traveling to Nineveh to “proclaim judgment upon it” (Jonah 1:2) as God asks, Jonah books passage on a boat heading to Tarshish, in the opposite direction. Angered that Jonah would turn “away from the service of the Lord” (1:3), God sends a storm to shake up his ship. While the sailors pray and bail water, Jonah sleeps down below in the ship’s hold. After the sailors toss him overboard in the hope of calming the storm and deflecting God’s anger, Jonah spends three nights in the belly of a giant fish, and finally gets coughed up onto the beach of Babylonia. There, he makes a half-hearted pass through the city, proclaiming destruction in forty days.
This, my friends, is Judaism’s most successful prophet – the only prophet the Hebrew Bible records as actually bringing about the full repentance of his flock. If nothing else, he’s proof positive that God has a sense of humor, or at least a fine appreciation for irony. Continue reading
Jews read sections of the Torah each week, and these sections, known as parshiyot, inspire endless examination year after year. Each week we will bring you regular essays examining these portions from a queer perspective, drawn from the Torah Queeries online collection, which was inspired by the book Torah Queeries: Weekly Commentaries on the Hebrew Bible. This week, Noach Dzmura examines a line promising inclusion for “queer doorways” that might open the verse, and its promises, up even wider.
A GenderQueer Doorway
In Parashat Nitzavim, Moses relates the covenant between God and the Hebrews, explaining the curses that will befall them if they do not follow God’s commandments, and the blessings they will experience if they return to the way of God.
Moses tells the Hebrews the covenant is even for “woodchoppers and water drawers,” (Deuteronomy 29:10) which is usually understood to mean “everyone” — but I’m not satisfied that in traditional interpretations “everyone” also includes queers. Continue reading
Jews read sections of the Torah each week, and these sections, known as parshiyot, inspire endless examination year after year. Each week we will bring you regular essays examining these portions from a queer perspective, drawn from the Torah Queeries online collection, which was inspired by the book Torah Queeries: Weekly Commentaries on the Hebrew Bible. This week, Gregg Drinkwater, former Colorado Regional Director of Keshet, considers the “prophesy” of LGBT Jews, and how it can powerfully change Judaism.
In the opening lines of Parashat Re’eh, Moses shares both a blessing and a curse with the Israelites. “The blessing: if you obey the commandments of the Lord, your God, which I command you today. And the curse: if you do not obey the commandments of the Lord, your God, and you stray from the path that I command you today.” (Deuteronomy 11:26-28) Fair enough. Moses seems to be offering a perfectly reasonable and clear proposition — one with which most Jews can feel comfortable, whatever variety of Judaism they follow. Continue reading
Jews read sections of the Torah each week, and these sections, known as parshiyot, inspire endless examination year after year. Each week we will bring you regular essays examining these portions from a queer perspective, drawn from the book Torah Queeries: Weekly Commentaries on the Hebrew Bible and the Torah Queeries online collection. This week, Amy Soule looks to Genesis — B’reishit — to truly understand how we are all created in God’s image.
So God created humankind in God’s own image; in the image of God humanity was created; male and female God created them. (Genesis 1:27)
Perhaps my friends laugh at me when they hear that B’reishit is one of my favorite Torah portions because so many times strict religious people look toward certain segments to judge me as gay, but it’s easy for me to explain myself.
Look hard at the holy, loving statement above. Genesis 1:27 states all of humankind was created in God’s image. Although it mentions sexual difference alone, it’s easy to extrapolate and thus explain that God created an array of sexual orientations, all of which are loved by God and holy. Continue reading
Each week Jews read sections of the Torah, known as parshiyot, inspiring endless examination year after year. Each week we we will bring you regular essays examining these portions from a queer perspective, drawn from the book Torah Queeries: Weekly Commentaries on the Hebrew Bible and the Torah Queeries online collection. This week, Dr. David Shneer, one of the editors of Torah Queeries, examines Parashat Devarim, which deals with the retelling of the Exodus story.
“Ale ha-devarim asher diber moshe el col yisrael be-ever hayarden…” (These are the words that Moses said to all of Israel on the other side of the Jordan).
In this week’s Torah portion the Israelites and the now very elderly Moses have reached the Jordan River, the physical and metaphorical boundary between before and after, between wandering in the desert and being a Jewish nation, between a generation marked by the scars of slavery, to one that only knows slavery as memory told through the stories of the community’s elders-what some people in the context of the Holocaust would call the “2nd generation.” “Devarim” or “words,” the portion that opens Deuteronomy, the last book of the Torah, has Moses recounting a history of the Jews’ experiences over the past 40 years, a history of miracles, no doubt, but also a history of struggle, failure, and disappointment.
Why dwell on such a depressing history? Moses tells “all of Israel” the story of their Exodus from Egypt, the gaining of the commandments and the many struggles of their sojourn in the desert. It is not a glorious history, but it is, nonetheless, the history of this people. In some ways this is Moses’ tsavuah, or “ethical will,” to his community. As the elder, he has the responsibility to tell the Israelites their own story.
The ability to recount a history shows that a community has reached maturity. It shows that a community has, in fact, become a community. It is the birth of a collective memory, often retold by elders as oral history, and these collective memories include the painful recollections of struggle and loss. But delineating the hardships of a nascent community is one of the key ways of defining a community. These words are spoken to “all of Israel” suggesting that as much as it might be a series of acts, rituals, places, and people that define the community, it is also a series of words, stories, and memories that unite the Jewish people. The word “devarim” also means “things” in modern Hebrew, reminding us that words can become tangible. In some ways, words can mark and define our world more concretely than inanimate objects.
Moses’ retelling of the relatively grim history of 40 years of wandering (get a GPS, Moses) is a way of showing that the Israelites have literally and metaphorically arrived. In his speech, Moses spends quite a bit of time on the geographic details of where “all of Israel” finds itself at the moment of telling and also where they have been. The portion opens, “These are the words that Moses spoke to all Israel, on the other side of the Jordan, concerning the Wilderness, concerning the Aravah, opposite the Sea of Reeds, between Paran and Tophel, and Laban, and Hazerot, and Di-zahab; eleven days from Horeb, by way of Mount Seir to Kadesh-barnea.” It’s a pretty long list of obscure places and landmarks of the history of this community. They have a history, a history of struggle, failure and disappointment, but nonetheless a 40-year history rooted in time and place.
National and communal histories almost always have mythic origins and battles to be overcome, and they are peppered with important names, dates and places that create time and space for the community. Moses, the elder, is not just passing on Israelite history. He is, like elders in other communities, creating that history. This opening portion of Deuteronomy shows the importance of both historical text (the first four books of the Torah) and oral history (the fifth book) to communal identity. Text alone is not enough.
This desire to have communal histories, defined by both a key set of texts and stories, in other words, by both history and memory, has reshaped the way history is taught in the United States today. Since the 1960s, new kinds of histories, particular histories, have been added to the curricula at universities, and sometimes in high schools, junior highs and even elementary schools. We now have African American history, women’s history, queer history, and others. At my university, I teach a class called “Queer in America, Now and Then,” a history and sociology course that takes Moses’ challenge seriously and blends history and memory to create a narrative of a particular community.
Each of these histories needs both the texts and the memories of their respective communities to carve out particular communal identities. Some historians have criticized this trend in history, calling it the splintering of history, the destruction of a history common to all Americans. Some of my colleagues claim that “queer history” is too much about identity and not enough about history. “Do you have to be queer to take your class, David?” I have been asked on more than one occasion. Such questions force us to reflect on the purpose of telling history. Some historians might say it is simply “to know the facts,” but as we’ve seen, it can also be about creating community.
So then we can go back to Moses and ask why Moses was telling “all of Israel” the story of the desert. He suggests that the primary purpose of history and memory is the making of community, and that one needs both history and memory, both text and voice, to create collective memories of events, places and people.
In lesbian, gay, bisexual and transgender communities, there are too few elders recounting our stories, too few elders creating those collective memories that help define a queer community. Perhaps it is because many of our elders are too quiet or too afraid to speak; more likely it is because “kol qvirim,” or “all of queerdom,” is not interested in hearing. Lucky for Moses that God didn’t give the Israelites a choice. They weren’t asked if they wanted to hear their own history or not. And so Deuteronomy, which comes from the Greek for “second telling” or “retelling,” reminds us that communities need oral history and memory before they can pass over the Jordan, even if those who pass on that history do not cross along with them.