Charoset is the star of the seder plate. Amidst the parsley leafs and lamb shanks, this sweet sticky treat teases and tantalizes as we make our way through the story telling. Charoset recalls the mortar used by the Israelites when they were slaves. Jews, spread over the four corner of the earth, and brought the story of the Exodus and the celebration of Passover to every land.
With time, the recipes for Charoset reflected local ingredients and tastes. Whether you make one, two or all of the seven classic and modern recipes we have collected, we doubt that you will be able to wait until the seder to taste these outstanding Charoset!
Uganda: Tziporah Sizomu’s Charoset Recipe
Tziporah Sizomu is a leader in the Abayudaya community in Uganda. Passover is an especially meaningful holiday for the Abayudaya. Her husband Gershom is the community rabbi and Tziporah is responsible for the Shabbat and holiday meals that are eaten together by the Abayudaya as a community. Apples are expensive, as they must be imported from South Africa, while peanuts, known as groundnuts, are local to Uganda. This Charoset makes a fabulous spread for Matzah all week long! (Note: peanuts are legumes and there are some Jews who do not eat them during Passover. They can be replaced them with cashews.)
4 cups roasted peanuts
3 apples, chopped fine
2 bananas, chopped into small pieces
1/2 cup honey
1/2 cup sweet wine
Grind the peanuts in a blender and place them in a medium-sized bowl. Rural Ugandans use a mortar and pestle. They don’t have blenders as very few have electricity.
Mix with the chopped apples and bananas.
Add the wine and stir.
Add the honey and mix everything together. (If it isn’t thick enough, add more peanuts)
Syria: Meil Family Recipe, Charoset Halebieh
Originally from Philadelphia, Heather and Jason Meil have been living in the Bay Area for the past 10 years and are active members at Oakland’s Temple Sinai. This recipe was passed down from Jason’s great-grandmother, Jammila Dweck Marcus who was born in Allepo, Syria to his grandmother, Leah (born in the Sudan) to his mother, Joan. It has been in the family for generations and makes an appearance yearly at the Meil seder.
3 pounds pitted dates
1 cup sweet red wine
1 t ground cinnamon (optional)
1 cup chopped walnuts (optional)
Put the dates in a medium saucepan with enough water to cover.
Bring to a boil, lower the heat and simmer.
Stir frequently, until the dates are soft.
Pass the date mixture through a strainer or a rotary grader. A food processor may also be used.
Before serving, add the wine, cinnamon and walnuts and mix thoroughly.
Greece: Traditional Greek Recipe
Sarah Aroeste’s familial roots in Greece trace all the way back to the expulsion of Jews from Spain. A vocal artist, she has dedicated her career to modernizing Ladino classics and creating new music that captures the vibrancy of the Sephardic experience. For Passover, she draws on traditional Greek customs and makes this fruity recipe that gets its punch from a variety of spices.
1 cup black currants, finely chopped
1 cup raisins, finely chopped
1 cup dates, finely chopped and then mashed (if they are very dry soak them in boiling water for 10 minutes)
Pinch of grated orange rind
Cinnamon, allspice, cloves, nutmeg to taste
Sweet red wine
Chop all the ingredients as fine as possible.
Mash them into a paste in a mortar and pestle. Or briefly process in food processor.
Moisten as necessary with the red wine.
Makes 3 cups
Guatemala, Two Ways: Modern Twist
The members of Adat Shalom, Guatemala’s only Reform community have created a unique take on Charoset. It was a big hit at last year’s seder in Guatemala City and it will be at yours too.
4 apples, peeled, cored, and finely chopped
1/2 cup sweet red wine (such as Manischewitz)
1 1/2 teaspoons ground cinnamon
3 tablespoon maple syrup
5 oz of refried red beans
4 oz of chopped almonds
Chop the apples by hand as finely as possible and press them with a fork.
Add the rest of the ingredients. mixing everything well.
Beans should be added at the end, depending on how juicy the apple is so that the charoset thicken.
After plating, add a little of the almonds as decoration.
Brenda Rosenbaum’s Charoset
Brenda Rosenbaum, is the founder of Mayan Hands. She grew up in Guatemala and left as a young adult due to the civil war. Her family is half Ashkenazi and half Sephardic. Her mother lives in Guatemala City and this is her recipe. This recipe came via Ilana Schatz of Fair Trade Judaica.
1 pound dates
2 granny smith apples
1 cup chopped nuts (macadamia nuts are native to Guatemala)
Soak dates in hot water for a few hours.
Drain the dates but put them in the food processor but don’t process them completely, leave some chunks in it.
Peal and cut apples into one inch chunks.
Put apple pieces in pan, and bring to boil with a bit of water. Simmer until they become puree.
Mix dates and apples.
Add cinnamon to taste, sweet wine.
Just prior to serving add chopped nuts.
Cuba: Mango and Pineapple Charoset Balls
For Jennifer “The Cuban Reuben” Stempel blogging about food allows her to explore her twin Jewish and Cuban heritages. This Cuban Charoset is her own invention inspired by the island flavors that influence so much of her cooking. While most Charoset is served as a paste, Stempel drew on the Sephardic tradition of making Charoset into small balls for this unique take on a classic dish.
5oz dried unsweetened mango, coarsely chopped
8oz dried unsweetened pineapple, coarsely chopped
½ cup almond slivers, toasted
2 cups shredded coconut, toasted and separated
In a small bowl, soak the mango in hot water for ½ hour.
Drain well, and add to a food processor. Add pineapple, almonds, and 1 cup of the coconut to the mango in the food processor, and pulse only until the mixture starts to form a ball. There should still be some visible chunks.
Form the mixture into bite-sized balls, and set atop a pan lined with wax paper.
In a small bowl, add the last cup of shredded coconut. Roll the balls in the coconut until they are lightly coated, and return them to the wax paper.
Refrigerate the balls for 1 hour or until set.
United States: Rabbi Ruth’s Charoset Recipe
One of the joys of Jewish life in America is the diversity not only of the community but also of the ingredients from around the world that are at our fingertips. This recipe draws on traditional as well as exotic flavors. Sweet with a touch of the sour with a red tinge which reminds us of the mixed emotions with which we greet our freedom, always recalling the hard work and suffering that preceded the Exodus.
1 cup dried figs
1 cup dried apricots
1 cup roasted hazelnuts
1 large or 2 small whole blood oranges
2 tablespoons pomegranate molasses (available at Middle Eastern markets)
Additional orange juice as needed
Cut blood oranges into quarters or chunks depending on size.
Place all the ingredients except the orange juice in food processor
Pulse until mixture resembles a paste.
If mixture is too dry add a tablespoon of additional orange juice and pulse again.
Repeat until the mixture is moist.
Carnival, Mardi Gras, Carnaval. These words convey exhuberance, dancing, masks, and overflowing joy (and often excess). From Rio to New Orleans, from Venice to Antigua, the week before the beginning of Lent has always been punctuated with explosions of color, music and parades. And although our own Jewish carnival (Purim) is usually just around the corner and this custom is strongly attached to the Catholic calendar, it is very hard for any local citizen or visitor, Jew or Gentile, to strange himself from the celebrations. The cities that follow this ancient custom usually close down completely during the revelry and just by stepping out of the house one is usually swallowed up in the celebrations.
A few weeks ago, I was celebrating Shabbat with an emergent community of Jews in the port city of Barranquilla in Colombia. I had been invited to perform some weddings and oversee some conversions over a weekend that happened to be coincide with the one of the most splendidly colorful carnavals in the world: the Carnaval de Barranquilla (declared one of the Masterpieces of Oral and Intangible Heritage of Humanity). Given that hosting our Shabbaton in Barranquilla during carnaval would make it a logistical nightmare, we decided to take a break and move it to a quiet resort in the nearby city of Santa Marta. The Shabbaton was a moving and peaceful event full of song, words of Torah, and white linen. But as the sun set and we celebrated the weddings for the new couples, the distant carnaval caught up with us. We had not finished sweeping the broken glass from the chuppah when out of nowhere jumped a reveller in the multicolored persona of the Monocuco (a masked and veiled harlequin with a scepter that teases the crowd). The little girls changed their Shabbat best for red polka dotted dresses and crazy hairdoes, portraying “la Loca” (the crazy woman). And, here and there, through the crowd one could distinguish the undisputed traditional symbol of the the carnaval, the Marimonda (a cheeky anthropomorphic character with the trunk and ears of an elephant, a necktie and big round eyes). The joy of the newlywed Jewish couples mingled with the traditions of their beloved city to create a perfect celebration that lasted well into the dawn of the next day. oung and old, costumed and more collected, danced the night away covered in corn starch and foam to the rhythms of traditional horas punctuated with salsas, merengues, porros, and chirimías.
Throughout history, Jews have collected the traditions and flavors of the places we have been blessed to call home. With time, these traditions (like the pagan eastern european braided challah) become part and parcel and even representative traditions of Judaism. When I was in Barranquilla I asked the community baker to bake some challot for the Shabbaton in a shape that was unique to their city. He was hesitant, given that these Jews in the warm shores of the Caribbean have adopted the Ashkenazi braided loaf as their Shabbat standard. I insisted. Just before Shabbat I was presented with the most wonderful challah one could want in the Shabbat of Carnaval, a challah that was at once uniquely Barranquilla and deliciously kosher: a Challah in the shape of a Marimonda. I hope that in centuries to come this will be a tradition treasured by these new Barranquillean Jews, proving once again, that the great power of the Jewish people is to absorb the best of the beautiful world around us and by integrating it into our millenary system of holiness, elevate and preserve snapshots of the beautiful diversity that has always surrounded us.
Iris Aluf Medina was born and raised in Turkey and now lives in San Francisco. We met up with this Be’chol Lashon board member ahead of our annual retreat where she will be teaching traditional Turkish Jewish cooking.
Is it true that the Sultan once courted your grandmother?
(Laughs) Yes and no. It was my great grandmother, my mother’s mother. She was very striking, bright blond hair and blue eyes.
So you look like her?
That’s what they say.
Her family dealt in gold and was very wealthy. The family made sure she was educated. She spoke Ladino, Turkish, English and French, which was very unusual. She could also play the piano. Very educated, very refined.
The Sultan came to visit her school and wanted a child to read a poem. The Sultan spoke Ottoman, which was its own language, which no one spoke, but he also spoke French and English so they had to find a kid who spoke one of those languages. They chose my great grandmother because she was 16 blond and pretty, old enough to marry young enough to go to high school. Apparently the Sultan liked what he saw so he sent her a broach as an invitation to his harem. You could not say no to the Sultan.
So what did they do?
The only way out was if she was engaged. So her family got her engaged very quickly. They were wealthy so they made a good match.
At least it ended well.
Not really. Her father was transporting gold one day after the engagement when he was attacked. They took all his gold, beat him and put him in a pit. He was eventually found and rescued but he lost his mind and as a result his business. The engagement fell through. We suspect the Sultan had something to do with this but of course we could not prove it.
What did your great-grandmother do?
She did not marry until she was 26 which in those days was pretty old. She did not know how to cook or clean. She was educated in French and music but not in running a home. They found a French teacher for her to marry. It was the best match but it was a bad marriage.
We say it was the Sultan’s curse: she was never happy again.
Hanukkah is observed with joy and celebration in Jewish communities around the world. There are 8 nights of lights and blessings the world over but there are also many ways different communities make the holiday uniquely their own. Here are 8 customs and ideas to help you make your celebration just a little more global.
1) In Alsace, a region of France, double-decker Hanukkah menorahs were common with space for 16 lights. The two levels, each with spots for 8 lights, allowed fathers and sons to join together as they each lit their own lights in one single menorah.
2) There is a custom of placing your menorah in a place where people will be able to view the lights burning and appreciate the miracle of the holiday. In some Jerusalem neighborhoods, there are spaces cut into the sides of buildings so people can display them outside. Historically in countries like Morroco and Algeria, and even some communities in India, it was customary to hang a menorah on a hook on a wall near the doorway on the side of the door across from the mezuzah.
3) In Yemenite and North African Jewish communities, the seventh night of Hanukkah is set aside as a particular women’s holiday commemorating Hannah whose sacrificed seven sons rather than give in to the Greek pressure to abandon Jewish practice and in honor or Judith, whose seduction and assassination of Holofernes, the Assyrian emperor Nebuchadnezzar’s top general, led to Jewish military victory.
4) Gift giving at Hannukah time is primarily a North American custom, but it is easy to make it global by gifting Jewish items made around the world like hand made necklaces from Uganda, challah covers from Ghana or kippot from China.
5) In Santa Marta, Colombia, Chavurah Shirat Hayyam a new Jewish community, has started their own traditional Hanukkah recipe, instead of eating fried potato latkes, they eat Patacones, or fried plantains.
6) The Ethiopian and parts of Indian Jewish communities split off from the larger Jewish community in ancient time before Hanukkah was established as a Jewish holiday. They only began celebrating Hanukkah in modern times, when their communities were reunited with other Jewish communities.
7) In 1839, thousands of Jews fled Persia, where the Muslim authorities began forcibly converting them, and settled in Afghanistan. While some of them lived openly as Jews, others hid their Jewish identity. When Hanukkah time came around they would not light a special menorah, for fear it would attract the notice of Muslim neighbors. Instead they would fill little plates with oil and set them near each other. If neighbors stopped by, they could simply make the menorah disappear by spreading the plates around the house.
8) The rich culinary traditions of the Moroccan Jewish community know not of potato latkes or jelly doughnuts. Rather they favor the citrusy flavors of the Sfenj doughnut, which was made with the juice, and zest of an orange. Notably, from the early days of nation building in Israel, the orange came to be associated with the holiday of Hanukkah as the famed Jaffa oranges came into season in time for the holiday celebrations.
“Ensuenyo Te Vi”
Three words that normally don’t go together: Ladino, Pop, Pregnant. But in my world they make a perfect fit. Ensuenyo Te Vi is a music track off my latest Ladino (Judeo-Spanish) album, Gracia, named after the 16th century Sephardic heroine, Dona Gracia Naci. She is one of the great women of Jewish history, and yet her story is little told. Born into a family of conversos, Jews who converted to Christianity to save themselves from the Inquisition, Dona Gracia always understood the importance of preserving her Jewish identity. Widowed at 28 as a single mother, she amassed a great fortune and became the richest woman in Europe of the time. And what did she do with the money? She used it to secure safe passage for other Jews escaping the Inquisition and led them to safety in Tiberias, Israel. She saved multitudes through her immense courage, commitment to culture, and her feminine wisdom. And yet, she is but a footnote in most history books.
I wanted to pay tribute to her through many of the songs on my album. I wanted to say gracias to her for leading the way—for serving as a light and role model to me and to so many others.
The choice to include Ensuenyo to Vi, a contemporary Ladino song, not a traditional one from ages past, was a conscious one. Much of what people know about Ladino music comes from a standard repertoire that has been circulating for the last 500+ years. One thing I admire so much about Dona Gracia, is that she was seldom looking backwards; instead she was looking ahead. That is one of my primary goals for preserving Ladino culture as well. In order to keep the culture alive, we need to be writing and performing new works in the language. We need to be reimagining how Ladino culture, in its universality, can appeal to a wide audience today.
I am also indebted to my own family, who came from Macedonia and Greece, for working so hard to preserve our Ladino heritage through hundreds of years and many displacements and wars. As the culture continues to fade, I feel compelled to do what I can to highlight the most beautiful, uplifting message of Ladino. So this song has the simplest of themes, love: I dreamed of kissing you in my sleep, and when I woke up you were right there next to me. When thinking about how to present this song, I decided to literally breathe new life into the accompanying video. I purposely filmed it while 6+ months pregnant!
While very few video examples exist of other pop-style contemporary Ladino songs, I’m proud of the fact that Ensuenyo Te Vi is probably the only Ladino pop video featuring a pregnant singer. Ladino culture is full of life and I hope that my message comes out clear—this is not a dying culture. Far from it. Ladino is pregnant with possibilities to continue and thrive for a new audience and generation to come. I hope Dona Gracia would be proud.
Sarah Aroeste is an international singer of contemporary Ladino music She can be booked for appearances. Her third album, ‘Gracia,’ a mix of feminist, experimental and original Ladino songs, was released last year.