Regina Spektor Blows (the Shofar)

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Apropos of nothing:

Oh, Jewish blogging world, you are losing your touch.

Or maybe I’m just losing touch with you. Last Rosh Hashanah, Regina Spektor — whose song “Laughing With,” by the way, was just named one of the Best Lyrics of 2009 by, um, us — blew a shofar at one of her concerts.

regina spektor blows a shofar

This might be Regina overkill. After all, we’ve already reviewed her new album and blogged about her song lambasting Holocaust deniers. But as long as she keeps being cheeky and inventive and writing crazily good songs, we’ll probably keep writing about it. And, with the recent tragic loss of YIDCore — the only band I’ve ever seen with enough chutzpah to blow hummus out of a shofar and onto their audience — well, somebody needs to step up and take the mantle of introducing traditional Jewish instruments into pop music.

Thank you, ReSpekt Online, for keeping me in the loop. *Ahem.*

Posted on December 31, 2009

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  2. shofar2211

    Shofar as a Temple Musical Instrument
    Arthur L. Finkle
    The Shofar is the only musical Jewish musical instrument that survived two millennia in its original form and is still used to the sounding of the Shofar. Rabbi Saadia Gaon (11th century) stated that the sound of the Shofar raised awe and emotion in the hearts and souls of the people. Maimonides interpreted the sounding as reminding humankind of its duties to God. The mystical Zohar holds that the sound of the Shofar awakens the Higher Mercy.
    The Shofar is the most-mentioned instrument in the Bible (72 times). It held a special religious and secular role in the life of the Jewish people. Only Priests and Levites were allowed to perform the religious function of blowing instrument of ancient Israel the Shofar in the Jewish Commonwealth.
    The shofar is first mentioned in Exodus 19:16 at the theophany on Sinai. It was used to proclaim the Jubilee Year and the proclamation of “freedom throughout the land” (Lev. 25:9–10); this verse is engraved upon the Liberty Bell in Philadelphia, Pennsylvania. It was to be sounded on Rosh Ha-Shanah, which is designated as “yom teru’ah” (“A day of blowing”; Num. 29:1). It was also used as an accompaniment to other musical instruments (Ps. 98:6), in processionals (Josh. 6:4ff.), as a signal (Josh. 6:12ff., II Sam. 15:10), as a clarion call to war (Judg. 3:27), and in order to induce fear (Amos 3:6).
    When used in the Temple, the shofar was usually sounded in conjunction with the trumpet (hazozrah). The Talmud (RH 27a) states that the trumpet was made of silver while the processed horn of one of the five species of animal—sheep, goat, mountain goat, antelope, and gazelle—was used to fulfill the ritual commandment of the sounding of the shofar. It further declares (ibid. 26b) that the shofar should preferably be made of a ram’s or wild goat’s horn, because they are curved. Rabbi Judah states “the shofar of Rosh Ha-Shanah must be of the horn of a ram, to indicate submission.” Traditionally a ram’s horn is sounded on those days because of its connection with the sacrifice of Isaac (the Akedah), the story of which is the Torah reading for the second day of the festival. Conversely, a cow’s horn may not be used because of the incident of the golden calf (RH 3:2). The shofar may not be painted, though it can be gilded or carved with artistic designs, so long as the mouthpiece remains natural. A shofar with a hole is deemed halakhically unfit, though it may be used if no other is available (Sh. Ar., OH 586).

    The Shofar had several religious roles recorded in the Tanakh (the Bible), such as the transfer of the Ark of the Covenant (2 Sam. 6:15; Chronicles 15:28); the announcement of a New Moon (Psalms 81:4); the beginning of the religious New Year (Num. 29:1; the Day of Atonement (Lev. 25:9); the procession preparatory to the Feast of Tabernacles (Mishnah Hullin 1:7)’ the libation ceremony (Mishnah: RH 4:9); and the Havdalah ceremony marking the end of a festival (Mishnah, Hullin 1:7)

    In addition, the Shofar had a number of secular roles, such as coronating a king (2SAam, 5:10; 1 Kings 1:34; 2 Kings 1:13) and signaling in times of war to assemble troops to attack, to pursue, and to proclaim victory (Num. 10:9; Judges 6:4; Jeremiah 4:5 and Ezekiel 33:3-6)

    Sacrificial Cult

    After the King David supervised the building of the first Temple (1000 BCE), he dedicated holy building as a sanctuary to house the written law (10 commandments) and to practice the sacrificial cult (which was how poepole in the Middle East worshipped.)

    The Sacrificial Ceremony

    The Priests consecrated two different types of sacrifices: meat and dough. For both of these ceremonial rites, When the Priests stood on top of the ramp holding the parts of sacrifice, placing them into the fire as he carried them up. He then throws the sacrifice into the great fire; he walks over and places it neatly on the burning logs.

    Accompanying this ritual were a choral group and a small orchestra. Special lyrics and songs played according the time of the week and the type of sacrifice (the Bible counts 5 different types of sacrifices in Leviticus 1:1).

    Leviticus 1-7 gives the most detailed description of Israel’s sacrificial system. Rituals performed after childbirth (Leviticus 12:6-8), for an unclean discharge (Leviticus 15:14-15) or hemorrhage (Leviticus 15:29-30), or after a person who was keeping a Nazirite vow.

    1. Burnt offering (olah). The burnt offering was offered both in the morning and in the evening, as well as on special days such as the Sabbath, the new moon, and the yearly feasts (Numbers 28-29; 2 Kings 16:15; 2 Chronicles 2:4; 2 Chronicles 31:3; Ezra 3:3-6). was defiled (Numbers 6:10-11) required a burnt offering, as well as a sin offering.
    The animal for this sacrifice could be a young bull, lamb, goat, turtledove, or young pigeon; but it had to be a perfect and complete specimen. The type of animal chosen for this sacrifice seems to be dependent on the offerer’s financial ability.
    2. Grain offering (minchah; “meat offering” in KJV). An offering from the harvest of the land is the only type that required no bloodshed. It was composed of fine flour mixed with oil and frankincense. Sometimes, this offering was cooked into cakes prior to taking it to the priest. These cakes, however, had to be made without leaven. Every grain offering had to have salt in it (Leviticus 2:13), It may have symbolized the recognition of God’s blessing in the harvest by a society based to a large degree on agriculture. The bringing of a representative portion of the grain harvest was another outward expression of devotion.
    3. Peace offering . This consisted of the sacrifice of a bull, cow, lamb, or goat that had no defect. As with the burnt offering, the individual laid a hand on the animal and killed it. The priests, in turn, sprinkled the blood around the altar. Only certain parts of the internal organs were burned. The priest received the breast and the right thigh (Leviticus 7:28-36), but the offerer was given much of the meat to have a meal of celebration (Leviticus 7:11-21).
    4. Sin offering was designed to deal with sin that was committed unintentionally. The sacrifice varied according to who committed the sin. If the priest or the congregation of Israel sinned, then a bull was required. A leader of the people had to bring a male goat, while anyone else sacrificed a female goat or a lamb. The poor were allowed to bring two turtledoves or two young pigeons.
    5. Guilt offering. This is hard to distinguish from the sin offering (Leviticus 4-5). In Leviticus 5:6-7, the guilt offering is called the sin offering. Both offerings also were made for similar types of sin. The guilt offering was concerned supremely with restitution. Someone who took something illegally was expected to repay it in full plus 20 percent of the value and then bring a ram for the guilt offering. Other instances in which the guilt offering was prescribed included the cleansing of a leper (Leviticus 14:1), having sexual relations with the female slave of another person (Leviticus 19:20-22), and for the renewing of a Nazirite vow that had been broken (Numbers 6:11-12).
    The burnt, grain, peace, sin, and guilt offering composed the basic sacrificial system of Israel. These sacrifices were commonly used in conjunction with each other and were carried out on both an individual and a corporate basis. The sacrificial system taught the necessity of dealing with sin and, at the same time, demonstrated that God had provided a way for dealing with sin.
    Although the Prophets excoriated the sacrificial rites because the people seemed to be more impressed with ritual than why the rituals were offer3ed, the prophets did not want to abolish the sacrificial system.
    Interestingly the sacrifice system is found in the New Testament. The New Testament consistently describes Jesus’ death in sacrificial terms. Hebrews portrays Jesus as the sinless high priest who offered himself up as a sacrifice for sinners (Leviticus 7:27). The book ends with an encouragement to offer sacrifices of praise to God through Jesus.
    After the Romans destroyed the Holy Temple, the sacrificial cult terminated. During this time, moreover, the early Church also disbanded the sacrificial rites because Christianity began to differ materially form Judaism.

    Thereafter, two Priests stood atop of a marble stand near the altar signaling trumpet blasts: tekiah, tekiah and teruah. A long note followed a series of short notes; then another long note.

    On Rosh Hashanah and other full holidays (Day of Atonement, Ingathering of the harvest [Succot], Passover and the Feat of Weeks – Pentecost) a single Priest perfected two sacrifices in honor of the full holiday, Note that festivals such as Hanukah and Purim), are not considered full holidays requiring an extra sacrifice. On Rosh Hashanah, something special occurred during the special sacrifice. Arguably two Shofar Sounders played the long notes and one Trumpet player played the short note. Accordingly, Rosh HaShanah is called Yom Teruah (the day of the blast) Otherwise, the Trumpets had “top billing.” Rosh Hashanah27a, supports this claim: “Said Raba or it may have been R. Joshua B. Levi: What is the scriptural warrant fore this? – Because it is written, “With trumpets and the sound of the Shofar shout ye before the King in the Temple, we require trumpets and the sound of the Shofar; elsewhere not.” See also Sidney B. Hoenig, Origins of the Rosh Hashanah Liturgy, The Jewish Quarterly Review, New Series, Vol. 57, The Seventy-Fifth Anniversary Volume of the Jewish Quarterly Review (1967), pp. 312-331. • Published by: University of Pennsylvania Press.
    http://www.jstor.org/stable/1453499. Accessed December 31, 2009

    Indeed, on Yom Kippur, the Shofar was sounded to announce the Jubilee Year (every 50-years, Jews were granted freedom, forgiveness and debts and reclamation of sold lands. Shofar first indicated in Yovel (Jubilee Year – Lev. 25:8-13). Indeed, in Rosh Hashanah 33b, the sages ask why the Shofar sounded in Jubilee year. Further support is found in Rosh Hashanah 29a, where the Talmud talks of trumpets for sacrifices but Shofar in the Jubilee Year does not apply to priests who are exempt from the obligations of the jubilee. Perhaps, we have the first mention of Shofar Sounding by non-Priests. Perhaps the first distancing away from the Sacrificial Cult.

    Otherwise, for all other special days, the Shofar is sounded shorter and two special silver Trumpets announced the sacrifice.

    When the trumpets sound the signal, all the people who are within the sacrifice prostate themselves, stretching out flat, face down and on the ground.

    Indeed, the idea that rabbinic prayer modeled itself of that of the
    Temple is supported by:

    • Jeffrey H. Tigay. On Some Aspects of Prayer in the Bible, AJS Review, Vol. 1, (1976), pp. 363-379, Published by: Cambridge University Press on behalf of the Association for Jewish Studies

    • Holman Bible Dictionary: http://www.studylight.org/

    • Arthur L. Finkle, , Easy Guide to Shofar Sounding, Torah Aura, Los Angeles, CA, 2002.

    Further support for this occurrence come from Alfred Edersheim, a 19th century biblical scholar:

    The shofar was blown at the temple to begin the Sabbath each week. There was within the temple an inscription on the lintel of the wall at the top of the Temple that said, “To the house of the blowing of the trumpet (shofar)”. Each Sabbath 2 men with silver trumpets and a man with a shofar made three trumpet blasts twice during the day. On Rosh haShanah, this was different. The shofar is the primary trumpet. According to Leviticus 23:24 and Numbers 29, Rosh HaShanah is the day of the blowing of the trumpets. The original name is Yom (Day) Teruah (The staccato sound of the horn, which also means “Shout”). According to the Mishnah (Rosh HaShanah 16a, Mishnah RH 3:3), the trumpet used for this purpose is the ram’s horn, not trumpets made of metal as in Numbers 10. On Rosh HaShanah, a shofar delivers the first blast, a silver trumpet the second, and then the shofar the third.
    Alfred Edersheim, by boldly setting out his aim: It has been my…” published in 1874, republished by Gregal Publishing, Grand Rapids, MI 1997.
    Another source bespeaks this conclusion:
    According to rabbinic tradition, “In the Temple on Rosh Hashanah two men blowing silver trumpets stood on either side of the one who blows the Shofar. Citing the Gemara, referring to verses [Psalms 47:5; 81:3; 98:6; 150:3] requiring trumpets along with the Shofar,”we also read that, “A community beset by calamity is under a Rabbinic obligation to…[be] assembled for supplication and prayer, and this is always accomplished with trumpets, as written in Numbers 10:2”
    And they shall be yours for summoning the assembly….we sound the trumpets in order to stir the hearts of the people and bring them to repentance by causing them to realize that the disaster resulted because of their sins. In the Temple, shofars were blown along with the trumpets. The shofar [blows] short…and the trumpets [blow] long…for the primary commandment is with trumpets.”
    In these rabbinic statements, the word “Shofar” is footnoted: “The use of two Shofars, one on each side, is a Rabbinic innovation, to publicize that the special mitzvah of the day is with trumpets (Rosh HaShanah also called Yom Teruah).” “Trumpets” is footnoted with: “The purpose of sounding an instrument on a fast day is to assemble the people for supplication and prayer….blowing the trumpets is more important, for it is mandated by the Pentateuch, whereas the Shofar accompaniment is derived from the aforementioned verse in Psalms” (Schottenstein Gemara, chap. 3, “Rosh Hashanah 24b2, notes 21, 24, 27,28, Mesorah Publications, Brooklyn, NY.) Also see The Writings of Flavius Josephus, “Antiquities of the Jews,” Bk. 3, Chap. 12, http://www.bible.crosswalk.com.)

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