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“I felt a deep social sense about what I wanted to express, and…the things that affected me deeply personally [are] what I did, and commented on.”
Anna Sokolow was a dancer and choreographer of uncompromising integrity. Believing strongly that dance could be more than mere entertainment, she explored the most pressing issues of her day–from the Great Depression, to the Holocaust, to the alienated youth of the 1960s–and challenged her audiences to think deeply about themselves and their society.
A key figure in the development of modern dance in both Israel and Mexico, Sokolow worked in numerous countries, from Holland to Japan. She also worked with a variety of theatre forms; in addition to regular involvement with both Broadway and off-Broadway stage productions, she often experimented with combining dance, mime, and the spoken word into a single piece.
Sokolow frequently found inspiration in Jewish history and culture. Not only did her upbringing amidst the left-wing movements of New York’s Jewish immigrant communities shape her interest in social and political injustices, but biblical and modern Jewish figures, Jewish rituals, and other Jewish themes formed the basis of diverse compositions.
Sokolow’s compositions were generally abstract; rather than following a narrative structure, they searched for truth in movement and examined a broad range of human emotions. Exploring as they did many of the social, political, and human conflicts that characterize life in the modern world, they often left viewers feeling shaken and disturbed.
But even when dealing with the darkest of subjects, Sokolow’s appreciation of the dignity of the human spirit and its resilience in the face of trouble and despair was evident. As a reviewer wrote in 1967, “Miss Sokolow cares–if only to the extent of pointing out that the world is bleeding. I find hope in such pessimism.”
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