There’s acid rock, blues rock, glam rock, punk rock, and about 100 more variations of good ol’ rock and roll. But readers, there is also Jewish Rock!
Jewish Rock Radio is streaming a series of six online interactive concerts, and each concert benefits a great Jewish organization. We’re grateful that two of the concerts will directly benefit Keshet’s work for a fully inclusive Jewish community. You can catch Billy Jonas on January 30th and Naomi Less on February 6th, both at 8:30 EST. Pay what you can and listen to a great 30 minute concert.
Meet Billy Jonas
“I am so excited to be able to support Keshet in all their endeavors! I believe that music is a vehicle for opening the heart and the mind — and in the journey towards creating a world that accepts and embraces people of all sexual orientations and persuasions, open hearts and open minds are what we need the most.”
When Billy Jonas hits the stage, all bets are off. Is it a musical conversation? A sonic celebration? At a Billy Jonas show, the ensemble is…everyone. A “neo-tribal hootenanny” with a generous dose of audience participation, a Billy Jonas concert mixes conventional instruments (guitar, bass, marimba) with homemade creations (using buckets and barrels, keys and cans, bells and body percussion). The big-tent festival quality of Billy’s music facilitates connection and community while fostering inspiration and, most importantly, fun! Watch Billy Jonas perform his song “One” at a live show.
Meet Naomi Less
“I passionately advocate for the full legal rights for LGBT citizens and believe those with privileges are morally compelled to advocate for those who do not have them. I promote the mission of Keshet by producing music that tackles issues of LGBT inclusion and leading workshops that help educators and parents address, not evade, sexuality and gender. I’m super proud that the curriculum I co-created with Dr. Shira D Epstein,”Addressing Evaded Issues in Jewish Education,” is now a core part of Keshet’s own Training Curriculum!”
It’s impossible to define Naomi Less. She’s a songwriter, an activist, a rocker, a worship leader, an educator, and much more! Naomi is the founder of Jewish Chicks Rock and Jewish Kids Rock, as well as a Storahtelling founding company member and Director of Education and Training. Naomi builds Jewish rock programs across the U.S. that encourage the next generation of voices to speak out and be heard. She tours worldwide with her band, sharing music from her album, “The Real Me,” a tour through her own personal wrestling with self-worth, religion, and being oneself! Watch Naomi Less perform “What You Give.”
Don’t miss these two amazing concerts!
The world’s first LGBT inclusive Jewish children’s book in English has arrived!
Published by Kar-Ben Publishing, an award-winning publisher of Jewish children’s books, The Purim Superhero is the sweet story of a boy named Nate who has a Purim dilemma: he loves aliens and really wants to wear an alien costume for Purim, but his friends are all dressing as superheroes, and he wants to fit in. With the help of his two dads, he makes a surprising decision.
Elisabeth will be reading from her brand new book on February 3 in Berkeley at one of our book release parties. If you’re interested in holding a book release party for The Purim Superhero in your area, Keshet can help! You’ll find a Do It Yourself Guide and other resources here. Plus, you can buy your copy of The Purim Superhero online from Keshet or Kar-Ben (e-versions too!) today!
The Purim Superhero parties are happening across the country (parties will be added to the Keshet website as they are scheduled):
Talking to Joy Ladin is like speaking with your favorite professor from college — the one who wove words in a way that was simply magical, who would drop bits of wisdom into a conversation that you wouldn’t even notice until days later, when you remember them suddenly. She is clearly an incredible teacher.
And that makes sense, because Joy is that professor for plenty of students at the Stern College for Women, part of New York’s Yeshiva University. Joy made headlines in 2007 when she became the first out transgender professor at an Orthodox institution.
She is the David and Ruth Gottesman Professor of English at Yeshiva University. And lucky for us, she also joined Keshet’s board this spring. You can see Joy speak at a number of upcoming engagements, including at the Yale Hillel on September 11, 2012. (Exact time and location will soon be posted here.)
Through the Door of Life is a remarkable, soul-baring memoir. You chose a title that immediately lets people know that your story is a Jewish one. For anyone who hasn’t read your book yet, can you explain briefly how Judaism structured your “journey between genders”?
I grew up as a trans kid in hiding, but I also grew up as what my rabbi, Jill Hammer, calls a “feral Jew.” I was very drawn to Judaism, but my family wasn’t religious. It was very freeing, actually. I didn’t have anyone else’s version of Judaism to push against, so I could make it up as I went along, and not feel like I was bound to those Bronze Age laws.
It was the portrayal of God in the Torah that really grabbed me. God is an alien — in the sci-fi sense — and I felt like an alien. God has trouble communicating, and is very lonely, and has no real body and that’s how I felt, as a kid. So much of holiness is about how people relate to one another. The core of Judaism is this longing for contact with humanity despite all of the obstacles that our bodies put in the way.
In a profound way, Judaism gave me a language to express my longing to relate to other people.
It’s not a stretch to call it an Internet sensation — a gorgeous music video about two (same-sex) swans who want to get married by a previously unknown band that’s now garnered well over 100,000 views on YouTube. Did we mention that the swans in question — along with everything else in the video — are shadow puppets? And that the video is a call for equal marriage rights? And that the (straight) talented musicians who put it together, including Jewish day school educated lead singer Gil Kline, are still in college?
Gil Kline of Bye June chatted with Keshet about their hit, “Shades of Purple”.
The shadow puppetry in this video is beautiful. What was behind the use of animals for this video? It made a number of things come to mind – swans mate for life, and at the end, it sort of feels like Noah’s Ark.
Aren’t they great? Before we came to the idea of using shadow puppets, though, we still knew we wanted to portray swans and ducks. We were thinking about the fable about the ugly duckling — how it’s only others’ perceptions that make him ugly. The video portrays many different kinds of animals, though, and that’s a metaphor for human diversity. If we can accept one another as different, we don’t need to judge each other so much.
The puppets, though — that was a lot of work! We’re a small group, so when we decided to go with this artistic vision, we knew that it was going to be tons of hours. It actually took a few months to film and edit. And some hand cramping!
This video is a lovely call for equal rights for LGBT folks. What sparked this project?
I wrote the song for friends of mine in the LGBT community. It just upsets me — they’re such wonderful people, and they can’t express themselves or their love. Sometimes, they can’t walk down the street holding hands. That’s just ridiculous. And on top of that, we have politicians making decisions in areas of people’s lives where they just have no business.
When your swans head off to get married, the building they approach has a crescent, a cross, and a Jewish star. What’s your Jewish connection?
Yeah, we wanted to incorporate all major world religions. All faiths, all people need to accept people in the LGBT community. And some people use religion to oppress others, but sometimes it’s the sign of when we’re embraced, too.
As for me, my parents immigrated to Israel when they were young, met in the Air Force, and, when I was little, moved us all back to the U.S. I grew up going to day school, and I’ve always been interested in people of many different faiths.
I’m not very religiously observant, but I definitely have a strong Jewish identity, and I definitely understand that religion and religious identity can be powerful.
What’s next for Bye June?
Well, we’re still in college, so we have to wait before we can do any real tours. And you know musicians, we’re always working on the next song, so that’s on our plates right now.
You know, we got a ton of feedback on “Shades of Purple.” Lots of people left comments on the video thanking us, and recently, what with the vote on same-sex marriage here in Maryland, there’s been a lot of debate. Not all of it has been nice. There’s been plenty of hostility to our ideas but I think it’s always good when people are able to speak to one another. If we contribute to that, I’m glad.
Watch “Shades of Purple” and let us know what you think!
It’s summertime, and the days are long —what better time to catch up a little on your reading? Writer Chanel Dubofsky has pulled together a quick list of great queer Jewish books for a lazy afternoon. What could be better? Enjoy!
The Delicious Reliables:
Odd Girl Out, Ann Bannon
I found a copy of Odd Girl Out one afternoon at the Brookline Booksmith for three dollars and by midnight, I’d read the whole thing. The relationship between Laura and Beth is melodramatic in the way of all relationships in which one or both parties is sheltered and/or confused and/or being pressured to be heterosexual. The book is a commentary on the sexual status and expectations of women in the 1960s, in addition to being some juicy pulp fiction. Get a copy with one of the salacious covers and read it in public.
Good Enough to Eat, Lesléa Newman
There are two things that make especially beautiful gifts — vegetable bouquets and a book that will make you think about everything differently. I read this book in college, and by that, I mean, I read it everywhere I went in college, including during class. It’s honest, snarky and complicated, exactly what a book about bodies, food, coming out to yourself, and being 25 years old should be. Lesléa is also one of Keshet’s LGBT Jewish Heroes—a role model for all of us.
New on the Scene:
Here Come the Brides: Reflections of Lesbian Love and Marriage, Ed. by Audrey Bilger and Michelle Kort
Two weeks ago, a very important friend of mine got married. At his tisch [traditional wedding "table," where guests gather for some sort of teaching] beforehand, he read excerpts from the Massachusetts Supreme Court decision legalizing gay marriage, reflecting on the importance of marriage as an institution, a stabilizing force and a civil right. When I came home from the wedding, I started reading Here Come the Brides, and instantly, the complexity, joy and pain that comes with the conversation about marriage in general, and marriage and queerness specifically, rose to the surface again. Bilger and Kort have collected voices that wrestle boldly with what it means to want to be married, to not be able to be married, to not want to be married, and to not know how you feel. It’s hard, brave, and deeply necessary.
God Versus Gay: The Religious Case for Marriage Equality, Jay Michaelson
I heard Jay Michaelson on public radio recently and almost all of the folks who bothered to call in to the show excelled at homophobia, thereby proving how necessary this book is. Michaelson’s argument is that the Bible doesn’t actually prohibit homosexuality, and that this whole idea that of G-d and religion being against gay folks and gayness is a fallacy. This book is important even if you don’t really happen to put much stock in religion or religious texts, or you don’t know what you think. It’s crucial to have fluency in the language of religion, and to understand what the arguments are, if you’re invested in justice and equality.
A retired kosher butcher, his young lesbian writing teacher, and a letter from the heart: Lesléa Newman’s short story, “A Letter to Harvey Milk,” has moved readers for over two decades—and now it hits Broadway! With songs like “What A Shanda” (listen here – click on the “music” tab), the show debuts at the New York Musical Theatre Festival, July 23-28, with music by Laura Kramer, lyrics by Ellen Schwartz and book by Jerry James.
We caught up with Lesléa to get the back story about how her short story became such a universal symbol, how it became a stage sensation, and what’s next for both it and her.
Learn more about Harvey Milk and Lesléa Newman, including behind the scenes photos, at lgbtjewishheroes.org.
It’s wonderful that a short story you published in 1988, as a letter to a public figure killed a decade before that, retains such resonance. What is it about Harvey Milk that still captures our imaginations and our hearts?
Harvey Milk was completely human. He was smart, kind, funny, honest, strong, vulnerable, and brave. He took many risks, and always did things with a sense of humor. He made himself very accessible – he was someone people felt they could sit down and talk with over a cup of coffee. Plus he was OUT at a time when there could be (and often were) grave consequences for that. I think many of us who didn’t know him personally still felt a sense of personal loss when he was taken from us in such a terrible way. With each new victory for the GLBT Civil Rights Movement (the recent ruling that DOMA is unconstitutional, President endorsing gay marriage, etc.) I often wonder, “What would Harvey Milk think of that?” Or, “What a shame that Harvey Milk didn’t live long enough to see that.” He lives on in our hearts and minds. He was a pioneer, and he deserves the status of hero.
At the same time that “A Letter to Harvey Milk” is fiercely Jewish, it emphasizes strongly how universal the man’s appeal was. In the musical, this is represented in lines like “You don’t have to be a Jew to love a bagel, or gay to love a leader who is gay.” How Jewish is the story of Harvey Milk? Versus how universal? What’s it like working with that tension?
“A Letter to Harvey Milk” was written out of the experience of being Jewish and gay, and it is about the human experience. Maya Angelou once said, “I speak to the black experience but I am always talking about the human experience.” I feel similarly about being a Jewish lesbian and writing about the human experience. If one’s characters are portrayed as fully human, anyone can relate to them, even when coming from a different background. Perhaps especially when coming from a different background.
“A Letter to Harvey Milk” went from fiction published in Lilith magazine to the titular short story in a collection, and now to musical on stage in New York City. What’s it like to shepherd a work through such changes? Does the message change with the medium at all? Does it reach a different audience?
The story was also performed as a one person show all over the world (including Israel and Germany), made into a short film by Yariv Kohn which was shown at many Jewish film festivals, read on the radio by Carl Reiner as part of a series produced by KCRW Santa Monica and hosted by Leonard Nimoy entitled “Jewish Stories: from the Old World to the New” and turned into a teleplay shown on Canadian Public TV which won a Gemini (the Canadian equivalent of an Emmy). I gave each project’s creative team full artistic freedom, and I am happy to say that all of them stayed very true to the original story, augmenting it with their vision and talent. The story has taken on a life of its own, and I am very grateful that it has reached such a wide audience because of that.
You’re quite famous as an author of children’s literature. What’s the relationship between writing work for kids and stories like “A Letter for Harvey Milk,” which is for an older audience?
As far as I’m concerned, writing is writing. I don’t sit down and say, “I’m going to write for kids today” or “I’m going to write for teens today” or “I’m going to write for adults today.” I just start moving the pen across the page (yes, I still write with a Bic pen and a spiral notebook!) and see what happens. Then once a project begins to take shape, I stick with that piece of work until it’s finished. As the writer Gene Fowler so famously said, I go back to “staring at a piece of paper until three drops of blood appear on my forehead.”
After this incredible journey, what’s next for “A Letter to Harvey Milk”? What’s next for how we in the queer Jewish community relate to his memory?
Next stop, Broadway! (from my mouth to G-d’s ears)
The show is really incredible, with 18 (note that auspicious number) funny, touching, sad, inspiring, and original songs, and I hope it gets the attention it deserves. And Harvey’s dream and vision lives on through the Harvey Milk Foundation. The Foundation, through Harvey’s dream for a just tomorrow, envisions governments that celebrate the rich and universally empowering diversity of humanity, where all individuals – gay, lesbian, bisexual, transgender, racial and ethnic minorities, the elderly, the young, the disabled – all who had been excluded can fully participate in all societal rights without exception.
And what’s next for Lesléa Newman?
On September 25, 2012 (erev Yom Kippur) my book, October Mourning: A Song for Matthew Shepard will be released by Candlewick Press. The book explores the impact of Matthew Shepard’s murder upon the world in a cycle of 68 poems that are fictitious monologues written from many points of view including the silent witnesses of the crime: the fence Matt was tied to, the moon that looked down upon him, the deer that kept him company all through the night. My hope is that the book will inspire readers to erase hate and replace it with understanding, compassion, and love.
In June 2002, Queer Jews came out in a big way. A collection of essays, memoirs and cultural analysis co-edited by Caryn Aviv and David Shneer, the volume explored everything from queer parenting to trans issues in traditionally gendered Jewish spaces to the creating of new rituals (including the ever-popular Queer Naked Seder). As part of a larger canon of queer Jewish writings, which first appeared on the literary scene in the early 1980s, Queer Jews marked an evolution in the form, as authors went beyond exploring their own stories to consider the impact queer Jews have on the larger Jewish community, and on Judaism itself.
Ten years since its publication, Keshet caught up with Dr. Caryn Aviv, Posen Lecturer in Secular Jewish Culture at the Center for Judaic Studies at the University of Denver, author of three books and numerous academic and journalistic articles.
Since Queer Jews first came out, there have been many changes for LGBTQ Jews—legalized same-sex marriage in several states, the ordination of out gay Conservative rabbis, etc. If you were to reissue the book now, what would you want to see included? What change or changes do you think have been the most significant?
If we were going to reissue the book now, I think the most important thing to include would be a resource guide for rituals that queer Jews have created for marriages, for baby namings, that sort of thing. I’d love something like Ritualwell.org, but specifically for queer Jews. I’d even love to have one online, as a companion to the book.
I think it would be wonderful to include a piece on “Tales from the Front in the Battle for Marriage Equality.” I don’t want to lose people’s stories and memories, especially since those encompass both the legislative battles, but also the fights to change or update values within our own communities; I think it’s vital that those be collected somehow, that we create an archive of these for history.
You know, the whole idea of marking time through the anniversaries of books is really interesting. We just passed the 10th anniversary of Lesbian Rabbis [published in 2001], and that’s something that jumps out at me. We’ve now got a critical mass of queer clergy who are really visible. I think a piece—really you could write a whole book!—with perspectives on assuming positions of power would be a wonderful reflection.
If we were going to do it over, I’d love to include the voices of kids with queer parents, along with those of queer elders. Those are two sets of voices we really didn’t delve into in Queer Jews, and I’m fascinated by them. For kids, it’s this idea of, how did these multiple identities — being Jewish, and not necessarily queer themselves, but having this different point of view — how did that influence who they grew up to be? And the issue of queer elders is one I think about a lot these days. We have all of these established facilities for Jewish elders, and there are queer residents in them, but we have no programming specifically for them. I’d love to see a celebration of this group, and I’d love to get some of their voices published.
Speaking of Lesbian Rabbis, many of the essays in Queer Jews reference Twice Blessed, a seminal collection of pieces about being lesbian or gay and Jewish, published in 1989. Do you think Queer Jews now occupies a similar place in the queer Jewish canon? You must hear from people who use your book all the time–what has the feedback been like in the course of the last decade?
Well, let me give you this anecdote by way of an answer: I just got a $50 royalty check for Queer Jews in the mail the other day — and honestly, most of the time I can’t believe it’s still in print and people are still buying it. Who would have imagined, in 1989 when Twice Blessed came out, that there would be such a thing as a queer Jewish canon? Now I have a whole bookshelf!
I feel grateful and blessed to be part of a group that includes volumes like The Tribe of Dina, Nice Jewish Girls and Twice Blessed. They represent the first generation of authors and activists trying to integrate and deal with their Jewish and gay identities. We were influenced by them, of course, but we were also influenced by ACT UP and Heeb magazine — a little more in-your-face, edgier. Queer Jews, like those books that came before it, was of an era, and it used a particular generational lens.
I imagine that the volumes that will follow ours will stand on our shoulders the way we stood on our predecessors’.
What’s on your queer Jewish reading list like now?
To be totally honest, I’m preparing to enter rabbinical school through the Aleph program, so my reading list is a little less radical and a little more Rashi, right now. I must say, though, since I’m reading and writing about the Torah so much, I’ve been happily rereading my copy of Torah Queeries [edited by Keshet staff member Gregg Drinkwater, Rabbi Joshua Lesser, and David Shneer]. It’s a wonderful resource.
In another ten years, what do you think we’ll be talking about in the queer Jewish world?
Let me say this – I’d love to see Keshet go out of business. I mean that in the nicest way possible, of course. What I mean is that I’d love to see the mission of full inclusion fulfilled, that queer Jews are essentially a non-issue, because we’re so pervasively accepted, not because anyone is invisible.
I have no idea whether marriage equality will be settled federally. I think the most we can hope for is that the law catches up to where people are socially.
I’m a parent, so of course I’m also very interested in the visibility of queer parenting, and more conversation about the various ways that queer people parent. I’d love to see kid’s literature and Young Adult lit that nonchalantly incorporate queer families.
I really don’t know what we’ll be talking about, but I’m excited to see it!